TV Un-Scripted Production Management / Part 1 Flashcards

1
Q

What is a documentary?

A
  • A non-fictional film or video
  • presents reality and real-life events
  • Aims to convey the world as it is
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2
Q

What is one of the earliest known documentaries?

A
  • “Nano of the North” by Robert J. Flaherty (1922)
  • The silent film depicted the daily life of an indigenous Inuit family in the Canadian Arctic
  • It is regarded as the first feature-length film
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3
Q

What was the role of documentaries in the 1930s - 1940s?

A
  • Documentaries played a crucial role in propaganda during World War II
  • Increased use to inform and influence public opinion
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4
Q

What was the role of documentaries in the 1950s to 1960s?

A
  • There was a rise in observational documentaries, often focusing on social issues and real-life stories
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5
Q

What happened with documentaries in the 1960s - 1970s?

A
  • TV became a prominent platform for documentaries, allowing them to “boom”.
  • Documentaries became more mainstream and reached a wider audience.
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6
Q

What happened with documentaries sin the 1990s to 2000s?

A
  • The advent of digital technology led to documentaries becoming more diverse in style and subject matter.
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7
Q

What has happened to documentaries since 2010?

A
  • Streaming platforms like Netflix, Amazon Prime Video and Diseny+ have become major outlets for documentaries.
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8
Q

What is the purpose of documentary films?

A

Documentaries have become a powerful medium to inform, educate and raise awareness about a wide range of topics.

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9
Q

What types of documentaries are there?

A
  • Observational
  • Investigative
  • Participatory
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10
Q

What is an observational documentary?

A

It aims to capture real-life situations without direct intervention from the filmmaker, allowing events to unfold naturally.

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11
Q

What is an investigative documentary?

A

It aims to uncover and expose issues, injustices, or controversies through in- depth research and reporting.

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12
Q

What is a participatory documentary?

A

It’s a documentary in which the filmmaker actively participates in the story, blurring the line between observer and participant.

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13
Q

How is a docuseries different from a documentary?

A
  • Unlike a standalone documentary film, a docuseries unfolds its narrative across several episodes, allowing for a more in-depth exploration of the subject matter.
  • two or more episodes and a different pacing than a standard documentary.
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14
Q

What are methods to tell a real-life story?

A

You can use interviews, archival footage, and other visual elements to tell the story of a certain subject matter.

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15
Q

How long are documentaries and docuseries?

A

This depends on the subject matter, purpose and platform for which they are produced.

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16
Q

What is a short documentary?

A
  • Typically 15 to 40 minutes in duration.
  • Short documentaries are often concise and focused, providing a brief exploration of a specific topic.
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17
Q

What is a Feature-length documentary?

A
  • Feature-length documentaries are longer and can range from 70 minutes to over two hours.
  • Many documentaries intended for theatrical release or major streaming platforms fall into this category.
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18
Q

What is a television documentary?

A
  • Television documentaries, especially those created for broadcast on networks, often adhere to specific time slots.
  • They can vary from 30 minutes to 60 minutes, depending on the broadcaster’s programming schedule.
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19
Q

What is a docuseries?

A
  • A docuseries, which consists of multiple episodes, can have varying lengths for each episode.
  • Each episode may range from 30 minutes to over an hour, depending on the content and the platform.
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20
Q

What is the first step in creating a documentary?

A
  • The first step to create a documentary or a docuseries is to find a story to tell.
  • Once the creative aspect has been discussed, and the project has been imagined, the economic feasibility needs to be evaluated:
    the ideas must be translated into numbers.
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21
Q

What is budgeting?

A

Budgeting is the process
to create a financial plan to spend your money.

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22
Q

What is a budget?

A

The spending plan is called a budget.

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23
Q

What does the budget show?

A
  • it outlines the expected income and expenditures over a specific period.
  • It serves as a comprehensive tool for managing and controlling finances of a project.
24
Q

Why is it important to make a budget?

A

Creating a spending plan allows you to determine in advance if you will have enough money to realize the idea pitched by writers and Director.

25
Q

What does a budget consist of?

A

1) Revenue:
*This section outlines the expected income or funds the entity anticipates receiving.

2) Expenses:
*Expenses cover all anticipated costs and expenditures associated with the project. This section can be further divided into various categories like personnel, production, marketing, overhead, etc.

3) Fixed Costs:
*Fixed costs are expenses that do not change with the level of production or sales. Examples include rent, salaries, insurance, and utilities.

4) Variable Costs:
*Variable costs are expenses that vary proportionally with the level of production.

5) Contingency:
*A contingency fund is set aside for unexpected or unforeseen expenses. It acts as a buffer to handle uncertainties that may arise during the budgeted period.

6) Profit Margin:
*The difference between revenue and expenses expressed as a percentage.

7) Actual vs. Budget:
*A section for comparing actual financial performance against the budgeted figures. This allows for variance analysis and adjustments in future budget cycles.

8) Cash Flow:
*In addition to profit and loss considerations, a budget may also include a cash flow statement, detailing the inflow and outflow of cash over a specific period.

26
Q

What is used to manage budgeting better?

A

Various software tools have been created specifically for budget management, designed to facilitate the producer’s work in the overall financial management of the available resources.

27
Q

How is a software tool for budgeting chosen?

A

Each Producer has their favourite, and factors that influencing the choice include:

Operational
intuitiveness
user-friendliness
a clear structure
formula setup

28
Q

Which are the key areas of a budget?

A
  • Head (Information such as: Title, Production Company, Duration, Number of episodes, Version / Date of Budget, Ratio)
  • Overall Costs / Cost Summary (Total Budget ATL & BTL)
  • Assumptions (number of shooting days, number of editing weeks, costs for archive, costs for music etc.)
29
Q

What is the ATL section?

A

The ATL section is where there are allocated funds for “creative” resources: head writer, showrunner, screenwriter, renowned narrators, director, or high-profile experts who contribute to the documentary’s prestige.

30
Q

What is the BTL section?

A

The BTL section cover the more practical and directly attributable costs associated with the production itself. It’s the core production expenses, including those related to filming, editing, crew salaries, and other direct production costs. This is where the tangible work of creating the documentary takes place.

31
Q

How do you prepare a budget?

A

To start, we need to evaluate the type of project:

is it ambitious or on a smaller-scale?

32
Q

What are key words to keep in mind when budgeting a movie?

A

PROJECT COMPLEXITY
SCALE AND AMBITION
RESOURCE ALLOCATION NEGOTIATIONS
FLEXIBILITY

33
Q

What is the Locked version of a budget?

A

the official Budget with the agreed-upon grand cost of production

34
Q

Why is it important not to underestimate any line in your budget?

A

From the initial presentation of the budget to the client, until arriving at a locked version you will go through a long negotiation.

Be prepared to justify every line cost properly and to face potential cuts.

For this reason, do not underestimate any line in your budget and be able to debate or remodulate any section of it.

35
Q

What is the goal in budgeting?

A

The goal is to optimize resources to achieve the desired creative vision while ensuring the project’s financial viability.

36
Q

How can resources be optimised while ensuring a project’s financial viability?

A
  • Look for accountable suppliers, close good deals with them and build loyalty.
  • Optimize the time of shooting.
  • Respect the editing schedule and timing.

*Keep cost progress updated; it will help you manage unexpected expenses or reallocate funds to other sections.

  • Listen to each creative request, discuss it, evaluate every feasibility, and work with creatives to find alternative solutions.
  • Be prepared to say ‘no’ sometimes.
  • Work side by side with the finance department.
37
Q

What are some elements, the ingredients of a docuseries that impact the budget?

A

BTL Elements:
Footage
Archives
Re-enactment
Stock pictures
Original music
Published music
VFX

38
Q

What is “Footage”?

A

recorded material on set.

39
Q

What are archives?

A

Footage archive:
collections of existing video, film footage, or television programs.

Personal archives:
materials collected from individuals who have a personal connection to the documentary’s subject.

40
Q

What is reenactment?

A

The recreation or dramatic representation of real-life events.

It involves actors re-creating scenes based on documented or researched events.

Reenactments are often used to visually illustrate aspects of a documentary narrative, particularly when actual footage or images of the events are not available.

41
Q

What is original music?

A

Musical compositions that are specifically created for a particular project and are not pre-existing or sourced from other sources.

42
Q

What impacts the cost of archived material?

A

The usage rights need to be defined in terms of:
DURATION
TARGET MEDIA
TERRITORY

Another major differentiator for archives is their origin:

Italian broadcaster archives have an average cost per minute, depending on the chosen rights, ranging from 3K to 5K euros.

An archive from abroad, especially from major U.S. broadcasters, can vary from a minimum of 7K to 15K dollars.

43
Q

What is the responsibility pf the writers?

A

Writers: responsible for developing the narrative, script, and storyline of the project.

44
Q

What is the responsibility of the director?

A

Director: reads the creative vision of the project.

45
Q

What is the responsibility of the Production Crew?

A

Production crew: coordinates and executes various aspects of production, including setting up locations, managing equipment, and overseeing day-by-day operations on the set.

46
Q

What is the responsibility of the technical crew?

A

Technical crew: Includes various technical roles such as filmmaker, sound engineers, lighting technicians, and other specialists responsible for the technical aspects of filming.

47
Q

What is the responsibility of the editing department?

A

Editing department: edits and assembles the recorded footage and archives into a coherent and engaging final product.

48
Q

What is the responsibility of the post-production department?

A

Post-production department: handles tasks after editing is done, including visual effects, sound design, color grading, and any additional enhancements to refine the final product.

49
Q

What does the Graphic-team do?

A

Graphic: creates visual elements such as graphics, titles, and animations used in the production.

50
Q

What does the legal department do?

A

Legal department: manages legal aspects, including contracts, permissions, and ensuring that
the production complies with copyright and other legal requirements.

51
Q

What does the finance department do?

A

Finance department: oversees the overall financial health of the project, including budgeting, accounting, and financial planning. Ensures that the project stays within budget constraints.

52
Q

What is a rights share?

A

A rights share in film production typically refers to the distribution of ownership or profit-sharing rights among individuals or entities involved in the creation and production of a film. It outlines how the rights and financial benefits from the film will be divided among key stakeholders such as producers, directors, writers, and investors.

It’s in the ATL section under Writers and Directors.

53
Q

What is a service share?

A

A service share in film production usually refers to a contractual arrangement where a production services company provides specific services, such as filming or post-production, in exchange for a share of the film’s profits or revenue rather than a fixed fee.

In ATL section

54
Q

What are fringes?

A

In film production, “fringes” typically refer to additional labor costs beyond the base wages, such as benefits and contributions to health insurance, retirement plans, and other employee-related expenses. These are often considered as part of the overall compensation package for the crew members involved in the production.

In BTL section

55
Q

What is TAX?

A

In film production, “tax” typically refers to the various taxes and incentives associated with filming in a particular location. This includes understanding and complying with local, regional, and national tax regulations, as well as taking advantage of any available tax credits or incentives that may be offered to filmmakers in a specific area.