Unit #1 Test Flashcards

1
Q

One of the stages of the archetypical historic quest in the hero’s resolve is tested

A

True

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2
Q

Spectator only take in one medium at a time

A

False

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3
Q

The revisionist stage of genre questions its convention and may reinvent or renew them

A

True

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4
Q

Story covers everything that happens from beginning to end

A

True

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5
Q

Using homage in film is not the same as stealing ideas

A

True

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6
Q

Unreliable narrator are used in stories for compelling it

A

True

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7
Q

Most American films today falls under classims

A

True

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8
Q

Age has nothing to do with whether or not a film can be considered classicism

A

True

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9
Q

Formalism is more concerned about exploring an idea/ theme than a logical point

A

true

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10
Q

Docmentary is the extreme end of realism

A

True

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11
Q

Avant Garde is the extreme end of formalism

A

True

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12
Q

Stages of genre

A

Primitve, parody, classic, revisionist

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13
Q

Story
+ Select an IDEA or THEME
Restructure time to make a point about selected IDEA or THEME
+ Look for different points of view/narrators (limited, unreliable) to make a point about selected IDEA or THEME

A

Formalist plot formula

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14
Q
Story
\+ Select an IDEA or THEME 
- Manipulation of STORY
- Manipulation of CHARACTER
- Optimism 
\+ slice of life 
=
A

Realism plot formula

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15
Q

Theme of Hugo

A

Finding your place in life

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16
Q

Theme of Inception

A

It’s okay to lie to yourself because of a dream

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17
Q

Director of Hugo

A

Chrisphoter

18
Q

Director of Inception

A

Martin

19
Q

Find the allusion of each character

A

Yusef - Joseph from the bible
Arthur- King Arthur
Mal - Bad
Ariadne - Greek mythology

20
Q

Symbol in Hugo

A

Heart key

21
Q

Symbol in Inception

A

Kids, spinning top

22
Q

Motif in Hugo

A

Gears used in the clocks

23
Q

Motif in Inception

A

Lead into mal coming

24
Q

In hugo and Inception was the narrator reliable or unreliable, internal or external ?

A

Both external and reliable

25
Q

Point of view in Hugo and Inception

A

3rd Person ominiscient

26
Q

Did the character first refused the call to action in Hugo and Inception?

A

No

27
Q

Cobb accepts Saito’s job offer right away

A

False

28
Q

Cobb’s shadow he had to overcome is

A

Mal and himself

29
Q

Where does Cobb’s “dark night of the soul” takes place?

A

In the limbo

30
Q

What is the “shadow” Cobb has to overcome?

A

Himself - Mal

31
Q

In Inception, the point of no return is…?

A

When the Enter Fisher’s dreams

32
Q

In Inception, the complication/ higher stakes is…?

A

When Fisher’s subconscious is weaponized

33
Q

Cobb’s resolve is tested when…?

A

Fisher gets killed

34
Q

In Inception, the major setback…?

A

Fisher dies

35
Q

In Hugo, the final push is?

A

Going back to the train to get the automaton

36
Q

Dominick Cobb

A

I’m obessed with going home with my children

37
Q

Robert Fisher

A

I have daddy issues and decided to break up my father’s company

38
Q

Eames

A

Im a master forger/ actor

39
Q

Arthur

A

I fought in zero gravity and was shot in the head by my partner

40
Q

Saito

A

I bought an airline for convience

41
Q

Created the sleep potions

A

Yusef

42
Q

Ariadne

A

I followed the team member into his dreams because I was afraid he was danger to the team