Vocab Flashcards

0
Q

Mastoid process

A

Divide front and back of head

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1
Q

Occipital bone

A

Affects how the client

Profile will look and affects what technique to use

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2
Q

Over direction

A

Directing hair away from its natural fall

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3
Q

Elevation

A

Lifting hair away from natural fall

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4
Q

Tension

A

Amount of stress put on hair

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5
Q

Three types of tension

A

Fingers, comb, on skin

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6
Q

Fingers, comb, on skin are all tensions… How much?

A

Fingers most
Through the comb moderate
On the skin least

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7
Q

Square

A

Can start anywhere
Cancel out roundness
Builds corners

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8
Q

Triangle

A

Shorter in back
Longer in front
Start in back

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9
Q

Round

A

Short in front
Long in back
Start in front

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10
Q

Vertical section

A

Perpendicular to floor

Removes weight

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11
Q

Horizontal section

A

Parallel to floor builds weight

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12
Q

Diagonal

A

Gives direction

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13
Q

Diffuser

A

80% dry

Natural texture

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14
Q

Leafing

A

80% mid shaft

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15
Q

Wrapping

A

Root 50%

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16
Q

Beveling

A

100% dry ends

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17
Q

layers

A

the removal of weight, created by holding the hair out from the head at a 90* angle or higher. This technique controls movement and texture of the hair

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18
Q

crosschecking

A

used to check a haircut for balance and accuracy

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19
Q

texturizing

A

which is sometimes referred to as thinning, involves cutting shorter lengths within the form to reduce bulk and create support, closeness, fullness, mobility and visual texture in the hair cut without shorting the length or removing weight

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20
Q

natural fal

A

natural position hair assumes due to gravity

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21
Q

concave lines

A

curve inward, like the inside of a sphere

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22
Q

convex lines

A

curve outward, like the outside of a sphere

23
Q

Apex

A

Highest point on top of head

Found using comb flat on the head

24
Q

Elevation

A

Poll or left the hair away from the natural

25
Q

Over direction

A

Direct the hair away from its natural fall

26
Q

Three types of sections

A

Horizontal vertical diagonal

27
Q

Horizontal

A

Build weight, parallel to floor

28
Q

Vertical

A

Perpendicular to floor remove the wait

29
Q

Diagonal

A

Gives direction

30
Q

Tension

A

Amount of stress put on The hair

31
Q

Three types of tension

A

Through the fingers through the comb on the skin

32
Q

Tension through the fingers

A

Most tension is used

33
Q

Tension used through the comb

A

Through the comb

34
Q

Tension used on the skin

A

The least amount of tension used

35
Q

Technique

A

Line graduation layers

36
Q

Line

A

0°, all the hair is cut to the same plane, heaviest technic
No elevation know over direction
Any amount of tension can be used

37
Q

Graduation

A

The build up of weight shorter on the bottom gradually gaining length on top
Fills in gaps
Palm to palm
Never cut on hair longer than shoulderlength

38
Q

Low medium graduation

A

Falls at or below occipital bone
46-89
Heavyweight line

39
Q

Medium to high graduation

A
Falls at or above the ocipital  bone
46° to 89°
Less aggressive
Higher lighter and softer
shorts on bottom long on top
Visible wait line
Feminine
Fills in and crown temple eyes
Cut palm to palm
40
Q

Shape

A

Every technique has one

41
Q

Triangle

A
Shorter in the back longer in the front
Shorter hair will always push long hair
Pushes here toward face closing it in
Always start in back
Backward over direction
42
Q

Square

A
Even equal length
Starts anywhere
Builds corners
Uses both forward and backward over direction
Cancels out roundness
43
Q

Round

A
Shorter in front longer and back
Always start in front
Pushes her away from face
Forward over direction
Opens up the face
44
Q

Two types of guides

A

Traveling and stationary

45
Q

Traveling guide

A

Moving guide

Less extreme

46
Q

Stationary guide

A

Does not move

More Extreme

47
Q

Layers

A

Removal of weight create texture and movement 90° and above

48
Q

Concave layers

A
Shorter internally to longer extern only depending on finger angle use
Removes the most weight
Anti-head shape
A form of layer
Structure and movement
Cut short to long
Adds volume
49
Q

Convex layers

A
90°
No beginning
No end
Follows head shape
Soft feminine look
Only used for perfect head shape
50
Q

Level layers

A

The removal of weight created by holding the hair out from a 90* angle or above
Creates texture and movement
Cancels out roundness of the headshape
Flat plan or wall form from top to bottom
even consistent layers
Creates skinny classic look
fills in gaaps fattens or slims wide areas
uses both backward and forward overdirection

51
Q

Occipital bone

A

Changes look of profile

52
Q

Mastoid process

A

Divides the front and back of the head

Found behind the ears going up to the apex

53
Q

Frame mapping

A

Is the plan of the haircut should be filled out before every haircut

54
Q

Haircutting

A

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