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Visual Analysis Flashcards

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1
Q

Dejeuner sur L’Herbe

A

Eduoard Manet 1863
Testimony to refusal to conform, not traditional subjects, mash up of different, perpective off, departure point for modern art? 1863 salon refused it, Whistler Symphony in White similar, choice between women?, women staring at viewer,
The Surprised Nymph inspiration?

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2
Q

Music in the Tuileries

A

Eduoard Manet 1862
Representation of Modern Life, painterly style, impressionistic, Baudelaire, Gautier, borther, flaneurs, linking people and nature

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3
Q

God Creating Adam

A

Michelangelo c.1512

Suggested reference in Dejeuner sur L’Herbe with the arm movement, Manet as God?

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4
Q

The Artist’s Studio: A Real Allegory

A

Gustave Courbet 1855 (Before Manet)
The children perhaps suggest the untrained eye is favourable, haters on one side, supporters on the other, outdoor painting in the studio, staged/dramatized, naked woman behind him unnaturally

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5
Q

The Bathers

A

Gustave Courbet 1953

Dark similar to Dejeuner, similar composution

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6
Q

Westminster

A

Augustus Welby Pugin & Sir Charles Barry 1840-52
1834 Westminster burned down, competition for architects, Pugin main figure, William Dyce murals, competition for murals, Dyce not entered but picked.
Daniel Maclise mural
Pointed arch windows, GRAND scale, symmetry, spikey, assertion of power,

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7
Q

Religion

A

William Dyce 1851

Royal Robing Room, westminster could not cope with frescoes, wanted to make grand ones like the Germans

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8
Q

The Spirit of Justice & The Spirit of Chivalry

A

Daniel Maclise 1847/49
Opposite ends, and from the historical murals, Romanesque architecture within Gothic, stepping back? Depiction of slave being freed

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9
Q

University of Glasgow

A

Sir George Gilbert Scott 1870

Gothic Revival,

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10
Q

Spring

A

Hans Makart 1881-84

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11
Q

The Vision of the Sermon

A

Paul Gauguin 1888
Division between real and imaginary? originally for a mural, celtic myths, red buckwheat, French exploring importance of decorative arts, looking to the past to revive the past

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12
Q

The Talisman/Celtic Tale

A

Paul Serusier 1888

Influenced by Gauguin, vivid colours, emphasized/exaggerated, a celtic tale

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13
Q

The Druids - Bringing in the Mistletoe

A

George Henry & EA Hornel 1890
Revivng religion/myths of the past
Mistletoe important in pagan rituals, Japanese influences (trade opened 1853), influence from Klimt?, dream-like, bright colours, liner perpective, not tradtion, Glasgow Boys

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14
Q

Bacchus and Silenus, The Evergreen, Orpheus and Euridice, Joan of Arc and her Scottish Guard

A

John Duncan Murals, or sketches for murals, late 1800’s. Scottish Celtic Revival (Ramsay Gardens Edinburgh, Dunfermline)

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15
Q

The Glasgow Four and date

A

Charles Rennie Mackintosh, Margaret macdonald Mackintosh, Frances MacDonald McNair, Herbert McNair 1900ish

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16
Q

The May Queen/The Wassail

A

1900 Charles and Margaret McDonald

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17
Q

Museum of Modern Literature, Marbach an Necker Germany

A

David Chipperfield 2002-6
Taking traditional themes and creating new outlook, very minimal, fresh, airy approach
Democracy meaning a questioning of historicism

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18
Q

AEG Turbine Factory

A

Peter Behrens 1908-9 Berlin
revolutionary and controversial, very industrial and practical, some use of traditional forms, rustication, pillars, entablature

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19
Q

The Robie House

A

Frank Lloyd Wright 1908-10
‘The Prairie Style’ cantilevers, open planes, supporting walls, overhanging roofs, always fireplace focus of the room, ‘regionalism’ small places

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20
Q

Cloud Hanger

A

El Lissizky 1924

Suggestion for Moscow, never built, trying to create new modern environment

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21
Q

Cathedral of Socialism

A

Walter Gropius 1919
Founder of the Bauhaus, signifying social and political change (after the wars) very distinct style, ‘Wassily Chair’new materials, very functional attitude,

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22
Q

Barcelona Pavillion

A

van der Rohe 1929
no function, more flexibility for living in and subjects, use of light and water, ‘move from quantity to quality’, not ornamented, fine structure/delicate

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23
Q

Le Corbusier

A 
Points towards a new architecture: 
1. Pilotis
2. Roof Garden
3. Free Plan
4. Ribbon window
5. Free facade
Free up space by raising the house/building, ideal for housing schemes, roof gardens to utilise optimum space
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24
Q

The Royal Academicians

A

Johann Zoffany 1771-2
Woman founders only in portraits on the wall, Angelica Kaufman and Mary Moser (nude models) ecorche model, life models, head busts, joshua reynolds and zoffany self portrait

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25
Q

Impression, Sunrise

A

Claude Monet 1872

New view point, impressionistic, playing with light and atmosphere, colours faded and pastel.

26
Q

Terrace at Sainte Adresse

A

Claude Monet 1867 (Earlier, with Boudin)

27
Q

Empress Eugenie on the Beach at Trouville

A

Eugene Boudin 1863
Sketched outside and brought to studio, edging towards ‘en plein air’
Huge influence on Monet

28
Q

But here is where I live

A

Honore Daumier 1882

Paris reconstructed by Napoleon III, tranforming environments and homes

29
Q

The anatomy class at Ecole des Beaux-arts

A 
Francois Salle 1888
Shows the anatomy class with life model, rare due to expenses, only best students, ecorche and plaster casts as well
30
Q

Ellen Day Hale self Portrait

A

1885
Takes a forensic approach, focusing the viewer on her face and expression with a horizontal composition (unusual), early strong woman portrait

31
Q

Portrait of Eva Gonzales & Eva Gonzales Self Portrait

A

Eduoard Manet 1870
Portrait of his pupil, dressed in very inappropriate clothing for painting, portrays her as an amateur.
Self Portrait shows her authority as an artist, dressed more appropriately, asking to be respected.

32
Q

Hesitating between the arts of music and painting

A

Angelica Kaufmann 1791

33
Q

Portrait of Barbara Leigh Smith Bodichon

A

Emily Osborn 1860
Barbara Bodichon a female activist, leading to increased employment for females in the industry, helped the female artist seem more normal

34
Q

Milly Childers & Sabine Lepsius Self Portraits

A

1885&1889
Redefining the female self portrait, more abstract and contemplative, unique and showing of their authority and free will.

35
Q

Corner of the Artists Room in Paris

A

Gwen John 1907-09
Model for Rodin, redefining space, and importance of space, like a portrait for a space, perhaps signifies the absence of her lover (Rodin)

36
Q

The Artwork of the Future

A

Richard Wagner 1849
‘Gesamtkuntswerk’ total-work-of-art, ‘each is subservient to the whole’ wanted to integrate music dance and drama in opera to create a unified whole, (The Ring Cycle), distinction between fine arts and crafts blurred, United Workshops and Viennese Workshops

37
Q

Room 27

A

International Art Exhibition Munich 1897

United Workshops wanted a fresh modern TWOA and was recieved very successfully,

38
Q

Viennese Workshop

A

Founded by Joseph Hoffman, Kolo Moser in 1904

Came from British Medieval Revival (William Morris), no assembly lines, all artists marked with seals

39
Q

Palais Stoclet

A

1906-11/18
Viennese Workshops, TWOA, no one allowed to enter the building, made out of marble, lighting and atmosphere very important, elongated and linear, african artifacts, Klimt frieze(cartoons in Vienna), emotional response part of the ‘Gesamtkuntswerk’

40
Q

Horta House

A

Victor Horta 1898-1901 Brussels
many materials, cream tiles and wooden furniture compliment each other, everything unified, very expensive, staircase - light extremely important to create atmosphere

41
Q

Adolf Loos

A

1870-1933
Wrote criticisms on the TWOA and unified interior (Poor Little Rich Man) claiming it was unpractical and unlivable, not enjoyable

42
Q

The Interpretation of Dreams (Painting)

A

Rene Magritte 1935
Commenting on semantics, the link between objects and language, where language comes into art, if language can describe art in any way, bouncing off of Einstein revelations and Freudian theories

43
Q

Here everything is still floating

A

Max Ernst 1920
Dadaism, disorientating, collage, dream-like, reaction to the war and the violence, turning upside down of morals, alienating. Refusal to be part of art that is subservient to a self-destructive society

44
Q

The Chinese Nightingale

A

Max Ernst 1920

45
Q

The Song of Love

A

Giorgio de Chirico 1914
Surrealism, although did not like the surrealists attempting to analyse his work in Freudian terms, scale very contradictory, unsure if it had a meaning, dream-like

46
Q

Of This Men Shall Know Nothing

A

Max Ernst 1923
sexual? alchemical imagery, obsesion in the early 1900’s, could be likned to a Freudian case study of a man who was temporarily insane, thought he was man and woman, his limbs were tied to a planetary system, complete rejection of reality, acult

47
Q

The Tilled Field

A

Miro 1920’s
Pictography, not collage more symbols and signs, said to be based on a poem about merlin, rejection of reality, nature, exercising the imagination

48
Q

The Persistence of Memory

A

Salvador Dali 1931
Joined the surrealist movement late, using realist technique to escape reality, strange imagination (biting a dead rat) memory goes off like soft Camembert cheese

49
Q

Fur Covered Cup and Saucer

A

Meret Oppenheim 1936

Combining nature and manmade, sexual connotations? Rejection of taboos in surrealism, giving life to an inanimate object

50
Q

Large Glass & Dust Breeding

A

Marcel Duchamp & Man Ray 1920
Man Ray takes close up photograph of Duchamp’s piece and looks like battlefield, reestablishing photography as not a purely realist medium.

51
Q

Rayographs & Solarisations

A

Man Ray 1920’s
Rayographs: photograms, light sensitive emulsion into the dark room and objects placed on the papaer to create unlit spaces
Solarisations: assistant Lee Miller turned the light on briefly in the dark room and created a halo effect, redefining photography, much more artistically accepted and respected.

52
Q

Admonitions

A

Gu Kaizhi, 4th Century
Scroll Painting
Tells a moral story, episodic, Calligraphy punctuates it, text the dominant feature, personal approach to painting, about etiquette

53
Q

The Night Revels of Han Xizai

A

10th Century, Gu Hongzhong
Story-telling, record of his night entertainment, man with top hat appears in every section, literal screen separates sections

54
Q

Early Spring

A

Guo Xi 1001-1009

perspective, atmosphere, space and density, more intricate nearer the front

55
Q

Zeusix Selecting his models for helen of troy

A

Angelica Kauffman 1764

56
Q

Strawberry Hill

A

William Marlow 1776-80

57
Q

The Meeting of Wellington and Blucher after Waterloo

A

Daniel Maclise

1861 and restored in 2015

58
Q

The Baptism of Ethelbert

A

William Dyce 1846

In the House of Lords Chamber, Westminster, the first English King to convert to Christianity

59
Q

View of Matavai Bay, Otaheite

A

William Hodges 1776

On voyage to new lands, idealistic, following enlightenment theory of adam smith etc, imperialist

60
Q

Gauguin Self Portrait

A

1889

Represented as both christ and demon, mural-like, celtic revival

61
Q

The Awakening of Cuchullin

A

John Duncan Mural 1895-7
Common Room, Ramsay Lodge Edinburgh, influenced by French style (Gauguin), has an aura of naturalism, using modern subjects and materials to bring nature back into art, celts were known for having an affinity with nature

62
Q

House for an Art Lover

A

Glasgow, Charles Rennie Mackintosh, 1989

Entered competition, Gesamkunstwerk

History of Art (3 decks)

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