Week 1 Flashcards
Describe how the piano changed in Romantic music style
- technological improvements (ex. cast iron frame that supported thicker strings-richer tone, invention of “double escapement” action-allowed rapid repetition of individual keys)
- pieces requiring greater virtuosity
Describe the formal structure of Romantic music style
- expansion and development of large forms: symphony, opera, song cycle
- cyclical structure, linking of movements
- development of miniature forms (ex. Lieder)
Describe the dynamic range of Romantic music style
- expanded to extreme levels
- markings in score are more specific (compared to earlier eras)
How did social changes in the 19th century affect music?
- audiences of a wide spectrum of social classes
- growing number of amateur musicians, ensembles, and choirs
- more concerts, need for more performance venues
- emergence of many virtuoso musicians
Describe the rhythm of Romantic music style
- increasingly complex and varied
- use of cross-rhythms, hemiola, irregular groupings
- tempo rubato applied by the performer (expressive speeding up or slowing down)
Describe the orchestral instruments of Romantic music style
- expansion of orchestra to include: harp, piccolo, English horn, trombone, tuba, contrabassoon
- improvements to instruments (ex. 7 pedals added to harp, enabling it to play in all keys)
- composers inspired to exploit expanded capabilities of instruments in demanding and virtuosic works
Name 4 non-musical people that reflect the spirit of Romanticism
- Johann Wolfgang von Goethe
- Napoleon Bonaparte
- Caspar David Friedrich
- Charles Dickens
Describe the harmony of Romantic music style
- increased chromaticism
- exploration of new tonal centres (ex. mediant, submediant)
- exploration of modal harmony
Describe the melody of Romantic music style
- lyrical and expansive
- influenced by folk song and dance
Describe how programmatic music was an element of Romantic music style
- trend in 19th century music
- instrumental music with extra-musical associations (literary, poetic, visual)
- descriptive titles that evoke listener’s imagination
- orchestral genres included concert overture, symphonic poem, program symphony, and incidental music
What are 11 attitudes of 19th century art and music?
- Sehnsucht (yearning for the unattainable)
- Individualism
- Heightened emotionalism
- Weltschmerz (growing pessimism)
- Exoticism (distant, foreign)
- Nationalism
- Escapism
- Fascination with the supernatural
- Morbid fascination with death
- Art as religion
- Adoration of nature