Uta Hagen Questions (Chp. 1-8) Flashcards

1
Q

A flowering rebirth of the theatre began with the ______.

A

Elizabethans

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2
Q

In ____ the first real playhouse was built in _____.

A

1752; Williamsburg

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3
Q

_____ was one of the famous actor/managers who had their own company and made of what was called the _____ ____ of the actor.

A

Booth; Golden Age

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4
Q

Who was P.T. Barnum?

A

Producer, imported actors, built theatres

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5
Q

The transition between the 19th and 20th centuries list 3 notable actors.

A

Julia Marlowe, John Berrymore, Otis Skinner

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6
Q

Moscow Art Theatre began in ___ in ____.

A

1931; Connecticut

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7
Q

The ___ was founded in 1919.

A

Guild

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8
Q

In the mid sixties ____ _____ comedies brought social insight to Broadway.

A

Neil Simon’s

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9
Q

List 3 social realists.

A

Ibsen, Shaw, and Checkov

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10
Q

In the first half of the 40’s the commercial theatre rebounded with ____ plays.

A

Escapist

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11
Q

The actor must be aware of the ____ in order to be an artist with a point of view.

A

World

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12
Q

The actor must acquire a mastery of his ____ or all of the talent and good in the world will count for nothing.

A

Craft

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13
Q

List 3 trade unions.

A

Actors’ Equity, Screen Actors’ Guild, American Federation of Television and Radio Actors

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14
Q

The actor must know the since he, is the instrument, he must play with it to serve the ____.

A

Character

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15
Q

The ____ is the outer manifestation of the actor.

A

Body

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16
Q

_____ is the glorious means of communication.

A

Speech

17
Q

Who was Elenora Duse?

A

The first actress to blush on stage

18
Q

Representational acting is also known as _____.

A

Formalism

19
Q

_____ acting is known as Realism.

A

Presentational

20
Q

_____ acting is often confused with realistic acting.

A

Naturalistic

21
Q

You must find _____ in the role of the character.

A

Yourself

22
Q

The basic components of the characters we will play are somewhere within _____.

A

Ourselves

23
Q

You must train yourself in ____ _____.

A

Self-observation

24
Q

What is the magical question? Explain.

A

“If I were…?”; You ask yourself how you would react in the same situation to get a more truthful response, leads to identification with the character.

25
Q

Explain transference.

A

The process of relating to your character by asking the magical question.

26
Q

Define particularization.

A

Using specificity to gain a more truthful response.

27
Q

List 3 things that have dulled our senses according to Uta.

A

Spicy food, technology, and drugs

28
Q

The physical responses of our stimuli are accompanied by ____ ones.

A

Psychological

29
Q

Explain “Truth in Art” as opposed to “Truth in Life”.

A

A “Truth in Art” approach will likely be more formalistic, where an actor might illustrate emotion, whereas a “Truth in Life” approach is more naturalistic, as the actor will be more methodical and real.

30
Q

Give 2 examples on how to achieve a sensory conditioning; like yawning.

A

Waking Up: although the body is fully alert, it is possible for the actor to take steps and fully relax their body, their mind, and then give circumstances to their situation with the use of particularization.

Fatigue: the actor must start with the circumstances for what caused the fatigue. Then they can specify where their body is feeling fatigued and real emotion on what that would feel like.

31
Q

Explain “The Emotion Takes us, we do Not Take It.”

A

The actor should never force an emotion and immediately accept it. There should be a struggle until the actor finally gives and the emotion overtakes them.

32
Q

Explain truthful wandering.

A

Focusing on relevant objects substantiated by meaningful destinations

33
Q

A major flaw of the untrained actor is to attempt to separate thoughts from _______.

A

Actions

34
Q

Real thinking is preceded by, accomplished by, and followed by ______.

A

Action

35
Q

Explain animated listening.

A

To form an intention, to hunt for a solution, to form an expectation, to attempt to comprehend, to speculate, to make a mental plan, to call to mind, to imagine, to envisage, and to form a mental picture.

36
Q

Listen from the ______ point of view.

A

Character’s

37
Q

______ are preceded by an immediate source and sent with an immediate need.

A

Words