Trio Sonata- Corelli Flashcards

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0
Q

Context.

When was Corelli’s Trio Sonata published and which period was this in?

A

1689

Baroque period

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1
Q

Context.

Who was Corelli?

A

An Italian violinist/ composer

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2
Q

Context.

What is the function of a figured bass?

A

It tells the organ player which chords to play

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3
Q

Context.

Where would Corelli’s Trio Sonata usually have been played?

A

In church services

As entertainment in palaces

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4
Q

Context.

Which movement is the Trio Sonata taken from?

A

Last movement

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5
Q

Context.

What does idiomatic mean?

A

It is ideally suited for the instrument

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6
Q

Structure

What is a gigue

A

Fast dance
Compound time
At the end of a suite

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7
Q

Structure

What is the structure of the Trio Sonata

A

A B Binary form

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8
Q

Structure

What does monothematic mean?

A

The themes are not contrasting

The initial ideas and mood are maintained throughout the piece

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9
Q

Harmony

How is the structure clarified?

A

With a diatonic harmony and clear cadences

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10
Q

Harmony

Is the harmony functional or nonfunctional?

A

FUNCTIONAL

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11
Q

Harmony

Describe the chords

A

Mainly root position or first inversion triads

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12
Q

Harmony

What is a suspension

A

A dissonant note resolving by step to a consonant note

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13
Q

Tonality

What key does the piece modulate to at b.10-11

A

A major (dominant key)

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14
Q

Tonality

Name the keys in order that the piece passes through

A

||: D | A :||: A | D | Bm | Em | A | G | D :||

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15
Q

Melody and rhythm

What kind of rhythms does the piece have?

A

Dotted crotchet pulse

16
Q

Melody and rhythm

Describe 3 areas of rhythmic interest

A

b. 26 - Cross rhythms - 1st violin in 3/4 whilst other parts are in 6/8
b. 27 - hemiola - all 3 parts as if in 3/4
b. 26-27 - syncopation adds to the effect in the 1st violin

17
Q

Melody and rhythm

Describe the melody

A

Quaver and semi-quaver motifs

18
Q

Texture

Describe the texture in the beginning of the piece

A

It begins like a fugue
1st violin subject enters
2nd violin real answer at b.3
Subject entry in bass b.6

19
Q

Texture

What happens to the fugal subject at B

A

It is heard as a free inversion

20
Q

Texture

Describe the entries of the instruments in section B

A

They all enter a bar apart stretto

21
Q

Texture

What role does the bass take on after bar 23?

A

A more functional role

22
Q

Texture

Describe the overall texture

A

Contrapuntal polarised texture

23
Q

Texture

What is polarised texture

A

When there are instruments placed high above the bass instruments and the gap is filled by a basso continuo