W6: Audition Flashcards

1
Q

define

Sounds

A

audible variations in air pressure

almost anything that can move air molecules can generate sound

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2
Q

state

Audible Frequency Range of Humans

A

20Hz - 20,000Hz

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3
Q

Frequency of Sound

A

number of compressed or rarefied patches of air that pass by our ears each second

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4
Q

One Cycle of Sound

A

the distance between successive compressed patches

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5
Q

Hertz (Hz)

A

units expressing sound frequency, number of cycles per second

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6
Q

kind of a trick question – so like not a number

At what speed to sound waves propagate?

A

All sound waves propagate at the same speed!

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7
Q

Pitch

A

Whether a sound is perceived to have high / low tone, as determined by frequency

higher frequency = higher pitch
lower frequency = lower pitch

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8
Q

Intensity / Amplitude

A

Property of a sound wave - the difference in pressure between compressed and rarefied patches of air

Sound intensity determines the loudness we perceive (louder sounds having higher intensity)

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9
Q

List

First Stages of the Basic Auditory Pathway

A

Pinna -> Ear Canal -> Tymp. Memb. -> Ossicles -> Oval Window -> Cochlea

  1. Sound waves move the tumpanic membrane (bubinek)
  2. Ossicles (maleus, incus, stapes) move the membrane (footplate) at the oval window
  3. Motion at the oval window moves the fluid in the cochlea
  4. Movement of the fluid in the cochlea causes a response in sensory neurons (hair cells -> spiral ganglion)
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10
Q

define

Pinna

A

helps collect sounds from a wide area, its convolutions playing a role in localising sounds

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11
Q

define

Ear / Auditory Canal

A

entrance to the internal ear, extending ca. 2.5cm inside the skull before ending at the tympanic membrane

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12
Q

define

Ossicles

A

Maleus, Incus, Stapes
Series of bones connected to the medial surface of the tympanic membrane.

Smallest bones of the body

latin for “little bones”

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13
Q

define

Oval Window

A

Hole in the bone of the skull (covered by the footplate of the stapes)

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14
Q

define

Cochlea

A

Spiral cavity of the inner ear (fluid-filled) behind the oval window, containing the apparatus for transforming the physical motion of the oval window into a neural response (TRANSDUCTION)

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15
Q

MGN

A

Medial Geniculate Nucleus

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16
Q

list

Components of the Middle Ear (3)

A
  1. ONE tympanic membrane
  2. TWO tiny muscles attaching to ossicles
  3. THREE ossicles
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17
Q

Eustachian Tube

A
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18
Q

Ossicle 1

A

Maleus (hammer)
attached to tympanic membrane

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19
Q

Ossicle 2

A

Incus (anvil)

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20
Q

Ossicle 3

A

Stapes (stirrup)
its movements transmit sound vibrations to cochlea fluids

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21
Q

state

Role of Ossicles

A

sound force amplification

the fluid in the inner ear resists being moved much more than air does do more pressure is needed to vibrate the fluid than air can provide. The ossicles provide this necessary amplification in pressure

because

Pressure = force exerted / SA

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22
Q

state

Two Muscles Attached to the Ossicles

A
  1. Tensory Tympanu Muscle
  2. Stapedius Muscle
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23
Q

define

Sound Attenuation

A

Response to the onset of a loud sound that triggers a neural response that causes these muscles to contract. When these muscles contract, the chain of ossicles becomes more rigid, and sound conduction to the inner ear is greatly diminished. Sound attenuations is much greater at low frequencies than at high frequencies.

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24
Q

role of cohclea - state

Cochlea

A

Plays role in transforming sound into a neural signal

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25
Q

list

3 Fluid-Filled Chambers of the Cochle

A

(TOP) Scala Vestibuli
(MIDDLE) Scala Media
(BOTTOM) Scala Tympani

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26
Q

define

Reissner’s Membrane

A

Separates scala vestibuli from scal media

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27
Q

define

Basilar Membrane

A

Separates scala vestibuli from scala media

@ APEX, scala media is closed off, scala tympani becomes continuous with scala vestibuli at hole in membrane HELICOTREMA
@ BASE, scala vestibuli meets the oval window, scala tymoani meets the round window

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28
Q

define

Organ of Corti

A

Sits upon basilar membrane and contains auditory receptor neurons

Three components:

  1. hair cells
  2. rods of corti
  3. supporting cells
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29
Q

deine

Tectorial Membrane

A

hangs over organ of corti

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30
Q

Define

Perilymph

A

Fluid in scala vestibuli and scala tympani with an ionic content similar to that of CSF (low K+, high Na+)

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31
Q

define

Endolymph

A

Fluid in scala media, extracellular fluid with an ionic content similar to that of intracellular fluid (high K+, low Na+)

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32
Q

define

Stria Vascularis

A

Endothelium lining one wall of scala media and contacting the endoly,ph, responsible for difference in ionic content which is generated by active transport processes at this site

33
Q

Endocochlear Potential

34
Q

2 (Related) Properties of Basilar Membrane

A

i. Wider at apex than base by factor of ca. 5
ii. Stiffness of membrane decreases from base to apex

35
Q

Where does higher frequency get ‘collected’ on the basilar membrane?

36
Q

Where does lower frequency get ‘collected’ on the basilar membrane?

37
Q

Place Code

A

where the vibration happens tells the brain what frequency the sound is

38
Q

Tonotopy

A

Frequency-based organisation (like frequency map in the auditory system) – analogous to retinotopy in visual system

39
Q

Auditory Receptor Cells

A

located in organ of Corti

converting mechanical energy into changes in membrane polarisation

40
Q

Stereocilia

A

At tops of hair cells, extend above reticualr lamina into the endolymph, their tips ending either in the gelatinous substance of tectorial membrane (outer HCs) or just below tectorial membrane (inner HCs)

41
Q

Organ of Corti Sandwich

A

TOP: tectorial membrane
MIDDLE: HCs
BOTTOM: Basilar membrane

with reticular lamina holding everything n place (goo)
with rod of corti spanning the layers, providing structural support

42
Q

function

Receptor Potential

A

facilitates signal transduction

43
Q

Steps

How transduction channels are believed to function

A
  1. Entry of K+ into hair cells via stereocilia, causing depolarisation
  2. Depolarisation activates voltage-gated Ca2+ channels
  3. Entry of Ca2+ triggers release of neurotransmitter glutamate (excitatory)
  4. Release of glutamate activates spiral ganglion fibers lying postsynaptic to the hair cell
44
Q

Molecular ID of Ion Channels @ Tip of Stereocilia

A

Unknown! :D

45
Q

Projections of Spiral Ganglion Neurons to HC Types (distribution)

A
  • 95% of neurons connect to inner HCs (one HC to many neurons)
  • 5% of neurons connect to outer HCs (many HCs to one neuron)
46
Q

state

Role of Outer HCs

A

Cochlear Amplification

Action of outer HCs on the basilar membrane whereby they seem to act like tiny motors that amplify the movement of the basilar membrane during low-intensity sound stimuli. This amplification system relies on 2 molecular mechnanisms.

47
Q

2 Molecular Mechanisms on which Cochlear Amplification Depends

A
  1. Motor Proetins in Outer HC (prestin)

Prestin does not use ATP (cellular energy) but driven by receptor potential, makit it super speedy :))

  1. Mysosin in Tip Links

Contractile protein attached to tip links of stereocilia, may somehow rapidly enhance movement of hairs in response to weak sounds

48
Q

Nerve via Which Afferent Fibers Travel From the Spiral Ganglion

A

Auditory-Vestibular Nerve (Cranial Nerve VIII)

49
Q

@ Level of Medulla, Axons Synapse…

A
  1. Dorsal Cochlear Nucleus
  2. Ventral Cochlear Nucleus

each axon branches to innervate both cochlear nuclei ipsilateral to the cochlea where the axons originated

50
Q

Primary Route from Cochlear Nuclei to Auditory Cortex

A

Ventral Pathway

51
Q

Characteristic Frequency (CF)

A

Frequency at which a neuron is most responsive

52
Q

Frequency Tuning

A

Neurons show increased firing rates when stimulated at their CF, and diminished firing at neighbouring frequencies.

LOCATION-BASED SENSITIVITY

53
Q

2 Interrelated Ways in Which Sound Intensity is Encoded

A
  1. Firing Rates of Neurons
  2. Number of Active Neurons

the loudness we perceive is correlated with the number of active neurons in the auditory nerve (and throughout the auditory pathways) and with the firing rate

54
Q

Frequency Sensitivity

A

Largely a consequence of the mechanisms of the basilar membrane, because different portions of the membrane are maximally deformed by the sound of different frequencies

55
Q

Nature of the Tonotopic Map in the Auditory Nerve

A

Corresponds with HCs

  • Auditory nerve fibers connected to HCs near apex have low CFs
  • Auditory nerve fibers connected to HCs near base have high CFs
56
Q

define

Phase-Locking

A

Consistent firing of a cell at the same phase of a sound wave, shown in recording made from neurons in the auditory nerve

frequency of sound = frequency of neuron’s APs

happens with up to 5 kHz, then not phase-locked and just tonotopy

57
Q

define

Volley Principle

A

It is likely that intermediate sound frequencies are represented by pooled activity of number of neurons, each of which fires in a phase-locked manner

58
Q

Duplex Theory of Sound

A

The 2 processes:

  1. ITD
  2. IID
59
Q

Interaural Time Delay (ITD)

A

For sounds in range 20 Hz - 2000 Hz

Difference in time it takes for sound to reach each ear. When a stimulus moves, sound will reach one ear before the other.

60
Q

Interaural Intensity Difference

A

For sounds in range 2,000 Hz - 20,000 Hz

Exists between the 2 ears, because the head effectively casts a sound shadow with a direct relationship between the direction from which the sound comes and the extent to which your head shadows the sound to one ear

61
Q

Monaural Neurons

A

Only respond to sound presented to one ear

62
Q

Binaural Neurons

A

Responses are influenced by sound at both ears, present at all later stages of processing in the auditory system & important for sound localisation in the horizontal plane

63
Q

First Structure in Pathway at Which Binaural Neurons are Present

A

Superior Olive

64
Q

Delay Lines

A

Arrival of a spoke from one side is delayed just enough that it coincides with the arrival of a spike from the other side. By arriving at precisely the same time, the APs summate producing a strong EPSP.

65
Q

Key Player in Vertical Sound Localisation

A

The pinna!!!

its convolutions :))

66
Q

Primary Auditory Cortex (names + location)

A
  • A1
  • Brodmann’s Area 41
  • Temporal Lobe
67
Q

define

Acoustic Radiation

68
Q

Pattern of Tonotopic Representation in the A1

A
  • Low frequencies => rostral & lateral regions
  • High frequencies => caudal & medial regions
69
Q

Isofrequency Bands

A

Run mediolaterally across the A1, containing neurons with fairly similar CFs

70
Q

Is there a simple classification for the auditory cortical neurons?

A

NO!!!

They have diverse response properties and mostly intermixed!!

71
Q

Pattern of Stimuli Processing, Lower to Higher Levels of Auditory Pathway

A

Lower Levels = deal with simpler stimuli
Higher Levels = deal with more complex stimuli

e.g. Wernicke’s area, not so much processing sound, but ability to interpret spoken language

72
Q

2 Components of the Vestibular System + Function

A
  1. Otolith Organs
  2. Semicircular Canals

purpose of both = transmit mechanical energy derived from head movement to its hair cells

73
Q

Otolith Organs

A

Detect force of gravity & tilts of head

  • Sacule
  • Utricle

Linear Acceleration

74
Q

Semicircular Canals

A

Sensitive to head rotation

  • three arcing structures of the labyrinth

Angular Acceleration

75
Q

Vestibular Macula

NOTHING TO DO WITH RETICULAR MACULA

76
Q

Push-Pull Arrangement

77
Q

Primary Vestibular Axons (from cranial nerve VIII) Connect to…

A
  1. Medial & Lateral Vestibular Nuclei (same side of brainstem)
  2. Cerebellum
78
Q

Vestibular Ocular Reflex (VOR)

A

Keeps eyes fixated on target, senses rotations of head and immediately commands compensatory movement of eyes in opposite direction - not triggered by visual inputs so good in dark!!