Week 2: Canons of Classical Beauty Flashcards

1
Q

Beginnings of humanism

A

Began in ancient Greek art, focus on what it means to be human

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2
Q

Significance of sculpture in ancient Greece

A

Sculpture (and art) overcame mortality and imperfections, bringing the mortal man closer to godhood

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3
Q

Nudity in Greek art

A

Males were depicted nude because their athleticism was valued; women were almost never nude because they were sexualized

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4
Q

The koros model

A

Strong young man, rigid, movement is implied with the extended foot; represents arete

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5
Q

Arete

A

Greek ideal of excellence, strength, modesty, wisdom, etc.

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6
Q

Kritios boy

A

6th c., shows a more natural stance and marks the beginning of classical period ideals in statues

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7
Q

Contrapposto

A

Natural stance where the weight is shifted onto one leg, giving the body an s-shaped curve

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8
Q

Relationship of beauty and balance

A

Mathematical balance in measure and proportion lead to beauty and virtue. Since nature must be in balance, and nature is beautiful, we must also be in balance to emulate it.

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9
Q

The Canon of Polyclitus

A

How to use math to create beautiful sculpture. All body parts must be in proportion in an elaborate geometric function. (Ex: human body must measure seven heads tall). The goal was to create perfection, not to emulate nature

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10
Q

Doryphoros; The Spearbearer

A

Exemplar of the Canon of Polyclitus. Also related to Aristotelian beauty ideals because he showed a contribution (protector, spear bearer, etc.)

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11
Q

Symmetria

A

The concept of symmetry. All measurements in the body should be in unity and harmonized

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12
Q

Kiastic cross

A

The X that crosses through the body at the shoulder and hip line, creating believable movement

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13
Q

Anologia

A

Value of proportion; each part of the body must measure in relation to the height of the body and to each other.

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14
Q

Roman effect on Greek art

A

When they conquered they adopted the Greek ideals of the canon, but pasted roman ideal heads onto the bodies, creating a strange look

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15
Q

Kalos

A

Greek idea that beauty is subjective and has internal elements. Character is just as important as looks

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16
Q

Aristotle’s adaptation of the Canon

A

People can be beautiful based on internal and external features. Emphasizes optimum physicality and character; beauty = a body that can hold a soul that is a good person who contributes to society. Offers a moral explanation to why Polyclitus’ theory is the ‘ideal’

17
Q

Physiognomics

A

Aristotelian idea that physiology can track dispositions of character. The best body is one that lies between extremes (symmetria and analogia). Can lead to predjudice

18
Q

Plato’s adaptation of the Canon

A

Virtue was enough to make anyone beautiful. Focus on visual pleasure of the body. Believed bodies are beautiful because they form and participate in the universe. Beauty = a body that fits harmoniously in it’s environment