Two Flashcards

0
Q

The repetition of a group of words at the beginning of successive clauses

A

Anaphora

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1
Q

A reference in a written or spoken text to another text or to some particular body of knowledge.

A

Allusion

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2
Q

The repetition of words in successive clauses in reverse grammatical order- for example, “you can take the boy out of the country, but you can’t take the country out of the boy.”

A

Antimetable

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3
Q

The juxtaposition of contrasting words or ideas, often in parallel structure- for example, “Place your virtues on a pedestal; put your vices under a rock.”

A

Antithesis

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4
Q

An elaborate statement justifying some controversial, even contentious, position.

A

Apology

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5
Q

Type of soliloquy where nature is addressed as though human.

A

Apostrophe

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6
Q

In a text, the reference to words, actions, or beliefs of a person in authority as a means of supporting a claim, generalization, or conclusion.

A

Appeal to authority

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7
Q

A carefully constructed, well-supported representation of how a writer sees an issue, problem, or subject.

A

Argument

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8
Q

The repetition of vowel sounds in the stressed syllables of two or more adjacent words.

A

Assonance

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9
Q

The situation that results when a writer or speaker constructs an argument on an assumption that the audience does not accept

A

Begging of the question

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10
Q

The relationship expressing, “if X is the cause, then Y is the effect,” or, “if Y is the effect, then X caused it”

A

Casual relationship

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11
Q

The ultimate conclusion, generalization, or point that a syllogism or entitlement expresses. The point, backed up by support, of an argument.

A

Claim

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12
Q

A sentence with one independent clause and one or more dependent clauses.

A

Complex sentence

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13
Q

A sentence with two or more independent clauses and one or more dependent clauses.

A

Compound sentence

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14
Q

The struggle of characters with themselves, with others, or with the world around them.

A

Conflict

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15
Q

The implied meaning of a word

A

Connotation

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16
Q

The convergence of time, place, audience, and motivating factors in which a pice of writing or a speech is situated.

A

Context

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17
Q

Facts, statistics, and examples that a speaker or writer offers in support of a claim, generalization, or conclusion.

A

Data

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18
Q

The dictionary definition of a word, in contrast to its connotation, or implied meaning.

A

Denotation

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19
Q

The omission of words, the meaning of which is provided by the overall context of a passage.

A

Ellipsis

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20
Q

The repetition of a group of words at the end of successive clauses- for example, “They saw no evil, they spoke no evil, and they heard no evil.”

A

Epistrophe

21
Q

A word or phrase adding a characteristic to a persons name- for example, “Richard the lion-hearted.”

A

Epithet

22
Q

An indirect expression of unpleasant information in such a way as to lessen its impact- for example, saying a persons position was eliminated rather than saying the person was fired.

A

Euphemism

23
Q

In ancient roman oratory, the introduction of a speech, meant to draw the audience into the speech.

A

Exordium

24
Q

Language dominated by the use of schemes and tropes.

A

Figurative Language

25
Q

A point that a speaker or writer generates on the basis of considering a number of particular examples.

A

Generalization

26
Q

In ancient Roman oratory, the method that speakers used to memorize their speeches, connecting the introduction to the porch of a house, the narration and partition the the front foyer, the confirmation and refutation to rooms connected to the foyer, and the conclusion to the back door.

A

House Analogy

27
Q

Language that evokes sensation or emotional intensity.

A

Imagery

28
Q

A metaphor embedded in a sentence rather than expressed directly as a sentence. For example, “his voice cascaded through the hallways” contains an implied metaphor; “his voice was a cascade of emotion” contains a direct metaphor.

A

Implied metaphor

29
Q

A conclusion that a reader or listener reaches by means of his or her own thinking rather than by direct statement in a text.

A

Inference

30
Q

The goal a writer or speaker hopes to achieve with the text- for example, to clarify difficult material, to inform, to convince, or to persuade. Also called aim and purpose.

A

Intention

31
Q

Writing or speaking that implies the contrary of what is actually written or spoken.

A

Irony

32
Q

The specialized vocabulary of a particular group.

A

Jargon

33
Q

Vocabulary characterized by the choice of elaborate, often complicated words derived from Latin roots.

A

Latinate diction

34
Q

Understatement

A

Litotes

35
Q

An entity referred to by one of its attributes or associations- for example, “the admission office claims applications have risen.”

A

Metonymy

36
Q

A systematic aid to memory.

A

Mnemonic device

37
Q

Juxtaposed words with seemingly contradictory meanings

A

Oxymoron

38
Q

A statement that seems untrue on the surface but is true nonetheless.

A

Paradox

39
Q

An insertion of material that interrupts the typical flow of a sentence.

A

Parenthesis

40
Q

Kenneth Burkes system for analyzing motives and actions in communication. The five points of the Pentax are act, agent, agency, scene, and purpose.

A

Pentad

41
Q

The substitution of an attributive word or phrase for a proper name, or the use of a proper name to suggest a personality characteristic. For example, “Pete Rose- better known as ‘Charlie Hustle’- admitted his gambling problems.”

A

Periphrasis

42
Q

In ancient Roman oratory, the part of the speech in which the speaker would draw together the entire argument and include material designed to compel the audience to think or act in a way consonant with the central argument.

A

Peroration

43
Q

The character that a writer or speaker conveys to the audience; the plural is personae.

A

Persona

44
Q

Referring to the moving back and forth from invention to revision in the process of writing.

A

Recursive

45
Q

In ancient roman oratory, the part of speech in which the speaker would anticipate objections to the points being raised and counter them.

A

Refutation

46
Q

A writers or speakers apparent attitude toward the audience.

A

Stance

47
Q

The choices that writers or speakers make in language for effect.

A

Style

48
Q

A part of something used to refer to the whole

A

Synecdoche

49
Q

A trope in which one word, usually a noun or the main verb, governs two other words not related in meaning- for example, “ he maintained a business and his innocence.”

A

Zeugma