Tuning Terminology Flashcards
False Beats
A false beat is heard from a single string that has an imperfection, either from the manufacturer or from age (like rust or bad termination points on the bridge or capo). If you feel like you are tuning against a false beat, test it by muting all other strings in the unison except for one. If a beat is heard from a single string, it is a false beat. Although it is difficult, it is possible to tune a string with a false beat because the real beat can still be heard when played in a unison. Also, a false beat will not speed up or slow down as you turn the tuning pin. False beats are more prominent in the treble section.
Adjacent or Parallel Intervals
run chromatically up the scale (C-E, C#-F, D-F#)
Contiguous Intervals
stacked in succession (C-E, E-G#, G#-C).
Perfect Consonance
notes that are considered to be pleasant to the ear when played together and have a slower beat rate. An example of this would be your fourths and fifths. When you hear fourths and fifths they sound pleasant and have no need for resolve.
Imperfect Consonance
thirds and sixths. These sound less pleasant when played together and have a higher beat rate per second.
minor 3rd (m3)
3 half steps
major 3rd (M3)
4 half steps
fourth (P4)
5 half steps
fifth (P5)
7 half steps
sixth (M6)
9 half steps
octave
12 half steps
frequency definition of an octave
when the note is double the frequency of another note, it is an octave above
number of cents in a half step
100
number of cents in a whole step
200
When should you perform a pitch raise on a piano?
When it is 20 cents or more flat