Visual metalanguage Flashcards

1
Q

Solecism

A

Bad manners, grammatical mistake

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2
Q

Circumlocution

A

Use of many words to be vague

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2
Q

Dramatic Irony

A

When the audience knows something that the characters in the story do not

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3
Q

Juxtaposition

A

The act or placement of two things (usually abstract concepts, though it can also refer to physical objects) near each other

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4
Q

Anachronism

A

Placing something out of its proper historical time period

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5
Q

Enjambment

A

The continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.

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6
Q

Magical Realism

A

A literary genre in which magical elements are a natural part of an otherwise mundane, realistic environment

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7
Q

Pathetic Fallacy

A

attribution of human emotions or characteristics to inanimate objects or to nature

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8
Q

Zeugma

A

A figure of speech in which a word applies to two others in different senses. (I lost my car keys and my temper) “Lost” applies to two things

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9
Q

Synecdoche

A

A figure of speech in which a part is made to represent the whole or vice versa. (e.g the word hand in “offer your hand in marriage”; mouths in “hungry mouths to feed”; and wheels referring to a car.)

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10
Q

Euphemism

A

A mild or indirect word or expression substituted for one considered to be too harsh or blunt when referring to something unpleasant or embarrassing

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11
Q

Neologism

A

A newly coined word or expression

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12
Q

Brainstorm 3 ways Atwood endorses/challenges/marginalises storytelling

A

Atwood approves storytelling as a tool essential for Grace’s survival

Atwood espouses personal storytelling as foundational to individual sense-of-self

Atwood advcoates for storytelling as the most true and acurate depiction of women’s lives in an adrocentric society.

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13
Q

Litotes

A

Ironical understatement in which an affirmative is expressed by the negative of its contrary (not bad, not the brightest bulb, not uncommon)

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14
Q

Paradox

A

A seemingly absurd or self-contradictory statement or proposition that when investigated or explained may prove to be well-founded or true.

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15
Q

asyndeton

A

the omission or absence of a conjunction between parts of a sentence, as in I came, I saw, I conquered.

16
Q

Chiasmus

A

A rhetorical or literary figure in which words, grammatical constructions, or concepts are repeated in reverse order

17
Q

Patriarchal language structures

A

How men control the way words are arranged and spoken.

18
Q

Refigured

A

to figure again, to represent in a different shape or form

19
Q

Emancipation

A

the act of freeing a person from another person’s control:

20
Q

Meta

A

referring to itself or to the conventions of its genre; self-referential.