Vocab Flashcards

1
Q

Abstract language

A

refers to intangible ideas, rather than real-world objects.

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2
Q

Ad hominem

A

Latin for “against the man”. Personally attacking your opponents instead of their arguments. It is an argument that appeals to emotion rather than reason, feeling rather than intellect.

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3
Q

Allegory

A

The device of using character and/or story elements symbolically to represent an abstraction in addition to the literal meaning.

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4
Q

Allusion

A

An indirect reference to something (usually a literary text, although it can be other things commonly known, such as plays, songs, historical events) with which the reader is supposed to be familiar.

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5
Q

Analogy

A

A similarity or comparison between two different things or the relationship between them. An analogy can explain something unfamiliar by associating it with or pointing out its similarity to something more familiar.

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6
Q

Anaphora

A

Repetition of a word, phrase, or clause at the beginning of two or more sentences or clauses in a row. This is a deliberate form of repetition and helps make the writer’s point more coherent.

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7
Q

Anecdote

A

A brief recounting of a relevant episode.

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8
Q

Annotation

A

a note of explanation or comment added to a text or diagram

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9
Q

Antecedent

A

the word, phrase, or clause referred to by a pronoun.

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10
Q

Antithesis

A

Two opposite or contrasting words, phrases, or clauses, or even ideas, with parallel. structure. “ It was the best of times, it was the worst of times”

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11
Q

Aphorism

A

A terse statement of known authorship which expresses a general truth or a moral principle.

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12
Q

Apostrophe

A

a literary device writers use to address someone or something that is not physically present.

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13
Q

Assonance:

A

the repetition of similar vowel sounds followed by different consonant sounds especially in words that are together.

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14
Q

Cacophony:

A

a literary device in which harsh and inharmonious sounds in words, primarily through using consonants, that achieves a desired effect on the reader.

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15
Q

Citation

A

when you reference the name of the source in parenthesis at the end of a sentence.

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16
Q

Claim

A

the central argument of your paragraph

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17
Q

Colloquialism

A

The use of slang or informalities in speech or writing. Not generally acceptable for formal writing, colloquialisms give a work a conversational, familiar tone.

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18
Q

Common knowledge

A

knowledge that most educated people know or can find out easily in an encyclopedia or dictionary

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19
Q

Connotation

A

The non-literal, associative meaning of a word; the implied, suggested meaning.

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20
Q

Consonance:

A

The repetition of consonant sounds within a line of verse or a sentence of prose.

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21
Q

Cumulative sentence

A

a sentence that begins with an independent clause and then adds subordinate clauses.

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22
Q

Deductive reasoning

A

a logical approach where you progress from general ideas to specific conclusions

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23
Q

Denotation

A

The strict, literal, dictionary definition of a word, devoid of any emotion, attitude, or color.

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24
Q

Diction

A

Word choice, particularly as an element of style.

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25
Q

Either or reasoning

A

there are only two options and you must decide which ‘side’ to accept, and either intentionally or unintentionally ignore other choices.

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26
Q

Ellipsis

A

the omission of one or more words, which must be supplied by the listener or reader for the sentence to be understood.

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27
Q

Ethical appeal(ethos):

A

used to establish the writer as fair, open-minded, honest, and knowledgeable about the subject matter. The writer creates a sense of him or herself as trustworthy and credible.

28
Q

Euphemism

A

a more agreeable or less offensive substitute for a generally unpleasant word or concept.

29
Q

Exigence(rhetorical:

A

the moment or event that motivates someone to write or to speak about a specific issue, problem, or situation.

30
Q

False/faulty analogy

A

an argument based on misleading, superficial, or implausible comparisons.

31
Q

Figurative language

A

the use of words in a way that deviates from the conventional order and meaning in order to convey a complicated meaning, colorful writing, clarity, or evocative comparison.

32
Q

Hyperbole

A

A figure of speech using deliberate exaggeration or overstatement.

33
Q

Imagery

A

the use of descriptive language and sensory details, can create a vivid image in the reader’s mind, emphasizing the poet’s ideas.

34
Q

Inductive reasoning

A

a logical process in which multiple premises, all believed true or found true most of the time, are combined to obtain a specific conclusion.

35
Q

Line of reasoning

A

your method to fully and logically explain your arguments in a logical essay format.

36
Q

Logical appeal (logos)

A

to appeal to the audiences’ sense of reason or logic.

37
Q

Logical fallacy

A

an argument that may sound convincing or true but is actually flawed.

38
Q

Metaphor

A

A figure of speech using implied comparison of seemingly unlike things or the substitution of one for the other, suggesting some similarity.

39
Q

Mood

A

The atmosphere created by the literature and accomplished through word choice

40
Q

Narrative

A

The telling of a story or an account of an event or series of events.

41
Q

Non-sequitur

A

a statement or conclusion that does not logically arise from the thought that precedes it.

42
Q

Oversimplification

A

the action of describing or explaining something in such a simple way that it is no longer correct or true

43
Q

Oxymoron

A

When apparently contradictory terms are grouped together and suggest a paradox

44
Q

Paradox

A

A statement that appears to be self-contradictory or opposed to common sense but upon closer inspection contains some degree of truth or validity.

45
Q

Parallelism

A

Sentence construction which places equal grammatical constructions near each other, or repeats identical grammatical patterns. Parallelism is used to add emphasis, organization, or sometimes pacing to writing.

46
Q

Parody

A

A work that closely imitates the style or content of another with the specific aim of comic effect and/or ridicule.

47
Q

Emotional appeal (pathos)

A

to persuade an audience by purposely evoking certain emotions to make them feel the way the author wants them to feel.

48
Q

Personification

A

the attribution ofA figure of speech in which the author presents or describes concepts, animals, or inanimate objects by endowing them with human attributes or emotions.

49
Q

Persuasion

A

a process aimed at changing a person’s attitudes, behaviors, and beliefs.

50
Q

First person

A

the narrator is a person in the story, telling the story from their own point of view.

51
Q

Third person limited

A

the POV that uses a narrator with access to only one character’s perspective, a limited perspective.

52
Q

Third person omniscient

A

a third-person literary perspective that offers omniscient insight into one or more character’s minds. Third person omniscient point of view is used to shine an all-seeing eye on a story’s character(s) and world.

53
Q

Post hoc ergo propter hoc

A

means “after this, therefore because of this.” The fallacy is generally referred to by the shorter phrase, “post hoc.” Examples: “Every time that rooster crows, the sun comes up. That rooster must be very powerful and important!”

54
Q

Red herring

A

argument is one which distracts the audience from the issue in question through the introduction of some irrelevancy. This frequently occurs during debates when there is an implicit topic, yet it is easy to lose track of it.

55
Q

Refutation

A

A denial of the validity of an opposing argument. In order to sound reasonable, a refutation often follows a concession that acknowledges that an opposing argument may be true or reasonable.

56
Q

Rhetoric

A

The use of spoken or written word (or a visual medium) to convey your ideas and convince an audience.

57
Q

Rhetorical modes

A

a type of essay and categorizes essays as falling into four types, corresponding to four basic functions of prose: narration, or telling; description, or picturing; exposition, or explaining; and argument, or convincing.

58
Q

Rhetoric triangle

A

a method to organize the three elements of rhetoric,

59
Q

Sentence structure

A

A simple sentence consists of just one clause. A complex sentence consists of one independent clause and one or more dependent (subordinate) clauses. A compound sentence consists of two or more coordinate (independent) clauses.

60
Q

straw man

A

the informal fallacy of refuting an argument different from the one actually under discussion, while not recognizing or acknowledging the distinction. One who engages in this fallacy is said to be “attacking a straw man”.

61
Q

Stream of consciousness

A

a narrative style that tries to capture a character’s thought process in a realistic way.

62
Q

Syntax

A

The way an author chooses to join words into phrases, clauses, and sentences. Syntax is similar to diction, but you can differentiate them by thinking of syntax as groups of words, while diction refers to the individual words.

63
Q

Synthesis

A

a written discussion incorporating support from several sources of differing views.

64
Q

Understatement

A

when a writer presents a situation or thing as if it is less important or serious than it is in reality. It describes something with less strength than would be expected.

65
Q

Voice
Active
Passive

A

In a sentence written in the active voice, the subject of sentence performs the action. In a sentence written in the passive voice, the subject receives the action.