Vertigo Flashcards

1
Q

What was its production company

A

Paramount

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1
Q

When was Vertigo released

A

1958

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2
Q

What was its production budget

A

$2.5 million

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3
Q

All time box office revenue

A

$3.2 million

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4
Q

What were its two Oscar nominations

A

Best Art Direction
Best Sound

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5
Q

Who created the opening credits

A

Saul Bass

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6
Q

Whose score is used throughout the film

A

Bernard Hermann
Mozart in scenes with Madeleine

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7
Q

How many other films did Hitchcock employ the Hermann for

A

9

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8
Q

Who were the art directors

A

Hal Pereira and Henry Bumstead

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9
Q

Who was the costume designer

A

Edith Head

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10
Q

Who played Madeleine and Judy Barton

A

Kim Novak

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11
Q

Who was originally cast for Madeleine’s role

A

Vera Miles-She posed for the Carlotta but fell pregnant

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12
Q

Who played Scottie Ferguson

A

James Stewart

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13
Q

Who played Midge Wood

A

Barbara Bel Geddes
She was givin strict instructions and no creative freedom

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14
Q

What is the conventional Hollywood scene progression

A

Guidelines of a sequence
-Establish time, location and relevant characters through establishing shots
-Character drives the narrative by progressing towards their goal

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15
Q

What are Hollywood conventions for narrative progression

A

-Shot in controlled environments
-Made to feel realistic
-Invisible continuity
-1 main plot, few side plots

16
Q

What are the 3 acts and 3 endings of Hollywood cinema

A

Confrontation, Set-up, Resolution
Cultural, Counter-Cultural, Soft Spot

17
Q

Explain Objective storytelling and Realism

A

The audience know more than the characters do, who never look at the camera. Scenes are realistic to adhere to the standards

18
Q

Name 3 other Hitchcock films

A

Psycho (1960)
The Birds(1964)
Rear Window (1954)

19
Q

What are the recurring themes of Vertigo

A

Guilt
Voyeurism
Taboo subject matter

20
Q

In which other films did he use the colour red

A

Dial M for Murder (1954) similar backlighting
Rear Window (1954)
Topaz (1969)

21
Q

In which other films did he use the colour green

A

Rear Window (1954)
North by Northwest (in the title sequence)

22
Q

What book is Vertigo based on? What does this say about auteur?

A

“D’entre les morts” by Boileau-Narcejac. Disproves auteur theory, although it could be argued that the heavily stylised visuals carry the film.

23
Q

Why is Vertigo considered his most personal film

A

-Scottie’s loneliness: Hitchcock’s lack of childhood friends
-Scottie’s treatment of Judy: His treatment of actresses
-Scottie’s guilt: Catholic upbringing

24
Q

When is the God’s eye view shot often used

A

In moments of chaos and disorder. Used in The Birds and North by Northwest. Used after Madeleine dies and James Stewart walks out, making him look tiny and vulnerable

25
Q

What is Pure Cinema and how did Hitchcock feel about it

A

Relying on visuals, rather than dialogue, to tell the story, much like German Expressionism. Hitchcock believed that dialogue should only be used where necessary, and that storytelling should rely on the visual aspect of films.

26
Q

How is Soviet Montage used in Vertigo

A

-Judy’s makeover scene: close ups of her features and their transformation to recreate Madeleine.
-Realisation scene: match cuts as Scottie pieces the story together.
Both Soviet Montage and Pure Cinema. Influenced by the time in which the film was made, but also aligns with Hitchcock’s personal preferences.

27
Q

How is Kuleshov effect used in Vertigo

A

When Scottie follows Madeleine. Close up, subjective POV then reaction shot.

28
Q

What’s the story between Hitchcock and Selznick

A

Both were used to being the most significant person in the filmmaking process. After Rebecca (1940) won Best Film, Hitchcock decided not to work in the same way again, instead proposing film ideas to studios. Gave him Creative Control as a household name and celebrity.

29
Q

How was Hitchcock able to have such creative control

A

He would cameo in his own films. Also had his own TV show, logo and signed off each film in the credits, essentially taking credit and owning the films he directed. Studios allowed him to have creative control, knowing that it was an effective marketing ploy to have his name on it.

30
Q

What was Truffaut’s theory

A

The director is the sole author of the film, translating their own experiences and their identity onto the screen.

31
Q

How does Vertigo affirm or contradict Truffaut’s perspective

A
32
Q

What was Sarris’ theory

A

In order to be a true auteur, your films must display technical competence, a distinguishable personality and an interior meaning

33
Q

How does Vertigo affirm or contradict Sarris’ theory

A
34
Q

What was Pauline Kael’s theory

A

She preferred to analyse films without considering the director’s other works. A film is a collective work, no one person is wholly responsible for its success.

35
Q
A