Victims in Atonement Flashcards
Robbie is a victim of Briony’s lies (1)
‘seal the crime, frame it with the victim’s curse, close his fate with the magic of naming’ p165
Robbie is presented as guilty of rape by Briony (4)
“I thought he was a monster” Lola p119
“something manic and glazed in his look” according to Briony p151
Briony thinks of Robbie as a “maniac” p166
“Mr Turner was a dangerous man” p181
Robbie is presented as guilty in the fountain scene, through his relationship with Cecilia (4)
“as though issuing a command that Cecilia dared not obey” p38
“what strange power did he have over her? Blackmail? Threats?” p38
“he looked so huge and wild” p123 in library scene
“her forearm which was raised in protest, or in self-defence” p123
Robbie is falsely imprisoned, making him a victim (3)
‘Robbie between them. And handcuffed! She saw how his arms were forced in front of him… The disgrace of it horrified her. It was further confirmation of his guilt, and the beginning of his punishment. It had the look of eternal damnation’ p184
‘He could smell the concrete floor, and the piss in the bucket, and the gloss paint on the walls, and hear the snores of the men along the row’ p202
‘The stupidity and claustrophobia. The hand squeezing on his throat.’ P202
Robbie is forced to fight in WWII (1)
‘At the mention of dying, a surge of feeling engulfed him, pushing him beyond anger into an extremity of bewilderment and disgust.’ P343
Robbie is a victim of war (1)
‘Robbie Turner died of septicaemia at Bray Dunes on 1 June 1940’ p370
Robbie becomes a criminal (3)
‘He felt hostile to everyone around him. His feelings had shrunk to the small hard point of his own survival’ p217
‘Turner grabbed the man by his tie and was ready to smack his stupid face with an open right hand’ p217
‘In the lucid freedom of his dream state, Turner intended to shoot the officer through the chest. It would be better for everybody’ p247
Cecilia is a victim of Briony’s lies (2)
‘Her older daughter shrank into private misery’ p175
‘When they wrecked your life they wrecked mine’ p209
Cecilia is a victim of war (1)
‘Cecilia was killed in the September of the same year by the bomb that destroyed Balham Underground station’ p370
Cecilia and Robbie’s relationship is cut short (7)
‘They said they loved each other… and knew their future was together’ p207
‘His anxiety was not for the fighting he might have to do, but the threat to their Wiltshire dream’ p208
‘He could become again the man who had once crossed a Surrey park at dusk in his best suit, swaggering on the promise of life; p227
‘When she said ‘I’ll wait for you. Come back.’ She meant it. Time would show she meant it.’ P265
‘If this girl has so fully misunderstood or been wholly baffled by the strange little scene that has unfolded before her, how might it affect the lives of the two adults? Might she come between them in some disastrous fashion?’ p313
‘Who would want to believe that they never met again, never fulfilled their love?’ p371
‘Briony will be as much of a fantasy as the lovers who shared a bed in Balham and enraged their landlady’ p371
Lola is a victim of divorce (1)
‘refugees from a bitter domestic civil war’ p8
Lola is a victim of rape (4)
‘Lola’s face was so white and rigid, like a clay mask’ p 154
‘Lola was sitting forward, with her arms crossed around her chest, hugging herself and rocking slightly. The voice was faint and distorted, as though impeded by something like a bubble’ p165
‘The body was bony and unyielding… Lola hugged herself and rocked’ p 165
‘Weak submissive voice’ p165
Lola is a typical victim (2)
‘Lola.. was able to retreat behind an air of wounded confusion, and as a treasured patient, recovering victim, lost child, let herself be bathed in the concern and guilt of the adults in her life’ p168
‘And he was bound to go for the most vulnerable – a spindly girl’ p168
Lola is presented as adult-like (4)
‘In the guise of the adult she considered herself at heart to be’ p34
‘tokens of maturity’ p34
‘The girl was almost a young woman, poised and imperious, quite the little Pre-Raphaelite princess with her bangles and tresses, her painted nails and velvet choker’ p60
‘The older girl, always one step ahead of her’
Lola is infantilised during the wedding (3)
‘Lola – barely more than a child, prised open and taken – to marry her rapist’ p324
‘Her hair was gathered into a single childish plait’ p324
‘Poor vain and vulnerable Lola with the pearl-studded choker and the rose-water scent, who longed to throw off the last restraints of childhood…’ p324