Understanding Sensation and Perception Process Flashcards

Module 04: Visual Perception

1
Q

sensation

A

process of detecting psychical energy in the environment

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2
Q

transduction

A

the process of converting sensory information into ATPs

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3
Q

perception

A

the process of giving sensory input meaning

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4
Q

synesthesia

A

a neurological condition in which stimulation of one sensory modality can cross over and lead to a perception in another modality

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5
Q

grapheme-colour synesthesia

A

where different letters or number can come to be associated with different colours

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6
Q

vision

A

light waves

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7
Q

audition

A

sound waves

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8
Q

gustation

A

chemical

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9
Q

olfaction

A

gasses

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10
Q

somatosensation

A

tissue damages

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11
Q

wavelength

A

the distance between 2 consecutive waves measured at the same point

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12
Q

frequency

A

inverse of wavelength, the number of reptitions the wave makes in a unit of time in Hertz (Hz)

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13
Q

amplitude

A

the energy contained in the wave, measured using its height

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14
Q

complexity

A

the number of different wavelengths that are present within a stimulus

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15
Q

additive mixing

A

mixing LIGHTS together to produce more complez stimuli

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16
Q

subtractive mixing

A

mixing PAINTS together leads to less complex stimuli

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17
Q

trichromatic (3-colour) theory

A

describes what happens in the retina, where the photoreceptor cells are located

18
Q

dichromatic colour deficiency

A

only having 2 of the 3 cones to identify colours

19
Q

negative afterimages provide evidence for what?

A

the opponent processing theory of colour vision

20
Q

opponent processing theory

A

there are 3 pairs of antagonistic cells in the brain: red/green cells, blue/yellow cells, white/black cells. the perception of one color supresses the perception of its opposite

21
Q

go through the process of the opponent processing theory

A

Cell pairs are described as antagonistic because activation of one leads to the inhibition of its partner. When the “Green” neurons become excited, their “Red” partners are suppressed. As the “Green” cells fatigue, their activity drops below baseline to allow recovery, while the “Red” cells return to baseline. It is the relative activity of the two antagonistic cells that determines our perception of colour.

22
Q

bottom-up processing

A

putting smaller pieces together to make larger ones

23
Q

top-down processing

A

implements strategies shaped by evolution and our experiences

24
Q

subjective contours

A

brain fills in gaps to identify something familiar

25
Q

gestalt pyshcology

A

a german movement in psych (1940s-50s)

26
Q

figure or ground in gestalt pyschology

A

foreground vs background

27
Q

principle of proximity in gestalt pyschology

A

objects positioned closely tend to be grouped together in perception

28
Q

principle of continuity in gestalt pyschology

A

objects are perceived as continuous

29
Q

principle of similarity in gestalt pyschology

A

objects resembling each other tend to be grouped in perception

30
Q

principle of closure in gestalt pyschology

A

objects are perceived as completed forms by filling in gaps

31
Q

stereoscopic vision

A

primates, including humans, have two eyes positioned side by side on the front of the face, with considerable overlap of the right and left visual fields

32
Q

retinal disparity

A

minor discrepancies between the images received by the right and left retina

33
Q

degree of disparity is…

A

an indication of distance between closer objects create larger disparities than distant ones
(example: an object really close to your eye, and switch between the left and right eye: difference is greater than when the object is far)

34
Q

monocular cues

A

depth cues that can be perceived with just one eye, allowing for depth perception without the need for binocular vision

35
Q

interposition

A

the tendency to perceive blocked objects as more distant than occluding objects

36
Q

linear perspective

A

the tendency to perceive depth when two lines are observed to converge

37
Q

relative size

A

tendency to perceive smaller objects as further away than larger objects of the same type

38
Q

texture gradient

A

the tendency for the units that make up a texture become distoreted and desner as they recede into the distance

39
Q

visual acuity

A

perception of depth, only when distances are very large. the effct of daing to occur when looking at something from very fair away due to the tiny particles in the way over larger distances

40
Q

motion parallax

A

when distant objects tend to move across the horizon more slowly than nearby objects