Untitled Deck Flashcards

1
Q

How did the Industrial Revolution affect design and production?

A

The Industrial Revolution introduced mass production, making goods more affordable but reducing craftsmanship. It led to movements like Arts and Crafts (which rejected machine-made objects) and Deutscher Werkbund (DWB) (which sought harmony between industrial production and good design).

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2
Q

What is the difference between Chicago Arts and Crafts and British Arts and Crafts?

A

British Arts and Crafts (led by William Morris) emphasized handmade, medieval-inspired designs as a reaction against industrialization. Chicago Arts and Crafts adapted these ideas to American values, integrating machine production with handcrafted details, often seen in Prairie Style architecture by Frank Lloyd Wright.

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3
Q

What is Planned Obsolescence, and why is it significant in design history?

A

Planned obsolescence is the strategy of designing products with an artificially limited lifespan, encouraging frequent consumer purchases. It became common in modern industrial design to sustain economic growth.

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4
Q

What was the impact of Adolf Loos’ ‘Ornament and Crime’ on design?

A

Loos argued that ornamentation was wasteful and regressive, associating it with ‘primitive’ cultures. His essay reinforced minimalist, functionalist design but also perpetuated racist stereotypes in design discourse.

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5
Q

What was the relationship between the Deutscher Werkbund (DWB) and Bauhaus?

A

Both sought to unify art and industry, but the DWB was more focused on industry collaboration, while Bauhaus emphasized experimental education. History tends to favor Bauhaus due to its broader influence on modern design.

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6
Q

Who was Peter Behrens, and why is he important?

A

Behrens was a German designer known as the first corporate designer. He created AEG’s corporate identity, including logos, products, and advertisements, influencing modern branding.

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7
Q

What was the debate between Henry van de Velde and Hermann Muthesius?

A

Muthesius supported standardization in design for industrial efficiency, while van de Velde advocated for artistic individuality in design.

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8
Q

What was Walter Gropius’ contribution to design?

A

Gropius founded Bauhaus, merging art, craft, and technology to create functional and aesthetically innovative designs.

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9
Q

What is Jan Tschichold’s significance in typography?

A

He revolutionized graphic design with ‘The New Typography,’ advocating for asymmetry, sans-serif fonts, and functional layouts.

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10
Q

Who was El Lissitzky, and what was his role in Constructivism?

A

A Russian Constructivist designer known for Propaganda Boards, For the Voice (1923), and integrating design with political messages.

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11
Q

What is significant about Frank Lloyd Wright’s Robie House (1909)?

A

It exemplifies Prairie Style, featuring horizontal lines, open plans, and integration with nature.

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12
Q

What was the purpose of Herbert Bayer’s Universal Alphabet (1926)?

A

It was a geometric, sans-serif typeface designed for efficiency and modernity, eliminating capital letters for simplicity.

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13
Q

What was the Tropon advertising poster (1898) by Henry van de Velde?

A

A curvilinear Art Nouveau poster that abstracted an egg product advertisement, showing how design could be expressive.

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14
Q

What was the significance of Vladimir Tatlin’s Monument to the Third International (1919-20)?

A

A never-built Constructivist tower symbolizing revolutionary aspirations with its dynamic, industrial structure.

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15
Q

What was the 1934 MoMA Machine Art Exhibition?

A

A groundbreaking exhibition that showcased everyday industrial objects as art, reinforcing the idea that beauty could be found in functional design.

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