Unit 3&4 Pieces

Question 1

Cruda Amarilli

Answer 1

Claudio Monteverdi, 1605, Duple, conjunct and mostly syllabic, consonant but some dissonance, homophonic, voices, through-composed, secunda prattica

Question 2

Lasciatemi qui solo

Answer 2

Francesca Caccini, 1618, grouped by text, mostly conjunct, homophonic, voice and harp, strophic aria, monody

Question 3

Orfeo

Answer 3

Claudio Monteverdi, 1607, hemiola, syllabic, consonant, voice and accompaniment, strophic aria, mehter, recitative, aria, chorus

Question 4

Le Bourgeois Gentilhomme (Marche pour la ceremonie des turcs)

Answer 4

Jean-Baptiste Lully, 1670, duple, conjunct, consonant, homophonic, instrumental (strings, horns, timpani, woodwinds), AABB,

Question 5

Orlando Furioso

Answer 5

Vivaldi, 1727, duple, conjunct, mellismatic, consonant, homophonic, voice and instrumental accompaniment

Question 6

l’Eraclito amoroso

Answer 6

Barbara Strozzi, 1651, duple, conjunct and syllabic, consonant, homophonic, voice and string accompaniment, recitative, aria, cantata

Question 7

Concerto for Two Violincellos in G minor

Answer 7

Vivaldi, 1700s, duple, conjunct, modulates from minor to major to minor, homophonic, strings, ritornello, concerto

Question 8

St. Matthew’s Passion

Answer 8

JS Bach, 1727 rev. 1736, conjunct, syllabic, consonant, homophonic, voice and strings, ritornello, passion

Question 9

Celebren, publiquen

Answer 9

Manuel Zumaya, 1710-20, duple, conjunct, syllabic, consonant, homophonic, voices with instruments (trumpet, violin, bass), ABBA, villancico

Question 10

Symphony in E-flat major

Answer 10

CPE Bach, 1757, triple, conjunct, consonant, non-imitative polyphony, instruments (strings, horns, harpsichord), fast-slow-fast, ritornello, symphony

Question 11

Overture to La Rencontre imprevue

Answer 11

Gluck, 1764, duple, conjunct, consonant, non-imitative polyphony, instruments (chimes, cymbals, horns, woodwinds, strings), sonata form, overture and symphony

Question 12

Piano sonata No. 11 in A major

Answer 12

Mozart, 1780s, duple, conjunct, consonant, modulates to parallel major, non-imitative polyphony, piano with drums in B section, rondo, sonata

Question 13

Astra coeli iam intonate

Answer 13

Anna Bon, 1740s, duple, conjunct, syllabic, consonant, homophonic, voice, strings, harpsichord, da capo (ABA), sacred aria, ritornello with B section

Question 14

String Quartet in F minor

Answer 14

Haydn, 1772, duple (2nd&3rd mvts in triple), conjunct, consonant, homophonic, strings, sonata-allegro form, last movement is fugue

Question 15

The Abduction from the Seraglio

Answer 15

Mozart, 1782, duple, conjunct, syllabic, consonant, homophonic, voice, strings, percussion, strophic aria and ABA

Question 16

Symphony No. 3 “Eroica”

Answer 16

Beethoven, 1803, first movement is compound and the rest are duple, conjunct, non-imitative polyphony, orchestra, 1. Sonata, 2. funeral march, 3. Scherzo, 4. Theme and Variations, symphony,

Question 17

Symphony No. 6

Answer 17

Beethoven, 1808, duple, conjunct, orchestra, symphony