UVU Art History II Final Flashcards
Liberty Leading the People
Eugene Delacroix, Romanticism, Paint, Paris
- 1st Truly Modern Painter
- “Current” events
- Realistic but Romanticism
- Not content to be simply a painting
Luncheon on the Grass
Eduoard Manet, Realism, Paint, Paris
Bar at the Folies Bergere
Eduoard Manet, Realism, Paint, London
- Mirror seperates girl from action
- Venus band and choker
- All things are for sale
Impression: Sunrise
Claude Monet, Impressionism, Paint, Paris
- Example of Impressionism
- Attempt to capture the essence of water
- Reaction to photography
Ball at the Moulin de la Galette
Renoir, Impressionism, Paint, Paris
- Attempt to capture light through trees
- Contemporary Scene
- Long and whispy color patches typical fo Renoir
Great Bathers
Cezanne, Post Impressionism, Paint, Philadelphia
- Classical subject matter
- Strong triangle composition
- Impression of clouds
- About paint and composition, not meaning
Sunday Afternoon at la Grand Jatte
Seurat, Post Impressionism, Paint, Chicago
- Pointilism
- Commentary on social isolation
- No one is looking at each other
Starry Night
Van Gogh, Post Impressionism, Paint, New York
- Attempt to capture the light of stars
- Van Gogh’s most famous painting
- Bright color and vibrant texture
After the Sermon (Jacob Wrestling the Angel)
Gauguin, Symbolism, Paint, Scotland
- Breton women characteristic of Gaugin
- Heavy Christian Symbolism
The Eye Like a Strange Balloon Mounts Towards Infinity
Redon, Symbolism, Charcoal, New York
- Full of Symbolism
- Characteristic of Symbolism
- Meaning is important
Nocturne in Black and Gold, The Falling Rocket
Whistler, American Realism, Paint, Detroit
- 1st painting recognized as formally different in terms of style
- Whistler was criticized for this painting and he sued.
- Nightscape
- Abstract
The Gross Clinic
Thomas Eakins, American Realism, Paint, Philadelphia
- Influenced by Photography
- Sharp Contrast
- Visceral and Realistic
From the Viaduct, 125th St. New York
Paul Strand, Photography, Texas
- No narrative
- Play with light and shadow
- Focus on Composition
The Scream
Edvard Munch, Expressionism, Paint, Oslo
- Expresses Anxiety and Fear
- Exemplifies Munch’s Style
The Red Studio
Matisse, Fauvism, Paint, New York
- “Violent” disposition of form
- Color is whatever the artist needs it to be
- Expressive not naturalistic
- Flattened surfaces