unit 6 modernism Flashcards

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1
Q

modernism

A

continuation of rejection of Industrial Revolution that began in Romantic era, also break w/ Romanticism and bourgeois social order

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2
Q

Arnold Schoenberg (1874-1951)

A

Composer, theorist, and founder of Second Viennese School. Involved Atonality and serialism (uses all 12 pitches)

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3
Q

Mondestrunken - Schoenberg (1912)

A

atonal song, no tonal center, with Sprechstimme- technique from recitative in which speech rhythm is favored

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4
Q

Igor Stravinsky

A

Russian composer of “Rite of Spring” ballet . Moved to Paris to compose ballets and got attention of Russian impresario

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5
Q

Rite of Spring (1913)

A

Ballet about ritual spring selection of girl who dances to death. Incorporates Russian folk melodies, polytonality, complex meter

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6
Q

Bela Bartok (1881-1945)

A

Hungarian composer and ethnomusicologist. Collected Hungarian folk songs in 1910s using phonograph

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7
Q

Bela- Bartok”Improvisations on Hungarian Peasant Songs” (1920)

A

His improvisations are inspired by his phonograph recordings. With indigenous tonality of melodies with ambiguous tonality of modern music

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7
Q

William Grant Still (1895-1978)

A

The “Dean” of African American composers in 20th century from Mississippi. Influenced by Coleridge-Taylor

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7
Q

Musical modernism is a reflection of what?

A

growing unease of structures of society

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8
Q

Schoenberg - “Variations for Orchestra” (1928)

A

Clear Example of- 12 Tone Method. Follows and contrasts neoclassical period = return to older forms. Atonal introduction

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8
Q

“Darker America” - William Grant Still

A

Response to Gershwin’s Rhapsody in Blue. Incorporated jazz melody and harmony and Was Not received well by the public cus Racism

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8
Q

Florence Price (1887-1953)

A

Passed as Mexican to avoid prejudice as African American. First African-American woman to win widespread recognition as a symphonic composer.

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9
Q

Florence Price- “Symphony No. 1 in E Minor”

A

Won first prize in Rodman Wanamaker Competition in 1932. Third mvmnt uses rhythm from a juba(elaborate form of handclapping that accompanied improv dance) dance. Inspired by New World Symphony

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10
Q

Aaron Copland (1900-1990)

A

Turned to serialism and other modern techniques after the war. Then turned to film music. Influence recognizable in films depicting American landscapes.

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11
Q

Aaron Copland- “ Appalachian Spring”

A

Originally chamber piece for 13 instruments as “Ballet for Martha”. Work has a program of 8 sections tracing scenes from the life of young people

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12
Q

Milton Babbitt- “Composition for Four Instruments” (1948)

A

Piece an example of post-war interest in serialism. Applies serial technique in rhythm and pitch. atonal clarinet intro

13
Q

John Cage - “4’33” (1952)

A

Piece epitomizes Cage’s idea that any sounds may constitute music

14
Q

Edgard Varese - “Poeme Electronique” (1958)

A

work uses non-musical sounds throughout. Uses Musique Concrete- sounds from the “real world”

15
Q

Hale Smith (1925-2009)

A

African American composer and teacher. Taught at UConn yuh. His work “Contours” was commissioned by BMI

16
Q

Hale Smith- “Contours” (1961)

A

Serial influenced work with jazz elements

17
Q

Steve Reich- “Music for 18 Musicians” (1976)

A

Work marked by repetitive rhythms and slow harmonic rhythm. Reffered to Perotin’s Organum as an influence

18
Q

George Walker -“Lilacs” (1996)

A

Setting of four stanzas of, “When Lilacs Last in the Dooryard Bloom’d” -Lincoln elegy. Won Pulitzer Prize, harmonically ambiguous. Woman singing + orchestra

19
Q

Caroline Shaw- “Partita for 8 Voices” (2012)

A

Uses extended vocal techniques from many cultures and square dancing directions. Partita- Baroque genre consisting of several movements or suite of dances