Vocabulary Flashcards

1
Q

Primary Triad

A

The primary triad consists of the colors red, yellow, and blue.

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2
Q

Secondary Triad

A

The secondary triad consists of the colors orange, green, and violet.

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3
Q

Tertiary Colors (Intermediate Colors)

A

Tertiary colors, or intermediate colors, consists of the colors red-orange, yellow-orange, yellow-green, blue-green, blue-violet, and red-violet.

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4
Q

Artificial Lighting

A

Artificial lighting are incandescent light and fluorescent light.

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5
Q

Incandescent Light

A

Incandescent light tends toward warm frequencies.

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6
Q

Fluorescent Light

A

Fluorescent light tends toward cool frequencies.

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7
Q

Theatrical Lighting (Stage Lighting)

A

Theatrical lighting is stage lighting that makes colors appear dramatically different by amplifying or repressing the colors on the set in concerts with the narrative.

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8
Q

Standard Lighting

A

Standard lighting is warm in temperature;

2D and 3D art and design are viewed under natural light, artificial standard lighting, or reading light.

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9
Q

Who is Claude Monet?

A

Claude Monet is a French painter and the founder of Impressionist Painting, or Retinal Painting;
He proposed that the artist should record only the shapes and colors that fall on the retina.

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10
Q

Who is Farfield Porter?

A

Farfield Porter was the best-known American practitioner of retinal painting in the latter part of the 20th century.

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11
Q

Who is Harriet Shorr?

A

Harriet Shorr is an American artist known for large-scale realistic still life paintings;
She published a book of her paintings and insights in the painting process called “The Artist’s Eye” in 1991.

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12
Q

Alla Prima Painting

A

Alla prima painting is a direct process when an entire image is painted in one session.

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13
Q

What are the three factors of color?

A

The three factors of color are hue, value, and saturation.

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14
Q

Hue

A

Hue is the color on the color spectrum by its name.

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15
Q

Hue Continuum

A

The hue continuum consists of colors that range from red-orange to yellow-green and red-violet to blue-green.

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16
Q

Value

A

Value is the relative lightness or darkness of a color.

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17
Q

Value Continuum

A

The value continuum is a graphic representation that suggests the infinite values that exist between black and white.

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18
Q

Saturation

A

Saturation is the relative purity of a color.

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19
Q

Saturation Continuum

A

The saturation continuum represents the infinite levels of saturation that exist between any two intermixed complementary colors.

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20
Q

What are the three levels of saturation?

A

The three levels of saturation are prismatic color, muted color, and chromatic gray.

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21
Q

Prismatic Color

A

Prismatic color is the highest level of saturation.

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22
Q

Muted Color

A

Muted color is the achromatic grays that compose of the inner circle of the color wheel that can be produced by intermixing two complementary colors so that each hue cancels each other out.

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23
Q

Chromatic Gray

A

Chromatic gray is the tint or shade of a color (the colors that are lightened or darkened by adding white or black).

24
Q

Inherent Light

A

Inherent light is an inner glow that a color seems to have in relation to other colors.

25
Q

Monochromatic Color Schemes

A

Monochromatic color schemes are limited to one hue and can have a broad range of value or saturation levels.

26
Q

Analogous Hues

A

Analogous hues lie adjacent to each other on the color spectrum and should go beyond one color, but include only colors that share a hue.

27
Q

Color Combinations

A

Color combinations can be narrow, moderate, or broad in a hue range, value range, and/or range of saturation.

28
Q

Color Mixing

A

Color mixing shows a color shift from left to right.

29
Q

Who is Albert H. Muncell?

A

Albert H. Muncell is an American color theorist painter who published a book called “A Color Notation” in 1905;
Muncell broke the color wheel down into five principal hues and five intermediate hues that are further divided into ten numbered subsets with ten values and fourteen levels of saturation.

5B 5/8; hue, or temperature, value, saturation

30
Q

What can colors be keyed in?

A

Colors can be keyed in hue, value, or saturation.

31
Q

Low Key

A

Low key is when the value of colors are predominantly dark.

32
Q

High Key

A

High key is when the value of colors are predominantly bright.

33
Q

What is naturalism?

A

Naturalism is based upon verisimilitude that compels the artist to temper color tonalities to the overall atmosphere of the scene depicted;
most colors are muted or chromatic grays.

34
Q

Afterimage

A

An afterimage is an optical effect in which an additional color seems to appear at the edge of an observed color.

35
Q

Simultaneous Contrast

A

Simultaneous contrast is the optical effect that two neighboring colors have upon each other as their afterimages interact along a shared border.

36
Q

Optical Mixing

A

Optical mixing occurs when small fragments are fused by the eye to appear as seamless tonal transitions.

Tapestries, Mosaics

37
Q

Who is Josef Albers?

A

Josef Albers was the most influential German color educator of the second half of the 20th century who published a limited-edition book of silkscreened color studies called “Interaction of Color” in 1963;
Albers’s favored motif was the square within the square.

38
Q

What happened in the 19th century throughout Europe?

A

In the 19th century French Impressionists throughout Europe began to work in a more direct and improvisational manner.

39
Q

Median Transparency

A

Median transparency is an illusion of transparency wherein the value of the color at the “overlap” is midway between that of each parent color.

40
Q

Dark Transparency

A

Dark transparency is an illusion of transparency wherein the color at the “overlap” is darker in value than both of the intersection colors.

41
Q

Who is Richard Diebenkorn?

A

Richard Diebenkorn is an American painter and printmaker whose paintings suggest the link between retinal painting and abstractions;
Diebenkorn painted “Corner of Studio Sink”.

42
Q

Color Harmony

A

Color harmony is the character of the interrelationships in a group of colors.

43
Q

Concordance

A

Concordance is unity that suggests tranquility.

44
Q

Discordance

A

Discordance is disunity that evokes tension.

45
Q

What influences the harmonic disposition of color?

A

Proportion, contrast, and color location influence the harmonic disposition of color.

46
Q

Bridge Tones

A

Bridge tones provide a transition between disparate colors.

47
Q

Color Symbolism

A

Color symbolism is a learned connection bound by time and place.

48
Q

Analogy

A

Analogy is the direct result of observation when colors are strictly visual and sometimes nonvisual experiences.

49
Q

Proportional Color Inventory

A

A proportional color inventory represents the colors found in a source in a way that also depicts their proportional distribution;
it is best suited to images that have a somewhat graphic appearance with areas of flat color.

50
Q

Nonproportional Color Inventory

A

A nonproportional color inventory is a selection of colors drawn from an object or image, usually one that has an uncountable number of colors;
it should be a summation of the color in the source that expresses its entire chromatic range as well as possible in a few tones.

51
Q

RGB Mode

A

RGB stands for red, green, and blue;
they are primary colors and
their mode of color application is light.

52
Q

CMYK Mode

A

CMYK stands for cyan, magenta, yellow, and black;
they are secondary colors, or intermediate colors and
their mode of color application is pigment.

53
Q

What is the CMYK mode designed to do?

A

The CMYK mode is designed to simulate subtractive color mixing and represents the primary triad from mixing pigment, forming a secondary triad when intermixed.

54
Q

Additive

A

Additive is a color theory that underlies the manipulation of light.

55
Q

Gamut

A

A gamut is a range of hues available to a particular mode.

56
Q

What happens for the three-part colors when one moves a slider to the right?

A

When one moves a slider to the right the three-part saturation level of the composite or first color will diminish.