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Gothic Art History > Unit #4 Vocab > Flashcards

Unit #4 Vocab Flashcards

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1
Q

Large alarpiece by Duccio, the main painting being Madonna and Child enthroned with saints around them; figures in Gothic style (linear/patterned) and Byzantine style (hand/face); more panels on back in maniera greca style (gold sky)

A

“The Maestá”

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2
Q

preferred medium for large-scale wall/ceiling paintings ever since ancient times

A

frescos

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3
Q

Giovanni Pisano

A

art sculptor, son, sculpted CATHEDRAL pulpit at Pisa, and facade sculpt. on Siena Cathedral

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4
Q

“Hall of Peace”, room in the city hall political building in Siena

A

Salla della Pace

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5
Q

Nicola Pisano

A

art sculptor, dad, sculpted BAPTISTERY pulpit at Pisa

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7
Q

glittering inlay work

A

cosmati work

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8
Q

exterior sculptor for the Florence Cathedral in later 13th century, but not the dome

A

Arnolfo di Cambio

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9
Q

metal bars in the nave interior that counteracted vault stresses in absence of flying buttresses/gallery

A

tie rods

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10
Q

earliest and most famous work of Nicola Pisano; located in Baptistery building by Leaning Tower of Pisa.
DISTINGUISHING FEATURES: lobes arches, boxed-in/ Ancient-Roman-sarcophagus style reliefs

A

“Pisa Baptistery Pulpit”

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11
Q

sculpture in the round of Mary & baby Jesus, made by Giovanni Pisano

A

“The Padua Madonna & Child”

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12
Q

work in the Pisa Cathedral that has 14th century characteristics, sculpted with loose figures and space in between them

A

“Pisa Cathedral Pulpit”

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13
Q

One (of the three) grand doors designed and sculpted in relief by Andrea Pisano in quatrefoil-diamon shape, on an important building

A

Florence Baptistery Door

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14
Q

when this substance is mixed with pigments to create colors to make frescos with

A

egg tempura

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15
Q

when dried paint is just added on top of a fresco when a mistake is made; not permanent

A

fresco secco

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16
Q

style was especially important after 1204 (sack of Constantinople) and every major city (except Venice) had evidence of Ancient Rome art & architecture

A

Italo-Byzantine

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17
Q

“Greek Style”, which is what the Italians called the (what we know as) Italo-Byzantine

A

maniera greca

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18
Q

a second artist, aside from Orcagna, who worked for the rich Strozzi family

A

Gentile da Fabriano (from Fabriano, NE Rome)

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19
Q

the name for the style that the Italians, otherwise, called the ‘Greek style’

A

Italo-Byzantine

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20
Q

Cimabue’s famous painting of a sitting Mary and the weird/flat sense of space, and painting style in Cimabue’s semi-abstracted style (1280)

A

“Madonna & Child Enthroned”

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21
Q

master mason and sculptor on Orvieto Cathedral

A

Lorenzo Maitani

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22
Q

altarpiece by Giotto, where Gothic style is hinted at in architecture but the Virgin figure is Roman/classical in style (1310)

A

“Madonna & Child Enthroned”

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24
Q

the painted fresco at Assisi, by Cimabue, that is very bad condition but a dramatic example of this type of art in this time

A

“Crucifixion”

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25
Q

most famous painting by Giotto, shows the lament of Mary and mourners over Christ’s post-crucified body. many important and innovative visual characteristics

A

“Lamentation”

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26
Q

an alternative to the new-wave of Renaissance approaching in the late 14th century, when the lavish styles of the Gothic appealed to the desire of display that the aristocrats had

A

The International Gothic style (in Italy)

27
Q

King Robert had this painting created after his bishop brother died and was declared a saint; visually connecting King Robert to Royal House of France and to this important saint

A

Robert of Anjou Crowned by St. Louis of Toulouse

28
Q

Brothers who studied under Duccio and became well known painters/artists up until their mysterious disappearance from art world in 1340’s (due to Black Death, assumedly)

A

Lorenzetti Brothers, Ambrogio and Pietro

29
Q

an alternative to the new-wave of Renaissance approaching in the late 14th century, when the lavish styles of the Gothic appealed to the desire of display that the aristocrats had

A

The ‘International Gothic’ style (in Italy)

30
Q

altarpiece paintings in Santa Maria Novella, Florence!, that was made by Orcagna for the Strozzi family; shows Christ in center panel, and important figures on either side’s two panels (pointed arches with gable-effect)

A

“Strozzi Altarpiece”

31
Q

(when rough plaster on a masonry wall is covered with) a fine, smooth coat of plaster called ___

A

intonaco

32
Q

hospital/sick&elderly housing building, near Dijon, with unique tiled roof

A

Beanue (“bone”) Hospital

33
Q

picture or pattern made by arranging small colored bits of hard material

A

mosaics

34
Q

Late 14th century artist in Florence, sculptor in the International Gothic style

A

Orcagna

36
Q

1400’s, important art piece by Giovanni dei Grassi, Milan; ppt. scene showed God overlooking Adam & Eve in a capital C

A

“The Visconti Book Of Hours”

37
Q

elaborately framed altarpiece with many multi-panel wood paintings; prominent Spanish AND Italian feature

A

retable

37
Q

Side altarpiece that is very French and elaborate in style; only center panel is by Martini (Mary figure looking repellant towards Angel Gabriel)

A

“Annunciation”

38
Q

small paintings, at the bottom, that accompany larger altarpiece painting

A

predella scenes

39
Q

large and tall elaborate wood altarpiece, figures showing signs of International Gothic, architecture very Gothic

A

The Creglingen Altarpiece

40
Q

1420, Naples, magnificent and tall sculptural tomb in French style by Andrea Nofri

A

“Tomb of King Ladislas”

41
Q

Italian lingo for someone in the 1300’s, which they considered as actually “300”

A

trecento

43
Q

Large wall fresco made by Ambrogio Lorenzetti in Hallf of Peace in Siena’s city hall

A

“The Effects of Good Government on the City and Country”

44
Q

1420, Naples, magnificent and tall sculptural tomb in French style by Andrea Nofri

A

“Tomb of King Ladislas”

45
Q

Duke of Burgundy who married daughter of Count of Flanders, which added the territory of Flanders to his kingdom; had a large & important monastery built as a place for dynastic mausoleum

A

Philip the Bold

46
Q

the sculpture gazebo-like well in the middle courtyard in the Chartreuse de Champmol, depicting old testament figures, done by Claus Sluter

A

The Well of Moses

47
Q

Important sculptural piece that Orcagna created for the chapel in Florence, late 14th century

A

“The Tabernacle of Or San Michele”

47
Q

altarpiece Gentile da Fabriano made for Strozzi family; mixes Gothic elements with naturalistic details; one large painting with 3 panels of smaller paintings at the bottom

A

“Strozzi Altarpiece (Adoration of the Magi)”

48
Q

Openable large altarpiece that is elaborate in the Gothic architecture style, with gilded wood on the inside and paintings on the outside (when closed)

A

The Retable of Champmol

49
Q

Large, mostly-rectangular altarpiece in the chapel of the Beanue Hospital that shows Christ in heaven (gold sky), Angel Gabriel below him & on Earth with the scales, scenes flanking out either side

A

The Last Judgement

50
Q

The artist of the paintings on the Retable of Champmol

A

Melchoir Broderlam

51
Q

The artist of the Beanue Hospital chapel’s “The Last Judgement” altartpiece

A

Rogier van der Weyden

52
Q

First flemish painter to achieve international fame; was best known as proponent of hyper-realism/illusionism in his paintings

A

Jan van Eyck

53
Q

artist hired (sculptor) to work at Chartreuse de Champmol

A

Claus Sluter

54
Q

Piece that the Limbourg Brothers (of Netherlands)(worked in Paris) made, which is a 15th c. colorful manuscript

A

“Trés Riches Heures du Duc de Berry”

“The Rich Hours of the Duke of Berry”

55
Q

when surface is absolutely covered in plants, flowers, vines (which may be symbolic)

A

millefleur

56
Q

German woodcarving artist who worked excellently in limewood, also known for international gothic aesthetic & angular ridges in cloth

A

Tilman Riemenschneider

57
Q

a section of a fresco scene that is done in one sitting

A

giornata

57
Q

King Robert had this painting created after his bishop brother died and was declared a saint; visually connecting King Robert to Royal House of France and to this important saint

A

Robert of Anjou Crowned by St. Louis of Toulouse

57
Q

dynastic mausoleum monastery made by Philip the Bold

A

The Chartreuse de Champmol

58
Q

The other German wood artist, who settled in Krawkow

A

Veit Stoss

59
Q

Artist of the Well of Moses in the chartreuse de champmol

A

Claus Sluter

Gothic Art History (3 decks)

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