Typography For Web Design Flashcards

1
Q

4 Elements of Legibility

A

Reading text type (12 to 16 px) is easier if the font has the following characteristics:

  • A generous x-height
  • Open apertures
  • Prominent ascenders and descenders
  • Slightly loose letter spacing
  • Discernible terminals
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2
Q

6 salient points on conveying a message with type

A
  • aesthetic and emotional associations are social constructs
  • no font can completely and clearly communicate the emotional associations of a text. Choose a font that seems to work
  • serif font tend to feel traditional; sans serif fonts tend to feel more modern
  • caps are powerful, reliable, and enduring. Lowercase letters are informal and friendly.
  • serif italics feel humanist and more like cursive handwriting than san serif italics do.
  • fonts play a supporting role to the author’s words. Fonts should never shout, “look at me! I am ripe with meaning!”
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3
Q

What type classification tends to feel more traditional?

A

Serif fonts

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4
Q

What type classification tends to feel more modern?

A

San serif

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5
Q

What type case feels powerful, reliable, and enduring?

A

Caps

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6
Q

What type case feels informal and friendly?

A

Lowercase

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7
Q

What font style feels humanist like cursive?

A

Serif italics

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8
Q

6 salient points on how to choose a font

A

To decide whether a font can do the job, read the text, and figure out what you need the font to do.
Salient tips:
-look for a bold that provides enough contrast but is still legible

  • look for an italic that the shape/quality you want and retains legibility
  • see whether the font remains legible at small sizes
  • look at the capital letters. Ask yourself whether they’re pleasing and easy to read or too big.
  • look at the numbers. Ask yourself whether they blend in with the text or are lining figures and look more like caps.
  • look at the width of the font. The wider the font is, the longer the line length (column width) will be.
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9
Q

4 salient points on selecting a second display font

A

When you choose a second display font, you should:
-identify what you expect the font to communicate.

  • balance concord and contrast (not too similar; not too different)
  • consider structures (x-heights, bowls, shapes), strokes (monoline, thicks/thins), styles (scripts, retro, distressed,hand-drawn) and serifs.
  • avoid settling for a font that doesn’t work.
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10
Q

4 salient points on selecting a second text font

A

When you choose a second font for text you should:

  • identify how a second font will help respect, clarify, and share the information and ideas in the text
  • create continuity by balancing concord and contrast
  • avoid significant variations in bowls, extensions of ascenders and descenders, x-height, and apertures
  • balance fonts optically rather than mathematically
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11
Q

3 ways people read

A
  • Scanning with a purpose
  • Casual Reading
  • Sustained Reading
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12
Q

Scanning with a purpose is…

A

Is scanning down or across a text, jumping from section to section, looking for a specific piece of information. The reader may glance only at the first letter or word of each section, dismissing incorrect matches and moving on.

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13
Q

Casual reading is…

A

Skimming over a text, reading sentences here and there (the first sentence of each paragraph, the caption, the pull quote) to get a general idea and flavor of the text.

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14
Q

Sustained Reading is…

A

Engaged reading. It includes pleasure reading (pursued for its own sake) and reading for understanding. Readers slow down, read the entire text, and may go into a trancelike state.

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15
Q

We read the shapes of words and not individual letters. These shapes are created by what two elements?

A

The strokes and the spaces in and around the letters

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16
Q

What are the two types of meanings words have

A

Denotations - dictionary definitions

Connotations - emotional associations

17
Q

How is rhythm created using text?

A

Through the repetition of horizontal lines. The rhythm is composed with consistent use of font, size, line length, and line height.

18
Q

How do you compose dynamic rhythm?

A

Break the basic horizontal repetition with counter points.

19
Q

How do you create counterpoints in a layout?

A

Create a focal point with contrast (size, color, space, weight, and shape).

Create strong vertical lines with alignment, gutters, continuation, and the shape of text blocks.

20
Q

How do you create Spatial Tension in a layout?

A
  • Avoid the center
  • Create a sense of direction.
  • Use unequal margins
  • Contrast the sizes of white spaces
  • Consider the edges
  • Consider the z-axis