Unit 2 Flashcards

1
Q

What is the definition of religion as provided in the source?

A

Religion is defined as a belief and ritual concerned with supernatural beings, powers, and forces

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2
Q

Who is considered the founder of the anthropology of religion?

A

Sir Edward Burnett Tylor is recognized as the founder of the anthropology of religion

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3
Q

According to Tylor, what prompted the emergence of religion?

A

Tylor believed that religion arose from early humans’ attempts to understand conditions and events they couldn’t explain through daily experience, particularly death, dreaming, and trance

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4
Q

Describe Tylor’s concept of animism.

A

Tylor argued that observing dreams and trances led early humans to believe in a “double” or “soul” that exists alongside the physical body. This soul is active during sleep and trance and departs the body upon death. This belief system is called animism

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5
Q

How did Tylor believe religion would evolve over time?

A

Tylor proposed that religion would evolve through stages, beginning with animism, followed by polytheism (belief in multiple gods), and finally monotheism (belief in a single, all-powerful god). He thought religion’s role would decline as science offered better explanations

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6
Q

Explain the concept of mana as it was understood in Melanesia.

A

In Melanesia, mana was seen as a supernatural force that could be acquired through chance or hard work, explaining success or failure in various endeavors

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7
Q

How did the understanding of mana differ in Polynesia compared to Melanesia?

A

Unlike Melanesia, mana in Polynesia was associated with political offices and was not equally accessible to everyone. Chiefs and nobles had more mana than ordinary people

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8
Q

What is the relationship between mana and taboo in Polynesia?

A

In Polynesia, high chiefs possessed so much mana that their bodies and belongings were considered taboo, meaning they were sacred and off-limits to commoners due to the potential danger of contact with such concentrated supernatural force

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9
Q

According to the source, what is one important function of religion?

A

One role of religion is to provide explanations for phenomena that cannot be readily understood through ordinary or natural means, such as the reasons for differential success in various endeavors.

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10
Q

How does Malinowski explain the persistence of magic in contemporary societies, even with advancements in science and technology?

A

Malinowski argued that magic persists because even with increasing technical skills, humans cannot control every outcome. Magic provides an illusion of control in situations of chance and uncertainty

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11
Q

What distinction does Malinowski make between magic and religion?

A

According to Malinowski, magic is employed to establish control, while religion is born out of the real tragedies of human life and offers emotional comfort during crises

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12
Q

How do rites of passage contribute to anxiety, despite their role in reducing it?

A

Rites of passage can create anxiety because the very existence of a rite implies potential danger or insecurity if it’s not performed correctly. The stress involved in the ritual can actually reinforce solidarity among participants upon its completion

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13
Q

What are the three phases of a rite of passage?

A

The three phases of a rite of passage are separation, liminality, and incorporation

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14
Q

Describe the characteristics of the liminal phase in a rite of passage.

A

During the liminal phase, individuals occupy ambiguous social positions, existing apart from ordinary social distinctions and roles. They have left one stage of life but have not yet entered the next

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15
Q

What is totemism, and how does it contribute to social solidarity?

A

Totemism is a system where social groups, like clans, are symbolically associated with natural phenomena such as animals or plants (totems). These totems serve as sacred emblems, representing a shared identity and reinforcing the unity of the group.

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16
Q

What is the significance of Claude Lévi-Strauss in the anthropology of religion?

A

Claude Lévi-Strauss made significant contributions to the understanding of myth, folklore, totemism, and cosmology, particularly how they reflect universal human mental structures and the need to classify and impose order on the world

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17
Q

What is the Musée du Quai Branly, and how does it relate to Lévi-Strauss’s work?

A

The Musée du Quai Branly in Paris is a museum dedicated to the arts, beliefs, and cosmology of non-Western peoples, serving as a tribute to Lévi-Strauss’s emphasis on understanding the diversity and complexity of human cultures

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18
Q

How do religions maintain social control?

A

Religions maintain social control by offering rewards for good behavior (like community fellowship) and punishments for transgressions (like excommunication). They often prescribe moral codes and stress the fleeting nature of this life, promising rewards in an afterlife or reincarnation

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19
Q

What are the four types of religion identified by Anthony Wallace?

A

Wallace identified four types of religion: shamanic, communal, Olympian, and monotheistic

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20
Q

Briefly describe the characteristics of each type of religion identified by Wallace.

A

Shamanic: Small-scale societies, part-time religious specialists (shamans)
○ Communal: Community rituals, like harvest ceremonies and rites of passage
○ Olympian: Polytheistic, with powerful gods having specialized functions
○ Monotheistic: Belief in a single, all-powerful deity

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21
Q

According to the source, which world religion demonstrates the greatest internal diversity?

A

Hinduism is listed as the most diverse world religion based on doctrinal and practical variations

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22
Q

Which world religion is considered the most unified based on the source’s ranking?

A

Baha’i is ranked as the most unified world religion, exhibiting a high degree of doctrinal similarity among its subgroups

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23
Q

What are revitalization movements? Provide an example.

A

Revitalization movements are social movements that occur in times of change, aiming to alter or revitalize a society. Cargo cults, which emerged in Melanesia and Papua New Guinea in response to contact with industrialized societies, are an example of revitalization movements

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24
Q

Describe the characteristics of cargo cults.

A

Cargo cults blend indigenous beliefs with Christian doctrine, focusing on “cargo” (European goods) and seeking to acquire similar wealth and technology through rituals and mimicking European behavior.

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25
Q

Explain the concept of syncretism and give an example.

A

Syncretism refers to the blending of different cultural elements, particularly religious beliefs and practices, resulting from acculturation. Vodun in the Caribbean, which combines African, Native American, and Roman Catholic elements, is an example of religious syncretism

26
Q

What are secular rituals? Provide an example.

A

Secular rituals are formalized behaviors that resemble religious rituals but occur in nonreligious settings. Examples include graduation ceremonies or company retreats

27
Q

What challenges arise in defining religion with reference to the supernatural?

A

Defining religion based on the supernatural becomes problematic when societies may not consistently differentiate between the natural and supernatural or when behaviors considered appropriate for religious occasions vary drastically between cultures

28
Q

How does the source challenge the separation of recreation and religion in American culture?

A

The source suggests that the strict separation of recreation and religion in American culture might be ethnocentric, as many societies integrate elements of celebration, enjoyment, and even intoxication into religious ceremonies

29
Q

Explain the concept of “leveling mechanisms” in the context of religion.

A

Leveling mechanisms are social actions or customs that operate to reduce social inequality and bring individuals in line with community norms. Examples include redistribution of wealth through feasts or charity and rituals that promote humility

30
Q

What are some potential problems with Anthony Wallace’s definition of religion?

A

Wallace’s definition of religion as a belief and ritual concerned with supernatural beings, powers, and forces can be problematic because:
○ It relies on a clear distinction between the natural and supernatural, which may not be universally recognized.
○ It doesn’t account for secular rituals that exhibit similar characteristics to religious rituals.
○ It struggles to address the wide variation in behaviors considered appropriate for religious expression across cultures

31
Q

What is the main point made by the analogy of baseball magic in understanding magical practices?

A

The analogy of baseball magic, with its rituals and taboos, illustrates that magical practices are often employed to reduce psychological stress and create an illusion of control in situations where actual control is lacking

32
Q

What is the definition of art provided in the source?

A

Art is defined as the quality, production, expression, or realm of what is beautiful or of more than ordinary significance, encompassing objects subject to aesthetic criteria

33
Q

How does the source address the question of whether art must be beautiful?

A

The source acknowledges that art can attract attention and possess significant meaning without being universally perceived as beautiful. Works like Picasso’s Guernica, while depicting a disturbing event, are undeniably moving and are therefore considered art

34
Q

What point does the example of French Impressionism make regarding the perception of art?

A

The initial rejection of Impressionist paintings highlights that artistic standards and the acceptance of new styles can evolve over time. What was once considered crude or unfinished can later be recognized as valuable art

35
Q

How does the source explain the lack of a distinct role for “art lover” in many cultures?

A

The source suggests that in many cultures, the appreciation of art isn’t seen as a separate activity because art is integrated into everyday life. This contrasts with the Western tendency to compartmentalize art and create specialized spaces for its appreciation

36
Q

What is ethnomusicology, and how does it connect music and anthropology?

A

Ethnomusicology is the comparative study of music as an aspect of culture and society. It examines both the technical aspects of music (instruments, styles) and its cultural context and significance

37
Q

How does the source describe the role of media in connecting individuals to a wider world?

A

The source describes media as offering a gateway to information, contacts, and social validation beyond local communities. Media consumption can provide a sense of connection to broader social and cultural trends, even if only vicariously

38
Q

What is meant by the term “text” in the context of media and culture?

A

“Text” refers to any cultural product that can be processed, interpreted, and assigned meaning by individuals. This includes not just written materials but also visual media, music, and even everyday experiences

39
Q

Provide an example of how media can enable individuals to move beyond local standards and expectations.

A

The example of 19th-century English novels, with their independent heroines, shows how media can offer audiences a way to explore alternative lifestyles and choices not readily available in their immediate communities

40
Q

What is the key difference between how Western and non-Western art is often treated in museum settings?

A

Non-Western art displayed in Western museums is often separated from its original sociocultural context, presented more like “fine art” than as integrated elements of living cultures

41
Q

What does the example of the Kalabari wooden sculpture reveal about the relationship between art and religious beliefs?

A

The example of the Kalabari sculpture intended as a “house” for spirits highlights that religious objects are not always created with artistic intentions. While they might hold cultural and religious significance, they might not be intended for aesthetic appreciation in the same way as Western art

42
Q

What is a catharsis in the context of art and emotion?

A

Catharsis refers to the emotional release or purging that can occur when experiencing art. It involves a sense of relief and purification through engagement with artistic expressions

43
Q

How can media consumption facilitate the experience of catharsis?

A

Media, particularly visual and narrative forms like film and television, can evoke strong emotions in audiences, leading to a sense of catharsis. This can involve identifying with characters, experiencing vicarious emotions, and processing personal feelings through engagement with fictional narratives

44
Q

What is meant by the statement that “cultural norms have not changed during the last 50 years in Brazil”?

A

This statement is not directly supported by the provided source and might need further context or verification.

45
Q

What is an example of art’s ability to provoke catharsis?

A

An example of art provoking catharsis would be experiencing a powerful film or play that deals with themes of loss, grief, or overcoming adversity. The emotional journey presented in the artwork can lead to a sense of release and resolution for the audience, even if the events are fictional

46
Q

How does the example of Brazilian and Italian reactions to a soccer goal illustrate the power of shared experiences in media consumption?

A

This example illustrates that media can create shared experiences and simultaneous emotional responses across cultural boundaries. Even though the two groups might hold opposing views on the game’s outcome, they are united in their passionate engagement with the event as it unfolds through media

47
Q

What is the significance of the increasing use of media in Brazil as highlighted in the source?

A

The increasing use of media in Brazil reflects a growing desire for connection to a wider world and access to information and perspectives beyond local communities. This trend signifies a shift in cultural orientation and engagement with globalized flows of information and ideas

48
Q

What are some examples of how media can serve as a platform for expressing cultural values and beliefs?

A

Media, including television programs, films, music, and social media, can reflect and reinforce cultural values and beliefs through the stories they tell, the characters they portray, and the messages they convey. These platforms can shape societal norms and expectations, provide role models, and offer commentary on social issues, all of which contribute to the transmission and negotiation of cultural values.

49
Q

What is the main argument presented in “Anthropology- Appreciating Human Diversity 18.pdf” regarding the relationship between biology and gender roles?

A

The source argues that biological differences between men and women should be seen as a foundation upon which diverse cultural structures can be built. This perspective challenges the idea that biology rigidly determines gender roles and emphasizes the role of culture in shaping gendered behaviors and expectations

50
Q

What is meant by the term “androcentric” in the context of gender studies?

A

“Androcentric” refers to a male-centered perspective or bias. It implies that a particular view or analysis prioritizes male experiences and perspectives over those of females

51
Q

How does Table 18.1 (not provided in the excerpt) potentially demonstrate an androcentric bias?

A

Without seeing Table 18.1, it’s impossible to provide a specific answer. However, if the table details more tasks for men than for women, it could suggest an androcentric bias in the way work and activities are categorized and studied. This bias might overlook or downplay the significance of tasks traditionally associated with women.

52
Q

What does cross-cultural data reveal about the subsistence contributions of men and women?

A

Cross-cultural studies indicate that the subsistence contributions of men and women are generally equal

53
Q

In what areas of work does female labor typically predominate?

A

Female labor predominates in domestic activities and child care across various cultures.

54
Q

What is the significance of Table 18.3 (provided in the excerpt) in understanding gender roles?

A

Table 18.3, showing that men do virtually no domestic work in about half the societies studied, highlights the prevalence of gendered divisions of labor that place the burden of domestic tasks primarily on women

55
Q

What is the key point made about gender and the collection of honey in the modern context?

A

The example of collecting honey, once a task likely performed by men, now easily accomplished by anyone at a supermarket, illustrates how modernization and technological advancements can alter traditional gender roles and divisions of labor

56
Q

Define the term “gender.”

A

Gender refers to the culturally constructed roles, behaviors, expressions, and identities associated with being male, female, or something else. It encompasses how societies understand, interpret, and perform these categories, going beyond biological sex differences

57
Q

What are gender roles?

A

Gender roles are the specific tasks and activities that a culture assigns to different genders.

58
Q

What is the general trend regarding the status of women in societies with matrilineal versus patrilineal descent?

A

The status of women tends to be higher in societies with matrilineal descent compared to those with patrilineal descent

59
Q

Define “gender stratification.”

A

Gender stratification refers to the unequal distribution of resources, power, prestige, and freedom between men and women within a society

60
Q

How do American attitudes towards gender vary according to the source?

A

American attitudes toward gender vary across class and region, and the need for female labor often influences the acceptance of women in various roles