UVU Art History II Final Flashcards

1
Q
A

Liberty Leading the People

Eugene Delacroix, Romanticism, Paint, Paris

  • 1st Truly Modern Painter
  • “Current” events
  • Realistic but Romanticism
  • Not content to be simply a painting
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2
Q
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Luncheon on the Grass

Eduoard Manet, Realism, Paint, Paris

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3
Q
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Bar at the Folies Bergere

Eduoard Manet, Realism, Paint, London

  • Mirror seperates girl from action
  • Venus band and choker
  • All things are for sale
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4
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Impression: Sunrise

Claude Monet, Impressionism, Paint, Paris

  • Example of Impressionism
  • Attempt to capture the essence of water
  • Reaction to photography
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5
Q
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Ball at the Moulin de la Galette

Renoir, Impressionism, Paint, Paris

  • Attempt to capture light through trees
  • Contemporary Scene
  • Long and whispy color patches typical fo Renoir
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6
Q
A

Great Bathers

Cezanne, Post Impressionism, Paint, Philadelphia

  • Classical subject matter
  • Strong triangle composition
  • Impression of clouds
  • About paint and composition, not meaning
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7
Q
A

Sunday Afternoon at la Grand Jatte

Seurat, Post Impressionism, Paint, Chicago

  • Pointilism
  • Commentary on social isolation
  • No one is looking at each other
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8
Q
A

Starry Night

Van Gogh, Post Impressionism, Paint, New York

  • Attempt to capture the light of stars
  • Van Gogh’s most famous painting
  • Bright color and vibrant texture
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9
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After the Sermon (Jacob Wrestling the Angel)

Gauguin, Symbolism, Paint, Scotland

  • Breton women characteristic of Gaugin
  • Heavy Christian Symbolism
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10
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The Eye Like a Strange Balloon Mounts Towards Infinity

Redon, Symbolism, Charcoal, New York

  • Full of Symbolism
  • Characteristic of Symbolism
  • Meaning is important
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11
Q
A

Nocturne in Black and Gold, The Falling Rocket

Whistler, American Realism, Paint, Detroit

  • 1st painting recognized as formally different in terms of style
  • Whistler was criticized for this painting and he sued.
  • Nightscape
  • Abstract
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12
Q
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The Gross Clinic

Thomas Eakins, American Realism, Paint, Philadelphia

  • Influenced by Photography
  • Sharp Contrast
  • Visceral and Realistic
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13
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From the Viaduct, 125th St. New York

Paul Strand, Photography, Texas

  • No narrative
  • Play with light and shadow
  • Focus on Composition
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14
Q
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The Scream

Edvard Munch, Expressionism, Paint, Oslo

  • Expresses Anxiety and Fear
  • Exemplifies Munch’s Style
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15
Q
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The Red Studio

Matisse, Fauvism, Paint, New York

  • “Violent” disposition of form
  • Color is whatever the artist needs it to be
  • Expressive not naturalistic
  • Flattened surfaces
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16
Q
A

Unique Forms of Continuity in Space

Boccioni, Futurism, Bronze, London

  • Representation of Mechanical movement
  • Influenced by Photography
  • Essence of Movement
17
Q
A

Les Demoiselles d’Avignon

Picasso, Cubism, Paint, New York

  • First Cubist Work of Art
  • Influenced by African Art and Masks
  • Hard, Heavy Outlines
  • Distorted and Flattened
18
Q
A

Ma Jolie

Picasso, Cubism, Paint, New York

  • Titled after his pet name for his mistress.
  • No real figure
  • Popular song of the time, hence the musical symbols
  • Faceted with a sense of depth
19
Q
A

Nude Descending a Staircase No. 2

Duchamp, Cubism, Paint, Philadelphia

  • Futurism influence
  • Parodied often
  • Considered outrageous
20
Q
A

Fountain

Duchamp, Dada, Ready-made, Philadelphia

  • Signed under Duchamp’s alternate personality R. Mutt
  • Pointing out the “meaninglessness” of art.
21
Q
A

Chocolate Grinder

Duchamp, Dada, Paint, Philadelphia

  • “Grinding your chocolate” slang for masturbation.
  • Saying that art is as meaningless as masturbation.
22
Q
A

The Persistance of Memory

Dali, Surrealism, Paint, New York

  • Strong Naturalistic Imagery as well as distorted forms.
  • Bizzare Dreamlike Imagery characteristic of Surrealism.
23
Q
A

The Treachery of Images (This is not a pipe)

Magritte, Surrealism, Paint, Los Angeles

  • Visual pun as commentary on the visual world
  • Playing with Perception
24
Q
A

The Nighthawks

Hopper, American Regionalism, Paint, Chicago

  • Americana, Nostalgic
  • Commentary on Social Detatchment
25
Q
A

American Gothic

Grant Wood, American Regionalism, Paint, Chicago

  • Idyllic view of America
  • Models were a Banker and his secretary
  • Meant to be a farmer and his daughter, not his wife.
26
Q
A

Freedom From Want

Norman Rockwell, American Regionalism, Paint, Massachusetts

  • Impossible composition
  • Idyllic scene of Americana
  • Charicatured faces
  • Somewhat Satirical
27
Q
A

The Stations of the Cross

Newman, Abstract Expressionism, Paint, Washington D.C.

  • Member of the New York School
  • Zips used to make it a pure expression
28
Q
A

Autumn Rhythm

Pollock, Abstract Expressionism, Paint, New York

  • Drip technique
  • Action Painting
  • Record of Process
  • New York School
29
Q
A

Sixteen Jackies

Andy Warhol, Pop Art, Paint, Minneapolis

  • Commentary on the repition of images
  • Blue and gold symbols of royalty
  • Showed Jackie in a private moment
30
Q
A

Shoot

Chris Burden, Conceptual and Performance, Performance

  • Actually shot as the performance
  • Shock was a huge factor in performance/happenings
  • Didn’t produce much after this performance