U7 Flashcards

1
Q

Paintings were mostly done on vases

A

Classical art

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2
Q

naturalism was attained, figures were well proportioned and shown in movement, although faces remained immobile.

A

CA

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3
Q

Gods and athletes were favorite subjects of sculpture.

A

CA

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4
Q

characterized by simplicity, formality, symmetry and restraint.

A

CA

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5
Q

the most important movement in the whole of modern painting.

A

Impressionism

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6
Q

group of young artists decided to paint, very simply, what they saw, thought, and felt.

A

Impressionism

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7
Q

This often meant using much lighter and looser brushwork than painters had up until that point, and painting out of doors, en plein air.

A

Impressionism

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8
Q

rejected official exhibitions and painting competitions set up by the French government, instead organizing their own group exhibitions, which the public were initially very hostile.

A

Impressionism

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9
Q

It is generally related to the French painter Georges Seurat, whose masterpiece Sunday on the Island of La Grande Jatte is widely praised as the most famous of the
paintings.

A

Pointillism

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10
Q

took hold of the art scene from 1905 to 1910, give or take, and is characterized
by intense color and bold brushwork. I

A

Fauvism

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11
Q

In some cases, artists from this period applied paint
straight from the bottle. They chose simple subjects and because of this, the paintings
looked almost abstract

A

Fauvism

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12
Q

were also deeply interested in scientific color theory from the 19th century.

A

Fauvism

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13
Q

umbrella term for any artwork that distorts reality to match the inner
feelings, views, or ideas of the artist.

A

Expressionism

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14
Q

it is art that expresses inner realities onto
the outer world.

A

Expressionism

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15
Q

art movement formed during the First World War in Zurich in negative
reaction to the horrors and folly of the war.

A

Dada

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16
Q

Founder: hugo ball

A

Dada

17
Q

became an international movement and eventually formed the basis of surrealism in
Paris after the war.

A

Dada

18
Q

aimed to revolutionize human experience, rejecting a rational vision of life
in favour of one that asserted the value of the unconscious and dreams.

A

Surrealism

19
Q

The movement’s
poets and artists found magic and strange beauty in the unexpected and the uncanny, the
disregarded and the unconventional.

A

Surrealism

20
Q

used automatic drawing or writing to unlock ideas and images
from their unconscious minds,

A

Surrealism

21
Q

the term applied to new forms of abstract art developed by
American painters such as Jackson Pollock, Mark Rothko and Willem de Kooning in
the 1940s and 1950s.

A

Abstract expressionism

22
Q

It is often characterized by gestural brush-strokes or mark-making,
and the impression of spontaneity.

A

Abstract expre

23
Q

was a major development of painting in the 1960s that used geometric forms to
create optical effects

A

Op art

24
Q

used a framework of purely geometric forms as the basis for its effects and
also drew on color theory and the physiology and psychology of perception.

A

Op painting

25
Q

an art movement that emerged in the 1950s and flourished in the 1960s in
America and Britain, drawing inspiration from sources in popular and commercial
culture.

A

Pop art

26
Q

It began as a revolt against the dominant approaches to art and culture
and traditional views on what art should be.

A

Pop art

27
Q

painting style that emerged in Europe and the USA in the late 1960s,
characterized by its painstaking detail and precision.

A

Photo realism

28
Q

rejected the painterly qualities by which individual artists could be
recognized, and instead strove to create pictures that looked photographic.

A

Photorealism

29
Q

extreme form of abstract art developed in the USA in the 1960s and
typified by artworks composed of simple geometric shapes based on the square and the
rectangle.

A

Minimalism

30
Q

art can be seen as extending the abstract idea that art should
have its own reality and not be an imitation of some other thing.

A

Minimalism

31
Q

True of False
Minimalist painter Frank
Stella famously said about his paintings ‘What you see is what you see’.

A

True