Vocabulary Flashcards

1
Q

Ad-Lib

A

To make up words or dialogue on the spot, to speak at liberty.

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2
Q

Apron

A

Front part or area of a stage extending past the main act curtain, also called lip.

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3
Q

Arena

A

Type of performance space with audience surrounding all sides of the stage.

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4
Q

Aside

A

For an actor to speak directly to the audience (not always meant to be heard).

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5
Q

Backdrop

A

Painted cloth or set wall to serve as a background for the setting on stage.

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6
Q

Black Box

A

Type of performance space that is small, created out of a room, painted all black.

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7
Q

Blocking

A

Stage directions and movements given to an actor by the script or the director.

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8
Q

Box Set

A

A type of setting that is built on stage to look like the interior of a house or room, having three walls and no ceiling.

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9
Q

Build

A

Rising intensity or climbing action that that develops within a scene or play.

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10
Q

Business

A

Busy work for the actor while playing on the stage to establish character, setting, and situation.

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11
Q

Call

A

The time one must be at the Theatre or ready to go onto to stage.

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12
Q

Callback

A

A second, more specific audition where a director looks closer at given actors.

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13
Q

Catharsis

A

For an audience to have an emotional reaction while watching a performance where they purge themselves of their pity and fears.

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14
Q

Center Stage

A

The middle point of the performance space, symbolized by CS in blocking notes.

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15
Q

Cheat Out

A

A body position for the stage wherein the actor faces more towards the audience.

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16
Q

Chorus

A

A group of performers that make up the community of characters within a play, having few lines individually, and seen on stage as one entity.

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17
Q

Climax

A

The high point of action or conflict within a scene or a play.

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18
Q

Cold Reading

A

A first look at a script, seeking an actors interpretation of the text, without rehearsing first; used at an audition.

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19
Q

Cross

A

To move from one point of the stage to another. Symbolized by an X in blocking notation.

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20
Q

Cue

A

A signal or line that prompts the next action or stage business during a performance.

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21
Q

Downstage

A

The area of the performance space that is closest to the audience.

22
Q

Dramatic Irony

A

Happens when the audience knows more information about the plot and situations in a play than certain characters do.

23
Q

Dress Rehearsal

A

The final rehearsal(s) of a play before it opens to the public; utilizing all costumes, props, lighting, sound, and set changes.

24
Q

Dry Tech

A

A rehearsal that is run without the actors, bringing together all the technical aspects of a show, following the cues in the order that they are executed.

25
Q

Crossover

A

An area hidden from the audience, that allows someone to move from one side of the space to the other without being seen.

26
Q

Exposition

A

The background information of a story, usually told at the beginning of a play through narration or dialogue.

27
Q

Flat

A

A constructed piece of scenery, usually made of wood and/or canvas, used to create a set wall or backdrop for a stage setting.

28
Q

Floor Plan

A

A drawn picture of a set, as seen from a bird’s eye view (from above), using geometric shapes to represent set pieces and levels.

29
Q

Fly System

A

A system of rigging and ropes that is used to raise and lower scenery within on stage, operated by hand or mechanically from backstage.

30
Q

Follow Spot

A

A concentrated source of light that illuminates a performer on stage, and stays with them as they move; most often coming from a spotlight instrument.

31
Q

Fourth Wall

A

The imaginary divide that separates the audience from the performance space.

32
Q

Grand

A

The main act curtain or drape that hangs at the front of the stage, always found in a Proscenium theatre, and usually is of a royal color.

33
Q

Hold

A

A command called out by a director wherein the actors must hold their stage positions or take a pause in the action of the scene.

34
Q

House

A

The area of a theatre where the audience sits or watches from.

35
Q

Major Role

A

A character part that is dominant in the plot of a play, having many scripted lines.

36
Q

Masking

A
  1. Curtains, drapes, or set walls that are used to block the audiences sight from the backstage.
  2. Used in stage combat to block the audiences sight from certain moves.
37
Q

Melodrama

A

A style of overacting that focuses on contrived action rather than realistic characterization or situations; dramatized for effect.

38
Q

Minor Role

A

A supporting character to a story, having less stage time and lines than a Major.

39
Q

Monologue

A

A speech performed by one performer, giving depth and insight into a characters thoughts or feelings; also called a soliloquy.

40
Q

Pantomime

A

To act out very physically without using words; a style of acting that is most often utilized in Children’s Theatre.

41
Q

Pit

A

The area, usually below the front part of the stage, where the orchestra is set up to play the music for a live performance.

42
Q

Presentational

A

A style of performance where the characters or performers make aware of the audience’s presence, often breaking the fourth wall.

43
Q

Properties (Props)

A

Used to enhance a scene or characterization, abbreviated-props. 1. Stage: large, stay on the set. 2. Hand: small, used by many actors. 3. Personal: used only by one actor, and stays with them.

44
Q

Proscenium

A

The most common type of Theatre space, known for its framed arch that outlines the stage opening, having the audience facing one side directly in front.

45
Q

Raked

A

A type of stage that slopes downward towards the audience, built at gradual angle.

46
Q

Sides

A

Selections taken from a script used for an actor to read a scene aloud (usually used at an audition for a cold reading).

47
Q

Sight Lines

A

The audience’s view of a performance space, being blocked from the backstage.

48
Q

Spectacle

A

Large scenery or set pieces used for awe and illusion in a performance.

50
Q

Stage Combat

A

A style of acted movement that is planned out, or choreographed, to look like real fighting between characters within a performance.