v Flashcards

1
Q

Abstraction

A

derivative or referential of a source image

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2
Q

Shallow Space

A

somewhere between flat and fully dimensional

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3
Q

Self-Similar

A

f you zoom in, you see the same image over and over again; self-similar refers to repeating the same pattern at every scale.

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4
Q

Orthogonal Lines

A

represent receding parallels, diagonal lines projected from VP

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5
Q

Isometric Projection

A

used in technical drawing and drafting

Vertical front edge, non-converging side planes, less apparent distortion than oblique projection

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6
Q

Oblique Projection

A

engineering and architectural applications, seen in Asian art

Flat, frontal, no converging sides, and,

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7
Q

Subjective Perspective

A

Of the imaginary, irrational, simultaneous multiple views, fanciful, some using mechanical devices

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8
Q

Arial or Atmospheric Perspective

A

The illusion of deep space by lightening values, softening details and textures, reducing value contrasts and neutralizing colors in objects as they recede.

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9
Q

Value

A

The relative degree of light and dark, here as articulated in with lighting and shading

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10
Q

Chiaroscuro

A

Italian for “bright-dark”, dramatic contrasts of light and shade. Used as a device to model the figure and forms (draping), as well as for spiritual and narrative impact.

In Caravaggio’s case, his intense chiaroscuro is known as “Tenebrism”. Makes value an instrument of exaggeration characteristic of Baroque strong contrasts, drama.

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11
Q

Additive Color

A

Color as the direct product of light; theater, most digital screens, digital photography

Red, Green, Blue (RGB)

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12
Q

Subtractive Color

A

color is perceived as a result of pigment; paint and most print media

Print- Cyan, magenta, Yellow, Black (CMYK)
Paint- Red, Yellow, Blue (RYB)

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13
Q

Simultaneous Contrast

A

When 2 colors come into direct contact, the contrast intensifies the difference between them.

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14
Q

The 3 Visual Properties of Color

A

HUE- color
SATURATION- amount of color, intensity
VALUE- light/dark

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15
Q

Analogous Color

A

Closely related Hues -by positon on the spectrum (& color wheel)

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16
Q

Halftone Dots

A

A halftone is the reprographic technique that simulates continuous tone imagery through the use of dots, varying either in size, in shape or in spacing.

17
Q

Serial Imagery

A

the use of repeated, identical or near identical images to evoke time, sequence, seriality; arranged in a series.

18
Q

Ideogram

A

a written character symbolizing the idea of a thing without indication the sounds used to say it.

19
Q

Hypertext

A

the presentation of information as a linked network of nodes which readers are free to navigate in a non-linear fashion. Coined by Ted Nelson in the 1960’s.

20
Q

Phenomenal transparency

A

he illusion of transparency, is created with spatial or pictorial leaving something that is not really transparent, but ambiguous. An in-between state,