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FA 2004 > Unit 2 > Flashcards

Unit 2 Flashcards

1
Q

What are the 4 multiple realities (tenets) of theatre?

A

Real Life
Design team and director
“Theatre is life without the boring parts”
Plays need an audience to work

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2
Q

Presentational

A

non-realistic experience where the audience is reminded that they are in a play

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3
Q

Representational (Naturalism)

A

audiences are immersed in the world of the play and forget they are watching a play in a theatre

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4
Q

What concept was incorporated into early origins of western theatre?

A

Plays were connected to religious festivals

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5
Q

Where were plays performed in early origins of western theatre?

A

Performed in amphitheaters without scenery

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6
Q

What role did plays have in early origins of western theatre?

A

Used as a cathartic device (emotional release) for their society

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7
Q

What is catharsis?

A

Greek word for purification, cleansing, clarification and means to purge emotions

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8
Q

When were women permitted to perform in England?

A

Banned until 1642 (Restoration Era) when King Charles the II permitted it

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9
Q

Where was one of the first interactive performances with the audience?

A

Mid 1500s in London by travelling actors meeting in pubs and coffee houses.

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10
Q

What arch frames the stage?

A

Proscenium Arch (Burruss)

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11
Q

What are the 4 types of stages?

A

Thrust Stage
Theatre in Round
Black Box Theatres
Immersive Theatre

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12
Q

Thrust Stage

A
  • stage extends into the audience
  • Studio Theatre in Squires
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13
Q

Theatre in Round

A

intimate productions

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14
Q

Black box theatres

A
  • room is black
  • appearance of anyplace
    -make audience feel that they are in the location of the performance
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15
Q

Immersive Theatre

A

-no stage
- completely breaks 4th wall
-staged in houses, apartments, or public spaces
-Sleep no more

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16
Q

William Shakespeare (1564)

A
  • Plays set in history or far away countries to disguise his political commentary
  • ex. Arthur Miller’s The Crucible (from 1953)
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17
Q

Vaclav Havel (1936-2011)

A

-Became Czech president in 1989
-great example of using theatre and art as a political force

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18
Q

What is the Savoy in London, 1881 an example of?

A

Realism coincided with the use of electric lighting onstage

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19
Q

How were theaters lit before electric light?

A

Calcium oxide (quicklime)

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20
Q

Naturalism

A

Movement in European drama and theatre that developed in late 19th and 20th centuries

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21
Q

Henrik Ibsen(1828-1906)

A
  • Norwegian playwright who wrote naturalistic plays about isolation in human relationships
  • Freud learned Norwegian to read Ibsen in the original
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22
Q

Anton Chekov (1860-1904)

A
  • Russian playwright who blended naturalism with symbolism
  • His plot are not the focal point, but what is revealed about the characters through internal drama
23
Q

Konstantin Stanislavsky (1863-1938)

A

Developed The Method
- Actors that used the Method were called Method Actors

24
Q

Who created the Group Theater in NYC in 1931?

A
  • Lee Strasberg
  • Harold Clurman
  • Cheryl Crawford
    After seeing the Moscow Art Theatre
25
Q

Vsevolod Meyerhold (1874-1940)

A

-Russian and Soviet theater director, actor, and producer
- combined extreme physical movement w symbolism

26
Q

Bertolt Brecht (1898-1956)

A

-German playwright
- Associated with alienation effect
- reintroduced breaking the 4th wall and directly address audience (like Greek chorus in western theatre)

27
Q

Alienation effect

A

Reminders of the artificiality of the theatrical performance
- to distance audience from emotional involvement in play

28
Q

Arthur Miller (1915-2005)

A
  • Wrote the crucible
  • influenced by William Shakespeare
29
Q

Commedia dell’arte (kuh-may-de-uh de-lar-te)

A

A style of highly physical theatre
- performers wore leather masks and performed outdoors
- early development was in 1555-1610 in Renaissance Italy
- associated with comedic improvisation and highly physical techniques

30
Q

Commedia dell’Arte

A

featured stock characters, who word distinctive masks

31
Q

Who are the 6 stock characters of Commedia dell’arte

A
  1. Capitano- The Captain
  2. Dottore- The doctor
  3. Zanni- The trickster
  4. Arlecchino- The Harlequin
  5. Pantalone- The Miser
  6. The young lovers
32
Q

Theater of Absurd

A

Label created in 1960s to explain French-language experimental theatre

33
Q

The Myth of Sisyphus

A

-Written by Albert Camus
- Rolling up the boulder hill only to have it roll down multiple times
- absurdism and existentialism

34
Q

Existentialism

A

Humans are self-determining and engaged in a struggle to find/make meaning in an inherently meaningless and random world
“Existence precedes essence”

35
Q

Origins of Absurdism

A

Technology: invention of new weapons and more advanced photography allowed the public to see the illumining horrors of war

36
Q

Loneliness

A

Inadequacy of Language
- inability to rely on language
- often characters’ actions disagree with their lines

37
Q

Tragicomedy

A

Heightened physicality and broad comedy, often similar to vaudeville

38
Q

Inability to take action

A

-Dialogue that contradicts action take
- characters trapped
- ritual that is meaningless

39
Q

Most absurdist playwrights

A

Samuel Beckett (1906-1989)
Eugene Ionesco (1909-1994)

40
Q

Lower pitch

A

Longer, thicker string

41
Q

Which holes expelled the most air?

A

F shaped holes

42
Q

What does the string vibrate onto?

A

The bridge
- which transmits this vibration down to the instrument’s top

43
Q

How fast does sound travel?

A

1,000 ft/sec

44
Q

Who is Michael Ermann?

A

He is a guest lecturer who is a registered architect and full professor at Virginia Tech.

45
Q

What bass sounds go through walls and car doors?

A

Low (long wave) bass sounds go through walls and car doors more than high pitches

46
Q

Reverb

A

The acoustic environment that surrounds a sound

47
Q

What affects sound of a reverberant space?

A
  • space (length, width, and height)
  • construction of the space (walls hard or soft, carpet on floors)
  • diffusion (what the sound bounces off)
48
Q

Echo

A

A sound or series of sounds caused by a reflection of sound waves from a surface back to the listener

49
Q

What causes sound?

A

Vibration

50
Q

Frequency

A

number of vibrations/sec (hertz)

51
Q

Pitch

A

Determined by frequency
- directly proportional to frequency

52
Q

Anechoic chamber

A

room designed to completely absorb reflections of sound/ electromagnetic waves

53
Q

Tools used to build medieval churches

A
  • Pickaxe
  • Hammer
    -Chisel
  • saw plane
  • brace and bit
  • sledge hammer
  • auger
    -mathematical dividers
  • squares and templates
54
Q

Dendrochronology

A

technique used to date and locate the origin of wood
-wood of violins etc…

FA 2004 (1 decks)

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