Week 4 Flashcards

1
Q

What are the four aspects of “The Unknown”?

A
  • The Other
  • The Future
  • The Futility of Human Existence
  • Death
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2
Q

How is “The Future” described?

A

as “a negative temporal space
- I cannot see ‘ahead’ to it
- I am forced to create, and/or anticipate”

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3
Q

What is the dual nature of Death’s impact on human existence?

A

Death creates two possible responses:
- “The Futility of Human Existence”
- “Fervor to Live Brilliantly and Make a Difference.”

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4
Q

What is “Being-toward-Death” and how does it relate to human existence?

A

Being-toward-Death: the awareness of mortality that shapes human existence
- It raises the question “What is certain?” and connects to the futility of human existence

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5
Q

What is the key characteristic of angels in angelology?

A

Angels are “Doers of God’s bidding and order” and “Do not have independent will/agency apart from God.”

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6
Q

What are the three primary roles of angels?

A
  • Warrior
  • Healer
  • Messenger
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7
Q

How does the concept of angels as intermediaries relate to the film “Wings of Desire”?

A

Angels serve as intermediaries between divine and human realms, which is challenged in “Wings of Desire” when an angel chooses to give up this intermediary position to become human.

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8
Q

What is Gabriel’s role in the Book of Daniel?

A

Gabriel appears as an interpreter of dreams, helping Daniel understand prophecies and visions
- helps Daniel interpret dreams about redemption and Israel’s future

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9
Q

What are the key differences between Angels and Jinns in Islamic tradition?

A

Angels: made of light and are complete vessels of God’s will with no independent agency
Jinns: made of fire and have some decision-making agency
- Angels only relay God’s will, while Jinns have more autonomy.

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10
Q

What are the four main characteristics of angels?

A
  • Attentiveness (constant awareness)
  • Focus (single-minded purpose)
  • Obligation/Duty (complete devotion to God’s will)
  • Detachment (separation from human concerns)
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11
Q

Why do angels typically begin their messages with “Fear not”?

A

their true form is meant to inspire awe (combination of wonder and fear)

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12
Q

What is the significance of “fallen” angels?

A
  • represent those who fell from heaven due to pride, arrogance, and putting their own will above God’s
  • In Christian tradition, this is exemplified by Satan, who fell due to pride and refusing to accept God’s plan
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13
Q

What is the significance of Psalm 8 in relation to angels and humans?

A
  • states humans were made “little lower than the angels.”
  • establishes the hierarchical relationship between humans and angels
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14
Q

Why was Berlin chosen as the setting for “Wings of Desire” (Der Himmel über Berlin)?

A

a divided city with angels present in its architecture, symbolizing the divided human condition and need for redemption.

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15
Q

How does “Wings of Desire” reverse traditional religious redemption narratives?

A

Instead of humans seeking heavenly redemption, an angel chooses to fall to Earth for human love, suggesting earthly life has inherent value despite its mortality.

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16
Q

How does the film represent the human condition through the trapeze artist?

A

symbolizes the precarious nature of human existence - living in moments that “appear, shine brightly and then are gone forever,” constantly balancing between life and death.

17
Q

What metaphor does the film use to describe human life?

A

Human life is likened to a circus and its tent
- “filled with art and brilliant color, it then falls apart, drives away in pieces, and leaves behind a pile of dust (and perhaps some baggage).”

18
Q

How does the film’s cinematography reflect the difference between angelic and human perspective?

A
  • The angelic perspective is shown in black and white
  • Human experiences are shown in color
  • Shows the contrast between eternal observation and lived experience
19
Q

What key questions should we ask about redemption in films?

A
  • Who/what is being redeemed?
  • What do we learn about the film’s world?
  • Who constructs truth/reality/meaning?
  • What is made sacred and why?
20
Q

What is the significance of “NOW, NOW, NOW” in relation to the angel’s desire?

A
  • represents the angel’s wish to experience temporal existence rather than eternal existence
  • feel each individual moment
21
Q

How does the quote about “holding an apple” relate to desire and temptation?

A

the desire for physical, sensory experience and the temptation to choose mortal existence over eternal life

22
Q

What is the significance of Damiel’s question “I want to know everything” and the Filmstar’s response?

A

shows the contrast between angelic omniscience and human learning through experience - “You need to figure that out for yourself. That’s the fun of it.”

23
Q

How does phenomenology relate to the film’s portrayal of angels?

A

Angels occupy shots while being invisible, observing with detachment yet intentional interest, similar to how phenomenology studies conscious experience

24
Q

What are the four main components of phenomenology?

A
  • First-person perspective
  • Qualia
  • Consciousness
  • Intentionality
25
Q

What are the different types of experience in phenomenology?

A
  • Lived Experience
  • Embodied Experience
  • Affective Experience
  • Sensory Experience
26
Q

How does “Wings of Desire” demonstrate phenomenological concepts?

A

through the angel’s transition from detached observer to embodied human experience

27
Q

What is the difference between first-person perspective and embodied perspective in phenomenology?

A
  • First-person perspective relates to individual subjective experience
  • Embodied perspective focuses on how we experience the world through our physical body.
28
Q

What is intentionality in phenomenology and how is it defined?

A

defined as “a moving-toward” and “a willing-toward” - it represents consciousness’s directedness toward objects or experiences

29
Q

How does consciousness function in phenomenological analysis?

A

our awareness of experiences and the way we interpret them

30
Q

What is Qualia and why is it significant in the study of consciousness?

A

refers to subjective, conscious experiences (like the taste of an apple or the color blue) that are irreducible and ineffable - meaning they cannot be fully described or communicated to others