Vocab Flashcards

0
Q

Bump

A

a one time payment for additional services or items, could be because an extra is asked to have their vehicle used, etc.

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1
Q

Adjustment

A

when your pay is increased above your base payment rate.

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2
Q

Residual

A

the fee paid to the Talent for rebroadcast of a commercial, film, or TV program.

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3
Q

Scale

A

minimum payment for services under the Union contract.

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4
Q

Voucher

A

This is how you will get paid. It’s a receipt and time-card all in one. You need to hold onto this until you get paid.

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5
Q

Action

A

This is the cue for the Talent to start performing.

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6
Q

Crossing

A

phrase used to inform the camera operator when you walk in front of the lens. (don’t need to say this when you are walking on set to be blocked, stand-in or begin shooting.)

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7
Q

Cut

A

the cue for everyone to stop, Cast and Crew.

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8
Q

It’s a wrap

A

the filming is done for the day.

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9
Q

Last looks

A

phrase to call in hair/makeup to give a final touch-up.

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10
Q

Picture’s up

A

phrase to alert all on set that cameras are almost set to start rolling.

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11
Q

Points

A

this is yelled out when large items are being moved through the set, steer clear of the path.

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12
Q

Rolling

A

the camera is recording and everyone should be ready to go.

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13
Q

Sound speed

A

the sound is recording and the scene is rolling. Everything you say (including a whisper) will be caught on tape.

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14
Q

Crafty

A

Also known as Craft Services. Snack food and meals are available here.

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15
Q

Holding

A

if you are background Talent, this is where you will spend most of the day waiting. You check-in here, get your voucher, see wardrobe, hair, and make-up.

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16
Q

Honeywagon

A

bathroom

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17
Q

Set

A

where the film is being recorded, usually on a soundstage.

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18
Q

Video Village

A

the area in which viewing monitors are placed for the Director and other production personnel.

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19
Q

AD (Assistant Director)

A

The AD will call out actions/directions for the director, also giving instructions to the camera team and the extras. They also keep track of time on the set. There is a 1st and 2nd AD.

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20
Q

Background

A

The extra’s version of “action.” The cue to start moving.

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21
Q

Casting Assistant.

A

Assistant to casting director.

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22
Q

Casting Director

A

person in charge of casting

23
Q

Day Player

A

performer hired on a daily basis, rather than on a longer term contract.

24
Q

Director

A

in charge on set. Gets the actors where they need to be, makes sure the camera has everyone properly framed, and is responsible for the overall outcome of the project.

25
Q

First team

A

consists of the stars/actors of the film.

26
Q

Gaffer

A

the head electrician who works directly with the Director of Photography.

27
Q

Grip

A

set up and break down various items including but not limited to dolly tracks, cameras, lights…

28
Q

PA (Production Assistant)

A

there are several positions of PA’s. The one you will be in most contact with is the extras wrangler.

29
Q

Producer

A

Controls funding and personnel. Involved throughout all phases of the process. Key player.

30
Q

Script Supervisor

A

Maintains daily log of shots covered and their relation to the script. In charge of checking continuity.

31
Q

Second Team

A

This team consists of Stand-in’s for the actors.

32
Q

Second Unit

A

a smaller crew who film many additional shots not involving principal talent or critical action.

33
Q

Talent

A

actor or actress.

34
Q

ADR

A

Automatic Dialogue Replacement

35
Q

Blocking

A

the positioning of the Talent set by the Director.

36
Q

Facetime

A

The amount of time a Talent’s face shows up on screen.

37
Q

Mark

A

A mark is where the Talent needs to stand, or arrive at a certain time. When the talent stands in one spot, walks across the room, and then stops in another place- he/she walked from one mark to another mark. They are usually identified by pieces of tape on the floor.

38
Q

Martini

A

last shoot of the day

39
Q

M.O.S

A

to shoot without any sound being recorded (Minus Optical Strip)

40
Q

Off-Camera

A

dialogue delivered without the Talent being on the screen.

41
Q

Pantomime

A

what background talent typically will do on-set, all the action of acting, but without the sound.

42
Q

Stand-in

A

to work out the camera angles for the Director of Photography, someone stands in for the main actors.

43
Q

Take

A

the clapboard indication of a shot “taken” or printed.

44
Q

Apple

A

small wooden boxes used to make things higher, typically used like a seat cushion to raise the Talent a few inches, also can be used to stand on for same purpose.

45
Q

Boom

A

an overhead microphone, usually on an extended pole.

46
Q

Dolly

A

the tracks and the set-up that the camera may sometimes roll on.

47
Q

Jib

A

Also referred to as a crane.

48
Q

Soft tape

A

a cloth tape measure, usually used to measure focus on the Talent’s face.

49
Q

Camera ready

A

anyone who is ready to appear in front of camera. Extras are usually instructed to arrive this way.

50
Q

Coverage

A

term used to film additional materials after the “Master Shot” is filmed. Can consist of new camera angles or tighter shots.

51
Q

Screen Test

A

a filmed performance of a short scene to confirm how a Talent performs on camera.

52
Q

Sides

A

a half-sized script that contains only the scenes being shot that day.

53
Q

Slate

A

a small clipboard used to mark and identify shots on film for editing, also the process of verbal identification by a performer in a taped audition. (Also referred to as Sticks.)

54
Q

Spot

A

a commercial message, usually booked at random.

55
Q

Tight Shot

A

framing of a shot with little or no space around the central figure or features, really close up.

56
Q

Turnaround

A

the number of hours between dismissal one day and call time the next day.