Villette Flashcards
sally on sanity
Lucy is a ‘figure whose psychological stability is permanently in question. In probing the inner processes of mind of a subject who defines herself as ‘constitutionallly nervous’, Bronte has chosen to focus not on the flamboyant extreme of ‘mania’, but on the more subtle area of neurosis’
‘By focusing interpretative attention in the novel on Lucy’s ‘sightings’ of the nun, Bronte is deliberately raising the issue of Lucy’s psychological stability. Hallucinations, as bronte was clearly aware, were classically regarded as signs of madness’
conflict science and personal
‘your nervous system bore a good share of suffering” / “I am not quite sure what my nervous system is, but I was dreadfully low-spirited”
Dr John medical PofV
i look on you now from a professional point of view, and i read, perhaps, all you would conceal - in your eye, which is curiously vivid and restless… in your hand, which you cannot steady. Come, Lucy, speak and tell me.
what lucy saw
“i will never tell exactly what i saw”, i said, “unless someone else sees it to.’
contemporary critic on insanity
Jean-Etienne Esquirol,
‘some of them know so well how to disguise their situation…it becomes extremely difficult even for judges to pronounce whether they are insane or not’
John Barlow 1843 says difference between sanity and insanity ‘in the degree of self-control exercised’
fine pleasant summer quote
• the hours woke fresh as nymphs… they stepped out dismantled of vapour: shadowless, azure, and glorious, they led the sun’s steeds on a bringin and unclouded course. / in short, it was as fine a day as the finest summer’
opium identity and dr john
“my identity would have been grasped between his, never tyrannous, but always powerful hands”
picture me boat
‘I will permit the reader to picture me, for the next 8 years, as a bark slumbering through hacyon weather… i must some how have fallen over board
. ‘rush of salty briny waves in my throat, and their icy pressure on my lungs’…‘in fine, the ship was lost, the crew perished’.
two lives
• “I seem to hold two lives – the life of thought, and that of reality.’ The ‘former was nourished with a sufficiency of the strange necromantic joys of fancy’.
D. A. Miller police
how the novel participates in a policing power. now a novel exercises panopticism; ‘the workings of an implied master-voice whose accents have already unified the world in a single interpretative centre
the creepy spy hole
‘you need watching’
‘there i sit and read… my book is this garden; its contents are human nature- female human nature’.
foucault panop
he who is subject to a field of visibility, and who knows it, assumes responsibility for the constraints of power; he makes them play spontaneously upon himself.’. 1975
charlotte cant get imagination out of her mind
- Charlotte Bronte in ‘Farewell to Angria’: ‘it is no easy theme to dismiss from my imagination the images which have filled it so long…”
a cold name
- Bronte letter to W.S. Williams, 6 nov 1852: “a cold name she must have… for she has about her an external coldness’
jane eyre
- ‘conscience, turned tyrant, held passion by the throad… and swore that with that arm of iron, he would thrust her down to unsounded depths of agony’ – Jane Eyre. Almost sadistic struggle