Unit I Flashcards

0
Q

• Nature of Perception (p15):

A

the most important key to looking at art is to become aware of the process of looking itself

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1
Q

• Aesthetics:

A

the branch of philosophy concerned with the feelings aroused in us by sensory experiences; also (p25) the branch of philosophy that studies art, also studies the nature of beauty

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2
Q

Representational

A

To present again the world that we recognize a likeness

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3
Q

Naturalistic

A

Light & shadow forms, inner structure of bone & muscles, how fabric drapes, how gravity makes weight felt

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4
Q

Abstract

A

Appearance of the world as only a starting point, then exaggerates or simplifies certain aspects

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5
Q

Trompel’oeil

A

Fool the eye that they are real

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6
Q

Nonrepresentational or nonobjective

A

Does not represent or refer to the visible world

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7
Q

Style

A

To categorize art by it’s own appearance…refers to a characteristic or group of characteristics that we recognize as constant, recurring, or coherent
Ex: if a girl always wears braids gets her hair cut short we say she has a change in style

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8
Q

Form vs content

A

The way a work of art looks vs what the work is about

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9
Q

Iconography

A

“Describing images” identifying, describing, and interpreting subject matter in art

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10
Q

Context

A

Personal & social circumstances surrounding the making, viewing, and interpreting of a work of art; the varied connections of a work of art to the larger world of it’s time and place

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11
Q

Installation

A

Space is presented as a work of art that can be entered, explored, experienced and reflected on

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12
Q

Line

A

Path traced by a moving point

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13
Q

Contour line

A

Contours are the boundaries we perceive of 3d forms, contour lines are the lines we draw to record those boundaries

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14
Q

Direction & movement

A

Lines that our eyes follow and show direction, movement or action

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15
Q

Implied line

A

Ex: dots or spaces that implies a line…causes our eye to follow

16
Q

Shape 2D

A

Occupies an area with identifiable boundaries ex: square drawn on paper

17
Q

Mass 3D

A

Occupies a volume of space

Ex: mass of clay, mass of mountain

18
Q

Figure & ground

A

The shape we detach and focus on

Ground is the surrounding visual info the figure stands out from, the background

19
Q

Implied shape

A

Partially indicated in way that encourages our mind to complete them
Create sense of order; see art as unified and harmonious whole

20
Q

Light: model

A

The way light and shadow give masses a 3D appearance

21
Q

Values

A

Shades of light and dark

22
Q

Hatching

A

Closely spaced parallel lines

23
Q

Cross hatching

A

Additional parallel lines laid across the first

24
Q

Chiaroscuro

A

Use of light & dark to record contrasts of light and shadow in the natural world that models mass for us

25
Q

Color

A

Function of light, no color without light