We Need to Talk About Kevin Flashcards

1
Q

What are the three ideological approaches we studied?

A

Women as ‘The Mother’
Psychoanlysis
Queen Theory

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2
Q

Summarise the theory of ‘The Monstrous Womb’

A

Creed suggest the male body has integrity. The female body is ‘vulnerable’ to the changes of pregnancy, which evoke FEAR from male-positioned audiences. Women giving birth to ‘monsters’ symbolise this fear.

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3
Q

Summarise the Oedipus complex

A

Psychoanalytical idea of Freud’s, describes the feelings of DESIRE a boy has for his mother, and his jealousy of the father, who detracts from her attention.

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4
Q

What is the ‘Primal Scene’ and how does it relate to the Oedipus complex?

A

The mother and father having sex. If a child witnesses this, Freud says that the feelings of arousal, confusion and upset lay the foundations for the Oedipus Complex.

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5
Q

What is Julia Kristeva’s definition of ‘The Abject’?

A

That which “…disturbs identity, system [and] order.” For example, bodily horror and mutation.

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6
Q

What does Judith Butler say About gender?

A

Gender is performative, a decision we make based on our socialisation. Gender exists on a sliding scale between the two hegemonic descriptions of masculinity and femininity.

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7
Q

What is Queer Theory in cinema?

A

Plays on our fear of the other and internalised queerphobia by depicting antagonists as possessing ‘queer’ traits that exist outside of the heteronormative gender binary.

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8
Q

What is queercoding and what issue does it represent?

A

Heteronormativity = Trustworthy
Queering = Untrustworthy, deviant

Fixed ideas of otherness often lead to suspicion, maltreatment oppression and violence.

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9
Q

Examples of bodily horror / “The Monstrous Womb” in WNTTAK

A

-Tomato festival, use of red to represent blood/menstruation positioned over Eva’s crotch.

-Pregnancy class shot, frame crowded by naked bellies, Eva is the only one covered, bellies loom into shot, framed centrally.

-Birth Scene, Eva’s reflection in the surgical steel, distorted and mutated - fits Kristeva’s definition of the abject

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10
Q

Examples of Oedipus Complex in WNTTAK

A

-Broken arm, Kevin doesn’t tell Franklin it was Eva, protects his mother?

-Kevin witnesses the ‘Primal Scene’

-Eva reads Robin Hood to him, rare moment of bonding between them, he gets a bow and arrow - perverts their shared moment with violence, is the gesture for her?

-Eva sees Kevin staring at her portrait at the bookshop, bus obscures her view he’s gone, was it him?

-He hears “Custody is a no-brainer”, THEN commits massacre (making sure to kill Franklin and Celie), to stop loss of his mother? (Spared)

-Final sequence, Lonnie Donegan sings nobody’s child - “eyes that could not see” - references the blinding of Oedipus; symbol of Kevin’s guilt?

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11
Q

Examples of Queer Theory/queering of character?

A

-Cinematography sexualises Kevin in a way we’d expect to see a woman (Male Gaze)

-Kevin and Eva’s costume, she has short hair, he has long. He wears crop tops, she wears loose shirts.

-Casting, Ezra Miller/Tilda Swinton both known for playing more androgynous characters, John C. Reilly represent the comically heteronormative ‘everydad’ in comparison.

-Personality/Performance, Eva’s harshness might be ‘powerful’ in a man, she is driven and successful - comes off as a hardened biznatch.

-Gender as performative, she acts as a stay at home mum, despite being the major bread winner, Franklin goes off to work and appears to be classic masculine breadwinner, superficially gender roles are maintained- realistically not so simple.

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12
Q

Story Todorov of WNTTAK?

A

Equilibrium; domestic life, lack of freedom

Disruption; massacre, release of psychic energy

Quest; Eva tries to make sense of the killings

New Equilibrium; She realises Kevin has no answers for her, either; kills herself; accepts Kevin and motherhood; leaves him and disappears

———–OR————-

Equilibrium: Eva’s freedom and career

Disruption: Kevin’s birth

Quest: Motherhood

New Equilibrium: Eva fails as mother, left to pick up the pieces.

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