Vocabulary 3 Flashcards

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1
Q

Juxtaposition

A
  • the location of one thing as being adjacent or juxtaposed to another. this placing of two items side by side creates a certain effect, reveals and attitude
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2
Q

Limited Point of View

A
  • a perspective confined to one character
    •could be first or third person
  • reader does not know what is going on in the other characters’ minds
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3
Q

Litote

A
  • a figure of speech that emphasizes its subject by conscious understatement
    •ex: George Orwell = “Last week I saw a woman flayed and you would hardly believe how much it altered her person for the worse.”
    •ex: saying “not bad” for something done very well
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4
Q

Loose sentence

A
  • a sentence grammatically complete, and usually stating it’s main idea, before the end.
    •ex: the child ran as if being chased by demons
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5
Q

Lyric

A
  • originally designated poems meant to be sung to the accompaniment of a lyre
  • now any short poem in which the speaker expresses intense personal emotion rather than describing a narrative or dramatic situation
    •two types = sonnet and ode
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6
Q

Message

A
  • a misleading term for “theme”
    •suggests a simple statement that pre-exists and for the simple communication of which the story is written
  • the central idea or statement of a story, or area of inquiry, or explanation
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7
Q

Metaphor

A
  • one thing pictured as if it were something else
  • suggesting a likeness or analogy between them
  • implicit comparison or identification or one thing with another unlike itself without “like” or “as”
  • sometimes used as a general term for figure of speech
    •Romeo “But soft what light through yonder window breaks. It is the east and Juliet is the sun.”
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8
Q

Meter

A
  • the more or less regular pattern of stressed and unstressed syllables in a line of poetry
  • determined by the “foot” and by the # of “feet” per line
    •foot = iambic or dactylic
    •ex:
    ~ 5 feet = pentameter
    ~ 6 feet = hexameter
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9
Q

Metonymy

A
- a figure of speech where an attribute or commonly associated feature is used to name or designate something
   •ex: "The pen is mightier than the sword"
    ~ pen = publishing/all media
    ~ sword = military
   •ex: "The Spires of Oxford"
    ~ "God rest you, happy gentlemen,
        Who laid your good lives down,
        Who took the khaki and the gun
        Instead of cap and gown. 
        God bring you to a fairer place
        Than ever Oxford town."
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10
Q

Mood

A
  • a feeling or ambiance resulting from the tone of a piece as well as the writer/narrator’s attitude and point of view
  • fabricated through descriptions of feelings or objects that establish a sense of fear, patriotism, sanctity, hope, etc
    •ex: Thomas Hardy’s novels (Jude the Obscure) = relentless gloom, depression, and despair
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11
Q

Motif

A
  • a recurrent device, formula, or situation often serves as a signal for the appearance of a character or event
    •ex: “The Great Gatsby” - the color green
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12
Q

Narrative Structure

A
  • a textual organization based on sequences of connected events
    •presented in a straightforward, chronological framework
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13
Q

Narrator

A
  • the “character” who “tells” the story

- in poetry narrator = persona

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14
Q

Occasional Poem

A
  • a poem written about or for a specific occasion, public or private
    • an epithalamium = wedding poem
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15
Q

Ode

A
  • a lyric poem that is somewhat serious in subject and treatment
    •elevated in style
    •sometimes has an elaborate stanza structure
    •often patterned in sets of 3
  • are written to praise and exalt a person, characteristic, quality, or object
    •ex: Poe’s “To Helen,” or Keats’ “Ode to a Nightingale”
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16
Q

Omniscient Point of View

A
  • aka unlimited focus
  • perspective that can be seen from one character’s view, then another’s, then another’s, or can be moved in or out of the mind of any character at any time
  • the reader has access to the perceptions and thoughts of all the characters in the story
17
Q

Onomatopoeia

A
  • a word capturing or approximating the sound of what it describes
    •ex: buzz
  • purpose: make a passage more effective for the reader or listener
    •ex: “Fahrenheit 451” - “Mildred rose and began to move about the room. Bang! Smash! Wallop, bing, bong, boom.”
18
Q

Overstatement

A
  • exaggerated language

- aka hyperbole

19
Q

Oxymoron

A
  • a figure of speech that combines 2 apparently contradictory elements
  • sometimes leas to a humorous image or statement
    •ex: tight slacks, jumbo shrimp, deafening silence, baggy tights
20
Q

Parable

A
  • a short fiction that illustrates an explicit moral lesson through use of analogy
    •ex: stories in the Bible - “The Prodigal Son” or “The Loaves and Fishes”
21
Q

Paradox

A
  • a statement that seems contradictory but may actually be true
    •ex: “fight for peace”
22
Q

Parallel Structure

A
  • the use of similar forms in writing for nouns, verbs, phrases, or thoughts
  • good writers rely on parallel structure to maintain balance and symmetry
    •ex: “Martha takes notes quickly, accurately, and thoroughly” rather than “Martha takes notes quickly, accurately and in a detailed manner.”
23
Q

Parody

A
  • a work that imitates another work for comic effect by exaggerating the style and changing the content of the original
    •Weird Al Yankovic
    •Scary Movie 1, 2, and 3
24
Q

Pastoral

A
  • aka ecologue, bucolic, or idyll
  • a work that describes the simple life of country folk
    •shepards who live a timeless, painless (and sheepless) life in a world full of beauty, music, and love
    ~ Jane Eyre
    ~ Wuthering Heights
25
Q

Periodic Sentence

A
  • not grammatically complete until the end

•ex: the child, who looked as if she were being chased by demons, ran.

26
Q

Persona

A
  • the voice or figure of the author who tells and structures the story and who may or may not share the values of the actual author
    •ex: Nick Carraway in “The Great Gatsby”
27
Q

Personification

A
  • treating an abstraction or nonhuman object as if it were a person by endowing it with human qualities
28
Q

Polysyndenton

A
  • use of a number of conjunctions in close proximity

•ex: “He ran and jumped and laughed for joy and it was good.”