Unit 1 Flashcards

0
Q

Hymn

A

A sacred song with nonbiblical text; “O Que Suave” is from the California missions of Spain. It would have been sung during the elaborate outdoor processions that were part of Corpus Christi, a major Catholic holiday.

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1
Q

Polyphony

A

Singing in multiple independent voice parts; used by the Roman Catholic Church to make worship services as impressive as possible during Spanish colonization.

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2
Q

Psalter

A

Used by Anglicans and Puritans from England, a book of metrical songs; turned psalms into popular poetry using the same simple verse structures as traditional folk ballads, as in “Old Hundred”

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3
Q

Metrical psalms

A

Texts in the Old Testament Book of Psalms versified in English and published in psalters; “Old Hundred” is bone simple and derives from the French Calvinist tradition.

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4
Q

Strophic

A

Having all stanzas of text sung to the same music; “Old Hundred”

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5
Q

Lining out

A

In some New England congregations, a single singer would read or chant a psalm one line at a time to the congregation, who would sing each line back because too too few worshipers could read the psalms or buy the book; “Guide Me O Thou Great Jehovah.”

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6
Q

Regular singing

A

A movement that called for musical literacy and singing guided by rules/notated music; supporters were pitted against the supporters of the Old Way, in which worshipers decorated their praise as the spirit moved them.

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7
Q

Tunebooks

A

Books in which psalm tunes were published during the Regular Singing controversy, which guarded them from the whim of oral transmission

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8
Q

Singing schools

A

Devoted to teaching the rudiments of singing and note reading, these along with tune books began a new era of more disciplined psalmody to the New World; also provided a social opportunity for young men and women to mingle

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9
Q

“Urania”

A

The first American tune book to bring psalmody into the commercial arena; A collection of psalm tunes, anthems, and hymns published by James Lyon in Philadelphia that offered something for every sacred singer

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10
Q

Anthems

A

Elaborate choral works by British composers, often with Biblical texts

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11
Q

“The New England Psalm Singer”

A

The first published collection of entirely American music by one composer; a tune book reflecting the vitality that flowed into New England sacred music as Puritan restrictions fell away, music literacy spread, and resistance to Britain’s rule became the moral focus; “Chester”

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12
Q

Collegium musicum

A

A group of amateur Moravians, who performed to enrich a community life dedicated to God’s glory through music; formed orchestras to accompany choral anthems and played European chamber/orchestral music; “Ich will dir ein freudenopfer thun”

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13
Q

Couple dances

A

Courtly French dances that called for precise, schooled movements

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14
Q

Country dances

A

From the Anglo-Celtic traditions of England, Scotland, and Ireland

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15
Q

Benefit concerts

A

One-time concerts intended to turn a profit for the performers (who payed the expenses)

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16
Q

Subscription concerts

A

A concert series in which the organizers issued a public proposal and proceeded based on the public’s response.

17
Q

Ballad operas

A

A genre of opera with new words/ideas set to borrowed tunes, chosen for their associations; targeted society

18
Q

Pasticcio

A

A theatrical genre that borrowed from other music, but prioritized music over social commentary

19
Q

Comic opera

A

A genre of musical theatre that was a spoken play with a large amount of specially composed music; were melodramatic and and sentimental, with a happy ending

20
Q

Ancient music

A

The reformer Nathaniel D. Gould’s name for the work of Europeans and Old World training, which moved with a gravity better suited to the solemnity of public worship; “Old Hundred”

21
Q

Fuging tune

A

A form beloved by 18th century psalmists that begins with block chords before exploding into a fuge section where each voice part enters at a different time so that the texture overlaps; “Sherburne”

22
Q

Camp meeting

A

Gatherings at which frontier worshipers camped out for several days of prayer and singing in an atmosphere of spiritual revivalism

23
Q

Second Great Awakening

A

A surge of religious renewal between 1780 and 1830 that brought a fervent Christianity to northern, southern, and western fringes of the young republic

24
Q

Shape notes

A

A four shape notation system that took root in the southern singing traditions

25
Q

Folk hymns

A

Religious words set to secular tunes; “Wondrous Love”

26
Q

Scientific music

A

Music based on theoretical knowledge of harmonic correctness rather than simply talent or practical experience

27
Q

Lowell Mason

A

A reformer of sacred music as well as the father of public school music, who profited from exploring Americans’ appetite for edification

28
Q

Hymnal

A

Tunebooks with full music and full text

29
Q

Call and response

A

An Africanism in which a leader’s musical phrase is answered by the group

30
Q

Polyrhythm

A

An Africanism in which each instrument maintains a distinctive rhythmic pattern, which interlocks with the other instruments’ rhythms to create a complex texture

31
Q

Patting juba

A

A transformation of African drumming practice that uses the human body as a substitute for outlawed percussion instruments

32
Q

Work songs

A

Helped workers fulfill their tasks by pacing and coordinating movements and rallying spirits; “Carrie Belle”

33
Q

Rev. Richard Allen

A

An ex slave who compiled “A Collection of Spiritual Songs and Hymns”; the first such book prepared for a black congregation in America; “Am I a Soldier of the Cross”

34
Q

Spirituals

A

African American sacred songs rooted in the experience of slavery

35
Q

Classical sphere

A

Consists of composers’ music, whose ideal is transcendence that is achieved when performers follow the composers’ notation closely

36
Q

Popular sphere

A

Consists if performers’ music, whose ideal is accessibility, giving authority to the audience

37
Q

Traditional sphere

A

Unwritten music whose ideal is continuity and is connected with particular customs and ways of life

38
Q

Harmoniemusik

A

Military music performed by an ensemble made up of pairs of wind instruments and that required more polished players; “Hail Columbia”

39
Q

Brass band

A

The typical American wind ensemble by the mid 1800s due to the development of keyed brass; “Helene Schottische”

40
Q

Oratorios

A

Large scale religious works for chorus, solo singers, and orchestra; the Boston Handel and Hayden Society set out to establish a place for them

41
Q

John Sullivan Dwight

A

A music critic who Helped pave the way for regular performances of classical instrumental music with his founding of “Dwight’s Journal of Music”