Unit 2: Harmonic Progression Flashcards

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1
Q

Transposition: Instruments in key of C – what you see is what you hear

A

flute, strings, oboe, tuba, bassoon, trombone

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2
Q

Transposition: Bb instruments

A

trumpet in Bb, clarinet, soprano sax, and tenor sax; If I want a concert Bb, instruments see a C ( a whole step ABOVE concert pitch – a M2)

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3
Q

Transposition: F instruments

A

french horn; reads a P5 ABOVE concert pitch; concert Bb —> horn sees an F

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4
Q

Transposition: Eb

A

alto sax and baritone sax; sees a M6 ABOVE concert pitch; concert Bb —> sees a G

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5
Q

Common Practice Period

A

three periods based around Baroque, Classical, and Romantic Periods; theoretical terms and technique
Baroque Period - tertian harmony ( built on thirds)

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6
Q

Sequence

A

a pattern that is repeated immediately in the SAME VOICE, but that begins on a DIFFERENT pitch class

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7
Q

tonal sequence

A

will keep pattern in single key - means modifiers of intervals (M,m, etc) will probably change, as well as accidentals

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8
Q

real sequence

A

transposes patterns to a new key; keeps pattern of intervals

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9
Q

real imitation

A

NOT a real sequence!!! Repetition of a pattern occurs in a different voice and different pitch class

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10
Q

modified sequence

A

not quite tonal, but not real either; a mix of the two but is related

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11
Q

circle of fifth’s progression

A

a series of roots related by descending 5ths (and/or ascending 4ths); though most of the 5ths will be perfect,if a diatonic circle-of-fifths progression goes on long enough in root pos., o5 (or +4) will occur; down a 5th, up a 4th, etc. Inversions don’t change the progression; make up a phrase… once the phrase ends, can start new phrase and new progression

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12
Q

prolongation

A

the act of prolonging the ending of a piece; I-V-I is usually very conclusive, but if V or I is inverted, it makes it weaker sounding, prolongs the ending

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13
Q

pre-dominant chord

A

any chord that comes beore the dominant V chord in the circle-of-fifths progression

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14
Q

ostinato

A

a repeated bass pattern often found in popular tunes - pop music

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15
Q

plagal progression

A

when a IV chord precedes a I tonic chord

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16
Q

cadential six-four

A

I64-V-I; prolongs V by adding I64 before it