Unit 2: Harmonic Progression Flashcards
Transposition: Instruments in key of C – what you see is what you hear
flute, strings, oboe, tuba, bassoon, trombone
Transposition: Bb instruments
trumpet in Bb, clarinet, soprano sax, and tenor sax; If I want a concert Bb, instruments see a C ( a whole step ABOVE concert pitch – a M2)
Transposition: F instruments
french horn; reads a P5 ABOVE concert pitch; concert Bb —> horn sees an F
Transposition: Eb
alto sax and baritone sax; sees a M6 ABOVE concert pitch; concert Bb —> sees a G
Common Practice Period
three periods based around Baroque, Classical, and Romantic Periods; theoretical terms and technique
Baroque Period - tertian harmony ( built on thirds)
Sequence
a pattern that is repeated immediately in the SAME VOICE, but that begins on a DIFFERENT pitch class
tonal sequence
will keep pattern in single key - means modifiers of intervals (M,m, etc) will probably change, as well as accidentals
real sequence
transposes patterns to a new key; keeps pattern of intervals
real imitation
NOT a real sequence!!! Repetition of a pattern occurs in a different voice and different pitch class
modified sequence
not quite tonal, but not real either; a mix of the two but is related
circle of fifth’s progression
a series of roots related by descending 5ths (and/or ascending 4ths); though most of the 5ths will be perfect,if a diatonic circle-of-fifths progression goes on long enough in root pos., o5 (or +4) will occur; down a 5th, up a 4th, etc. Inversions don’t change the progression; make up a phrase… once the phrase ends, can start new phrase and new progression
prolongation
the act of prolonging the ending of a piece; I-V-I is usually very conclusive, but if V or I is inverted, it makes it weaker sounding, prolongs the ending
pre-dominant chord
any chord that comes beore the dominant V chord in the circle-of-fifths progression
ostinato
a repeated bass pattern often found in popular tunes - pop music
plagal progression
when a IV chord precedes a I tonic chord