Waiting for Godot Flashcards

1
Q

Socio-Political Influences (5)

A
  • Aftermath of the second World War
  • Despair and waste of human life
  • Fear of another nuclear war
  • Inhumanity (concentration camps)
  • Existentialism
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2
Q

Playwright’s intention (3)

A
  • conveying mystery, bewilderment and anxiety (though the inability to find meaning)
  • Tragicomedy
  • Self assessment and realisation of ones’ existence
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3
Q

Style (6)

A
  • metaphorical roots
  • Absurd (trying to find meaning in devastation)
  • tragedy (deals with serious topics in a serious manner)
  • Comedy (deals with humorous topics in an amusing manner)
  • Tragicomedy (combination of both)
  • WFG (deals with serious topics in humorous ways)
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4
Q

Themes (4)

A
  • time (when we are busy we don’t notice the passage of time)
  • Religious (uncertainty or hope and salvation)
  • Paradox or life and death (the only certain thing in our life is death)
  • Hostile Universe (a lack of control in ‘mans’ life)
  • breakdown of communication / evaluation of language (meaningless time-filler)
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5
Q

symbols (4)

A
  • hats (a symbol of their identities)
  • waiting (meaninglessly waiting for something that could never arrive)
  • duality (everything that means something comes in pairs)
  • the tree (prominent piece of set, also relates to life and death)
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6
Q

Characters (5)

A
  • Vladimir (more dominant, more intellectual, better memory and more logical)
  • Estragon (inferior, boots hurt him, can be interchangeable at times with Vladimir)
  • Pozzo (cruel, tyrannical and self-obsessed)
  • Lucky (dehumanised as a slave to be like a dog, bound to a rope, instructed for anything, thinker)
  • boy (Godot’s messenger)
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7
Q

structure (9)

A
  • what is said links directly to the manner in which it’s said
  • Repeated patterns of action (2 acts, verbal exchange)
  • no conflict
  • no logical time sequences, causes or effects
  • arbitrary
  • cyclical / circular
  • surreal quality
  • linear development of events
  • repetition
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8
Q

setting (5)

A
  • simple and universal
  • desolate and barren
  • old road
  • tree
  • rubble
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9
Q

presentation

A
  • lighting (gives the set a cold and isolated feel)
  • costume (shabby, ‘tramp’ like, as if they have been to war)
  • set (windswept tree and rubble)
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10
Q

acting style

A
  • rhythms and patterns in language
  • hyper concentration (even in static movements)
  • emotionally connected with the disillusion and agony of nothing
  • carnival acting
  • music hall, lauren and hardy, charlie chaplin
  • heightened energy, physical comedy, moments of action and stillness
  • exaggerated and focused
  • representative of mankind in general
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