Vocab Flashcards

1
Q

False subject or False Entry

A

Subject returns in the exposition even though it has already entered in that voice

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2
Q

Re-exposition

A

Entire exposition repeats

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3
Q

Counterexposition

A

Voices enter in a different order, an additional exposition section

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4
Q

Double exposition

A

Exposition that has more than one subject

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5
Q

Countersubject

A

The material accompanying the answer, must return later in the same form to be considered the countersubject

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6
Q

Double counterpoint

A

Voices from previous material swapped or inverted by a specific interval: check the first interval compared to the original material and see if it follows throughout the phrase

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7
Q

Episode

A

Passage in the development that has a cadence usually trying a certain affect on the original material

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8
Q

Tactics used in developing material

A
Augmentation
Diminution
Inversion
Stretto
Pedal point
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9
Q

Real answer

A

An answer that is modulated to the dominant key

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10
Q

Tonal Answer

A

Answer that is implying modulation but staying in the original key (ex: starting a 5th higher)

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11
Q

False recap

A

A recap of a sonata allegro movement repeated in a different key

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12
Q

Different forms in Sonata

A
Binary
Ternary
Sonata Allegro
Rondo
Sonata-Rondo
Theme and Var
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13
Q

Sonata Rondo

A

ABA is the exposition and C is development and ABA the recap: modulates more than rondo

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14
Q

Ritornello

A

Refrain or section A in a rondo

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15
Q

In a rondo the B o C sections are called…

A

An episode in a rondo

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16
Q

Variation techniques

A
Embellished
Unique rhythmic figure
Change of meter
Change of mode
Alberti-bass triad up over and over
Change harmony
Change tempo
Extended pitch
17
Q

Strophic song

A

Song with versus and refrain, the music also reflects this giving less freedom to match music with words

18
Q

Through-composed song

A

Song with no refrain and music changes throughout not like strophic.

19
Q

Elision melody

A

Blends starts and ends

20
Q

Modes

A

Io, Do, Ph, Ly, MLy, Ao, Loc
Do, re, me, fa, so, la, ti

La is minor natural

21
Q

Different scales

A
Blues scale
Pentatonic
Chromatic
Whole time
Octatonic
22
Q

Blues scale

A

Add mah, fi, li

Take out re, la, ti

23
Q

Pentatonic scale

A

No 4,7

24
Q

Octatonic scale

A

Whole tone, semi tone scale

Start with Semi or Whole

25
Q

Terrain chord

A

7th, 9th, 11, 13

26
Q

Quartal chord

A

Stacked 4ths chord

27
Q

Parallelism

A

Layering two or more lines in parallel motion

28
Q

N6

A

4-b6-b2

Sounds like major, add b2

29
Q

It6

A

B6-1-#4

30
Q

Ger6

A

B6-1-#4-b3
Like V7, subdominant function
On b2 is dominant function
Pivot/ V7 of IV

31
Q

Fr6

A

B6-1-#4-2
Aug 4th as well as aug6
On b2 dominant function with b5

32
Q

CTdim7

A
#2 dim 7th chord
Embellished tonic
33
Q

Augmented triads

A

I +#5 -> IV

V+#2 -> I

34
Q

Chromatic 3rd chords

A

VI# -> V/ii
Or vi
Borrowed from relative major minor