Unit 2 Terms Flashcards

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1
Q

Pastoral

A

A text portraying an idealized version of country life

-typically for urban audiences

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2
Q

Evocation

A

The act of recalling a feeling, memory, or image to the conscious mind

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3
Q

Poignacy

A

The experience of a keen sense of sadness or regret

Anything that can bring an empathetic tear to the eye

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4
Q

What scenes are meant to evoke Poignancy?

A

Pastoral Scenes

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5
Q

What 2 attributes are in Poignant scenes?

A

1) emotional music

2) close ups (eg. on people’s intense relationships)

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6
Q

Bucolic

A

Something relating to the pleasant aspects of country life

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7
Q

Anarchich

A

Lawless and chaotic with no controlling rules

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8
Q

Juxtaposition

A

things being placed together for a contrasting effect

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9
Q

Iconic

A

an image, person, or concept we’re familiar with, that represents something worthy of respect

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10
Q

Icon

A

Something that represents something else

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11
Q

iconography

A

Group of visual images / symbols

The study and interpretation of images and symbols

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12
Q

Religious iconography

A

Artistic forms and gestures used to convey religious concepts
Representations of religious ideas and events

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13
Q

Iconographic lense

A

Observe imagery with an eye to what it represents in a separate source text outside of the artwork itself

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14
Q

Literary Canon

A

Body of books, narratives, and texts that were seen to be the most influential of a particular time period or place

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15
Q

Memento Mori

A

Reminder of Death

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16
Q

Chekhov’s Gun

A

A set up that has a pay off

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17
Q

Text

A

Refers to writing, objects, actions , behaviours that have a cultural meaning

any cultural artifact can be read as a text

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18
Q

Easter Eggs

A

An unexpected, metafictional feature in a text, intended as a bonus

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19
Q

Poetic Justice

A

A literary device in which virtue (good behaviour) is rewarded and vice (bad behaviour) is punished, usually in an ironic appropriate way
- KARMA

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20
Q

Metaficton

A

Fiction that refers to itself

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21
Q

Frame Narrative

A

A second, more emphasized is told within initial narrative

- A story within a story

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22
Q

The Unrealiable Narrator

A

When the narrator’s perspective is filtered through their past experiences
-when their viewpoint is compremised ; can’t trust them

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23
Q

Unrealiable Narrator:

The Child

A

narrator’s inexperience impacting narration

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24
Q

Unrealiable Narrator:

The Outsider

A

narrator’s prejudice impacting narration

eg. race, class, gender, etc

25
Q

Unrealiable Narrator:

The Mental Health Sufferer

A

narrator’s mental health issues impacting narration

eg. eating disorder, drug use, alcoholism

26
Q

Unrealiable Narrator:

The Innocent

A

narrator has low intelledence / learning disability / not having key information impacting narration

27
Q

Unrealiable Narrator:

The Criminal

A

a venchful blaming narrator / a guilt narrator trying to convince you of innocence impacting narration

28
Q

Unrealiable Narrator:

The Supernatural

A

ghostly / overworldly narrator impacting narration

29
Q

Unrealiable Narrator:

The WItful Liar

A

The narrator tries to mess with the reader , impacting narration

30
Q

Willing Suspension of Disbelief

A

An unspoken agreement between a text’s creator and the audience member

-the member accepts what is being presented

31
Q

Intertextually

A

The relationship between literary texts

-reference / allusion to a text within another text

32
Q

Carpe Diem

A

Seize the Day

33
Q

Anachronism

A

An error of chronology / timeline in a text

-anything outof place / time

34
Q

Pastiche

A

A purposeful mimicking of an artistic / literary form
“a playful anachronism”
-parody

35
Q

Medium / Genre

A

eg. poem, painting, film, archetecture

36
Q

Materials

A

eg. paper quality, oil paint, 35mm film, steel

37
Q

Composition

A

eg. word combinations, colour use, rough surfacing

38
Q

Structures

A

eg. sonnet, paragraphing, model posing

39
Q

Diction

A

eg. figurative language

40
Q

Intended Message

A

The meaning the author wants the reader to get

41
Q

Emotion

A

Internal state of the reader approaching a text

42
Q

Reaction

A

personal thoughts, feelingsm & emotions in response to the text

43
Q

Action

A

What the reader is doing while assessing the text

44
Q

Intellect

A

Individual ability to reason & understand

45
Q

Education

A

individual, intuition-based knowledge & structures

46
Q

Experience

A

memory of the reader’s personal past

47
Q

Perceived Message

A

what meaning the reader actually makes

48
Q

Literary Theory

A

asserts the filter through which you look at a text affects the meaning of that text

49
Q

Reader Response Theory

A

meaning is determined by the reader’s own personal life experience

50
Q

Feminist Theory

A

An evolving critical philosophy that takes into account gender politics, power relations & sexuality

  • focuses on the differences between male & female roles, perceptions, power, and oftern female experience
  • aka Gender Theory
51
Q

Marxist Theory

A

Focuses on economic, political & relational power

-materialism vs spirituality as an issue

52
Q

Psychoanalytic Theory

A

Examines the internal, psychological motivations of authors / characters in a text

53
Q

Archetypal Theory

A

Examines Archetypes / stereotypes seen throughout history

54
Q

Agency

A

refers to the capacity of an “agent” / individual to act individually in the world

55
Q

Gender

A

A set of social characteristics that are used by a culture to distinguish the ideas of male and female (opposed to physical characteristics)

56
Q

Hegemony

A

The political economic / cultural power exerted by a dominant group over other groups

57
Q

Ideaology

A

A set of ideas / expectations that shape the thinking / understanding of a culture / society
-determines how an individual looks at, sees, and participates in the world

58
Q

Femvertising

A

The use of feminist principles and ideas to sell products

59
Q

The Other + what is Othering

A

Identity created by defining ourselves against something : we distance ourselves from those we see as not like us- the other

Othering: giving the other aspects that we don’t like / are afraid of