Week 2: Canons of Classical Beauty Flashcards
Beginnings of humanism
Began in ancient Greek art, focus on what it means to be human
Significance of sculpture in ancient Greece
Sculpture (and art) overcame mortality and imperfections, bringing the mortal man closer to godhood
Nudity in Greek art
Males were depicted nude because their athleticism was valued; women were almost never nude because they were sexualized
The koros model
Strong young man, rigid, movement is implied with the extended foot; represents arete
Arete
Greek ideal of excellence, strength, modesty, wisdom, etc.
Kritios boy
6th c., shows a more natural stance and marks the beginning of classical period ideals in statues
Contrapposto
Natural stance where the weight is shifted onto one leg, giving the body an s-shaped curve
Relationship of beauty and balance
Mathematical balance in measure and proportion lead to beauty and virtue. Since nature must be in balance, and nature is beautiful, we must also be in balance to emulate it.
The Canon of Polyclitus
How to use math to create beautiful sculpture. All body parts must be in proportion in an elaborate geometric function. (Ex: human body must measure seven heads tall). The goal was to create perfection, not to emulate nature
Doryphoros; The Spearbearer
Exemplar of the Canon of Polyclitus. Also related to Aristotelian beauty ideals because he showed a contribution (protector, spear bearer, etc.)
Symmetria
The concept of symmetry. All measurements in the body should be in unity and harmonized
Kiastic cross
The X that crosses through the body at the shoulder and hip line, creating believable movement
Anologia
Value of proportion; each part of the body must measure in relation to the height of the body and to each other.
Roman effect on Greek art
When they conquered they adopted the Greek ideals of the canon, but pasted roman ideal heads onto the bodies, creating a strange look
Kalos
Greek idea that beauty is subjective and has internal elements. Character is just as important as looks