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Fashion and Film > Week 4 > Flashcards

Week 4 Flashcards

1
Q

Art movement that arose during the Industrial Revolution in response to new worlds of commerce, industry, urban growth and a rising middle class.

A

Realism

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2
Q

Art movement that favoured urban/working class in representation. Frankness.

A

Realism

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3
Q

Formally, the story is presented in an unobtrusive, almost invisible way so that the characters and actions seem to exist on their own.

A

Realism

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4
Q

Conveys an everyday reality as most people experience. Aligns itself with the rising middle class and its public and private struggles.

A

Realism

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5
Q

What art movement does Precious fall under?

A

Realism

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6
Q

Situations and qualities as if they could be true. They made not be in accurate representation of everyday life or history but they are plausible in any given genre.

A

Hollywood Realism

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7
Q

Coherent space and time, characters with recognizable traits and a linear narrative (actions, reactions, results) are examples of…

A

Common Sense Tenants

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8
Q

Resolution of familiar issues, realistic or fantastical setting and autonomous worlds are examples of…

A

Common Sense Tenants

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9
Q

Mythic view that sees the social world as fixed, permanent reality with undeniable values and beliefs.

A

Dominant Ideology

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10
Q

Values and beliefs that reinforce the status quo.

A

Dominant Ideology

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11
Q

Reinforces common sense belief that the way things appear to be are the way things are.

A

Dominant Ideology

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12
Q

Can naturalize a way of seeing the world or an ideology so that it no longer seems constructed or debatable.

A

Dominant Ideology

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13
Q

Arose as a reaction to the apparent sacrifice of high art traditions to commercialism and the collapse of the social order signaled by the carnage of WW1.

A

Modernism

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14
Q

Art movement that is not realistic nor idealistic.

A

Modernism

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15
Q

Formally, the story making is very noticeable and collage and montage are employed.

A

Modernism

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16
Q

The interior subjective life of the individuals is explored including consciousness, memory and desire in addition to the social reality.

A

Modernism

17
Q

Art movement that is a critique of modernity.

A

Modernism

18
Q

Rejected conventions of art in the 1800s.

A

Modernism

19
Q

Fragmentation, alienation and anonymity.

A

Modernism

20
Q

Attention to the physical qualities of materials unadorned shapes and structural foundation.

A

Modernism

21
Q

Draws attention to the act of narration and construction of the story word.

A

Modernism

22
Q

Combining different types of materials.

A

Collage

23
Q

Juxtaposition of individual shots.

A

Montage

24
Q

Shock, strange juxtapositions, political overtone. Attack of the status quo.

A

Dada

25
Q

Has a self-referential quality that draws attention to the formal processes to engage with the medium. The way that actions, time or space is related is often vague.

A

Formalism

26
Q

Explores the interior of a characters consciousness without an anchor in reality. Often surreal.

A

Heightened Subjectivity

27
Q

Art movement that rejected the aura of modernism and celebrates the popular of mass media and tradition is cut free of history.

A

Postmodernism

28
Q

Art movement that embraces the marketplace, often in an ironic or cynical way.

A

Postmodernism

29
Q

Implies a blurring of high and low cultural boundaries, the inability to distinguish between the real and the artifice.

A

The Postmodern Condition, Jean-Francois Lyotard

30
Q

The commodification of everyday life. The sense of the fragmentary, ambiguous and uncertain nature of living.

A

The Postmodern Condition, Jean-Francois Lyotard

31
Q

Radical transformation of realism. Rejection of modern elitism.

A

Postmodernism

32
Q

Responds to social issues of globalization. The association of art with national identity diminishes.

A

Postmodernism

33
Q

Formally, the story draws attention to itself through quotation, homage, copying, borrowing and recycling previous work.

A

Postmodernism

34
Q

Formally, mixes popular high art tradition and convention to stress the artifice.

A

Postmodernism

35
Q

Imagined worlds are more like other imagined worlds than reality. Sense of an external social referent decreases as films position with other films with the same formal conventions.

A

Postmodernism

36
Q

Features a questioning individual- questioning power, autonomy and self-control. Less stress on subjectivity.

A

Postmodernism

37
Q

Filmmaker builds their work from the fragments of previous work without claiming originality.

A

Postmodernism

38
Q

The surface of thing. The loss of history. Refusal to hint at hidden depth. Signifiers refer to other signifiers.

A

Postmodernism

39
Q

Paranoia, conspiracy, political cynicisms (the system).

A

Postmodernism

Fashion and Film (2 decks)

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