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English Lit > Vocab for Macbeth/The Empress/Jekyll and Hyde > Flashcards

Vocab for Macbeth/The Empress/Jekyll and Hyde Flashcards

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Proverbs and Idioms flashcards
1
Q

Valiant / Righteous

A

possessing or showing courage or determination. Doing something for the greater good.

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2
Q

Facade

A

a deceptive outward appearance - faking what you are like or who you are

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3
Q

Deception

A

making someone believe something is true or real when it is in fact a lie or false.

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4
Q

Bravado

A

a bold manner or a show of boldness intended to impress or intimidate (think Lady Macbeth at the start; Macbeth at the very end)

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5
Q

Equivocation / equivocate

A

to bend the truth so that you are NOT lying but what you have said can be very deceptive.

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6
Q

Machiavellian

A

cunning, scheming, and unscrupulous, especially in politics. Someone who does not care who gets hurt, or what damage is done if they get what they want.

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7
Q

Subverts

A

(in literature) will portray what we expect as something unexpected, and have us (as readers) examine the truth of what things are like for ourselves. This is often done with the hope to challenge the reader/audience’s expectations.

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8
Q

Consequence

A

the positive or negative outcome of an action as a direct result of what was done.

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9
Q

Tyrant / Tyrannical

A

a cruel and oppressive ruler. Or, a person exercising power or control in an extreme and unreasonable way.

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10
Q

Regicide

A

to kill a king

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11
Q

Treason

A

to act in a way that goes against the wishes, demands or rules of a government. It can also mean to try to harm or take down a king/government.

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12
Q

Rightful (heir to the throne)

A

full of right, the only true version of a thing (EG: Malcolm being the rightful heir to the throne)

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13
Q

Remorse / Guilt / Regret

A

to feel terrible about things you have done and possibly to wish you had not done them or could avoid the consequences of what you have done.

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14
Q

Corrupt

A

act dishonestly in return for money or personal gain OR to be evil or to act without morality. In can be a verb whereby something infects other things and ‘corrupts’ them (usually making them worse)

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15
Q

Soliloquy

A

a SINGLE person giving a speech unable to be heard by any other character

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16
Q

Monologue

A

a longer speech given in front of another character as part of a conversation.

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17
Q

Aside

A

a short remark given only to the audience that usually reveals a character’s inner feelings.

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18
Q

Stage directions

A

statements in italics - written by the playwright - that detail critical set information and how characters should act - what type of voice to use or important movements.

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19
Q

Dramatic irony

A

where the characters on the stage do not know something that the audience know

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20
Q

Tragedy

A

a play dealing with tragic events and having an unhappy ending, especially one concerning the downfall of the main character.

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21
Q

Tragic hero

A

the central character of a play, film, etc., depicted as a noble figure (either meaning rich or well respected EG a lord or Prince etc) who experiences a tragic downfall in part due to their own actions.

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22
Q

Hamartia / Fatal flaw

A

a personality flaw that speeds up the tragic hero’s downfall examples are: greed, ambition or jealousy.

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23
Q

Writer’s intent

A

What the writer aims to show / teach the audience

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24
Q

Prejudice

A

dislike, hostility, or unjust behaviour deriving from preconceived and unfounded opinions

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25
Q

Exploitation

A

the action or fact of treating someone unfairly in order to benefit from their work.

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26
Q

Coercion

A

the practice of persuading someone to do something by using force or threats.

27
Q

Naive

A

showing a lack of experience, wisdom, or judgement.

28
Q

Disillusioned

A

disappointed in someone or something that a person discovers to be less good than they had believed.

29
Q

Subservience

A

○ willingness to obey others unquestioningly.
○ the condition of being less important than something else.

30
Q

Hierarchy

A

a system in which members of an organisation or society are ranked according to relative status or authority.

31
Q

Marginalised

A

treated as insignificant or pushed to the sidelines.

32
Q

Oppression

A

prolonged cruel or unjust treatment or abuse of authority

33
Q

Form

A

the type of writing it is for example, monologue, soliloquy, aside, conversation or song.

34
Q

Cross Cutting

A

editing or theatrical technique where both scenes are shown so that it can appear as if you are looking at both at the same time.

35
Q

Subversion

A

(in literature) will portray two separate ideals clashing, and have us (as readers) examine them for ourselves. With the hope to challenge the reader/audience’s expectations.

36
Q

Stage directions

A

Statements in italics that detail critical set information and how characters should act

37
Q

Characterisation

A

how a fictional character is built up; features of their description; what they say; what they do

38
Q

Duality of man

A

the idea that all humans are good and bad inside and not either a ‘good’ or a ‘bad person’

39
Q

Devolution / devolve

A

the opposite of evolution, becoming less human

40
Q

Primitive

A

a person or idea which is in an early stage in the evolutionary or historical development of something

41
Q

Repression / Repress

A

to push down a thought or emotion of your own - to pretend like it is not there and you are not aware of it.

42
Q

A gentleman

A

a status symbol in the Victorian Era. Gentlemen were rich upper class men who were (believed to be) respectable, polite, kind and ‘the best’ of what a person can be.

43
Q

Reputation

A

what other people think and know about you. In the Victorian times it was very important to have a good reputation.

44
Q

Civilised (antonym uncivilised)

A

a civilised person is polite and well-mannered; a civilised society has rules and is ordered and organised. To be uncivilised means to be out of order, chaotic and not law abiding.

45
Q

Transformation

A

a complete change in the character or shape of something or someone

46
Q

Hypocritical/ Hypocrisy (N)

A

when you say one thing but actually do the opposite.

47
Q

Morality

A

how good or bad you are.

48
Q

Social class

A

your place in society based on your economic status

49
Q

Macabre

A

something disturbing because it is to do with death

50
Q

Uncanny

A

something that is both familiar and unfamiliar at the same time

51
Q

Grotesque

A

something ugly or distorted or stretched beyond appropriate to a shocking degree

52
Q

Secretive

A

to hide something and keep it a secret from other people

53
Q

Deceptive / Deceive

A

acting in a way to trick other people into thinking something else other than the truth.

54
Q

Form

J+H

A

what ‘type’ of writing the chapter is: a letter, confession, told from the person centred view of Utterson

55
Q

Novella

A

a short novel but longer than a short story

56
Q

Epistolary

A

a novel / novella formed in part by letters written by characters

57
Q

Zoomorphism

A

comparing a human to an animal.

58
Q

Narrative perspective

A

whose point of view the writing is from

59
Q

Symbolism

A
  • using images to represent a bigger idea - for example, Jekyll’s cane in Jekyll and Hyde represents ‘being a gentleman’, the fog in London represents secrets and hidden mysteries.
60
Q

Pathetic fallacy

A

the weather matches the mood or atmosphere

61
Q

Motif

A

an idea that is used many times in a piece of writing

62
Q

Gothic

A

a genre that focuses on unnerving the reader and uses isolated settings and supernatural characters

63
Q

Mystery

A

a genre that focuses on a crime or mystery that is solved as a detective figure works out clues

English Lit (7 decks)

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