Unit 3 Flashcards

1
Q

arena stage

A

A stage that is set in the middle of the audience in order to allow the audience to feel close to the action and characters on the stage.

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2
Q

concatenation

A

To link together in a series or chain.

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3
Q

conflict

A

The opposition that shapes and motivates the plot’s action. It is also when words combine to create unpleasant sounds.

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4
Q

denouement

A

The “tune” of a poetic line when it’s read aloud. It is often used in modern poetry to replace formal meter.

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5
Q

dramatic climax

A

The uncertainty and anxiety of the crisis leads to the climax, where the tension peaks. It is the third stage of Freytag’s Pyramid.

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6
Q

exposition

A

The beginning or opening part of a play in which the characters, setting, time and situation are introduced. It is the first stage of Freytag’s Pyramid.

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7
Q

falling action

A

The downward slope from the climax that forestalls the play’s end. This is where issues are resolved.

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8
Q

flashback

A

To return the reader to an earlier moment in the story as a way of explaining or setting up the plot’s action.

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9
Q

foreshadowing

A

To reveal action that might happen in the future.

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10
Q

Freytag’s Pyramid

A

A play’s structure can be described by Freytag’s Pyramid. Outlined by German novelist and critic Gustav Freytag (1816 – 1895), this format features six conditions: 1) Exposition 2) Rising Action 3) Dramatic Climax 4) Falling Action 5) Technical Climax and 6) Denouement.

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11
Q

Henrik Ibsen

A

Henrik Ibsen (1828 – 1906) was born in Skien, Norway. He is considered to be the father of modern drama. From 1877 – 1890, Ibsen composed plays that challenged the conventions and morality of middle-class society and raised unorthodox questions about previously secreted issues.

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12
Q

plot

A

The arrangement of relevant or important events in a story.

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13
Q

proscenium stage

A

A stage that functions as an illuminated box. The audience sits in a darkened, usually fan-shaped theater, and looks through an arch into the stage. Sometimes, there is a runway, or apron, that juts out from the middle of the stage, beyond the curtain.

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14
Q

realism

A

Realism, as a theatrical style, developed in the 1860s in Europe. Realistic conventions depend on the separation of the audience from the actors. In realistic theater, the set reveals the setting in which lives have been formed.

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15
Q

rising action

A

After the play’s situation and characters have been introduced, the drama commences as characters face overwhelming difficulties. Conflicts build as characters strive toward some sort of resolution to their conflicts. Suspense builds and crises occur. Incipient action is the first concrete indication that conflict will develop. Rising action is the second stage of Freytag’s Pyramid.

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16
Q

setting

A

The time and place of a story.

17
Q

stage direction

A

Reveals what the setting and props might look like, as well as helps the audience imagine the character’s movements, gestures, facial expressions, and vocal intonations.

18
Q

technical climax

A

The point of the story at which no other action is possible. Here, conflicts find resolution, which lead to the inevitable conclusion. It is the fifth stage of Freytag’s Pyramid.

19
Q

theme

A

The central idea or meaning of a story. Every element of fiction works together to help produce the theme.

20
Q

thrust stage

A

A platform stage that juts out into the middle of the building. The audience stands and sits on three sides around it.

21
Q

antagonist

A

The central opponent of the main character or protagonist.

22
Q

aside

A

A brief comment that is addressed to the audience. It is presumed to be inaudible to anyone else on the stage. It allows the characters to reveal inner thoughts or feelings.

23
Q

character

A

The role or part in a performance that represents a personality type and generally performs the actions of the plot.

24
Q

dynamic character

A

This type of character undergoes a transformation as a result of the conflicts he or she encounters.

25
Q

flat character

A

This type of character has a lack of complexity. He or she has only a single trait. Minor characters tend to be flat.

26
Q

round character

A

This type of character is fully developed and resembles a real person. He or she tends to be the main character in the drama.

27
Q

static character

A

This type of character does not change considerably as the drama unfolds.

28
Q

dialogue

A

What people say; written conversation.

29
Q

expressionism

A

To use distorted or amplified images to illustrate what’s going on inside a character’s mind.

30
Q

foils

A

Players whose main purpose is to reveal other characters.

31
Q

idiom

A

An expression that can’t be accurately translated. Poets employ idiomatic expressions to achieve ordinary and colloquial diction.

32
Q

monologue

A

A speech, often lengthy, that is delivered by single characters to allow for revelations of thoughts or feelings.

33
Q

protagonist

A

The main character of the story upon which the action centers.

34
Q

soliloquy

A

A personal monologue that is delivered to the audience.

35
Q

Tennessee Williams

A

Thomas Lanier Williams (1911 – 1983) used realistic devices to show social forces at work in the lives of the characters. He had a great concern with the inner lives of his characters and thus moved away from realistic theater toward expressionist theater.