Volpone/ WOB Criticism Flashcards

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1
Q

Mike Brett

A

‘on a very basic level, Volpone can be considered a trite, but more importantly, instructive comedy’

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2
Q

Martin Ingram

A

Many saw legal system as ‘guilty of corruption and lax administration’ (although went on to prove that this is not entirely true)

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3
Q

Neil King

A

Volpone is a ‘satirical manifestation of inward corruption’

‘Horseplay is rarely free of malice’

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4
Q

Spectator 1923

A

‘The characters represent definite and docketed ‘humours’’

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5
Q

Sean McEvoy

A

Both LPWB and WOB ‘demonstrate that in order to achieve some kind of freedom… [they] must first turn [themselves] into commodities’

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6
Q

La Vielle (Romance of the Rose)

A

‘All men betray and deceive women; all are sensualists, taking their pleasure anywhere. Therefore we should deceive them in return, not fix our hearts on one. Any woman who does so is a fool’

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7
Q

Robert Watson

A

‘Gold replaces God, as it does for Volpone in the opening lines, though it can buy nothing except more gold. Opulent possessions become the new form of demonic possession’

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8
Q

Robert Watson (2)

A

‘The play’s primary satiric target is greed, but it also recognises that greed is merely one facet of the insatiable human desire to continue desiring… and the fundamental human tendency… to live in grandiose egotistical fantasies rather than the real world’

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9
Q

S Musgrove

A

‘Jonson’s aim, in his great satirical comedies, is deeply serious: he is moved by a stern passion of moral indignation at the crimes and follies of men, and his laughter is curative and purgative, not frivolous or accommodating’

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10
Q

Jackie Shead

A

‘Given her uninhibited shamelessness, the Wife reveals much more than she consciously intends- her garrulousness, cunning, infidelities and cruelty.

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11
Q

Stephen Lowden

A

‘Satirical inversion is recognisable everywhere’ (see examples)

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12
Q

Stephen Lowden (2)

A

‘The Wife’s satire is forceful, but she is herself a satirical portrait of boastful, greedy, extravagant aggression… yet she is no mere caricature’

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13
Q

Campbell

A

Volpone is ‘repugnant’ but creates ‘sympathetic understanding’

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14
Q

Huebert

A

‘Competitive masculine energies’

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15
Q

McEvoy

A

‘1964 applauded the rape’

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