Trials Deck Flashcards

1
Q

Crucible (1953) - legal system

A

plea / ten thousand –> extreme reaction + desire for absolute power –> willingness to manipulate public

weeps –> McCarthy’s manipulation of language

accuser always holy –> secular audience + Brechtian device –> communist allegations within Red Scare critique

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Crucible (1953) - marriage

A

court = house

and yet

judge

magistrate –> rejection of public pressure like Hollywood Ten

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Crucible (1953) - religion

A

permission –> power

obedience –> McCarthy’s manipulation of language

diabolism –> direct questioning of hysteria and whether it is valid or just a scare tactic –> Brechtian device –> criticism of the Red Scare’s manipulation for personal agendas

I saw - link to “holy accuser” –> Brechtian device –> secular lens –> critical of HUAC trials + communist allegations

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Tempest (1611) - control over others

A

born devil

mine

subjects

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Hag-Seed (2016) - control over others

A

bus

natures

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Tempest (1611) - control over the mind

A

indulgence

rarer

strength

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Hag-seed (2016) - control over the mind

A

elements

ninth – link to Tempest and self-constructed prisons

fool

LJCPM

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Prufrock

A

let… etherized

face

hair

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Hollow Men

A

voices + jaw

twilight

stars

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Magi

A

B/D

satisfactory

ease

alien

agony

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Rhapsody

A

twisted

street lamp

smallpox

smells

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Preludes

A

infinitely

(last but most important) time

soul (+ sparrows)

cab-horse

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

ten thousand

A

Danforth: “I should hang ten thousand that dared to rise against the law”

violent imagery
aggressive tone
hyperbole

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

judge

A

“you will not judge me more, Elizabeth” vs “I cannot judge you John”

mirrored dialogue

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

weeps

A

Danforth: “Hang them high over the town! Who weeps for these, weeps for corruption”

high modality
manipulation of language
extrapolation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

accuser always holy

A

Proctor: “Why do you never wonder if Parris be innocent, or Abigail? Is the accuser always holy now? Were they born this morning as clean as God’s fingers?”

logos
rhetorical questions

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

court = house

A

Proctor: “as though I come into a court when I come into this house”

simile

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

and yet

A

[Elizabeth] “she doesn’t want friction, and yet she must”

diegesis reveals tension within the marriage because of the social expectation for a wife to be subservient that conflicts with Elizabeth’s own morals

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

magistrate

A

Elizabeth: “the magistrate sits in your heart that judges you. I never thought you but a good man”

legal jargon

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

obedience

A

Parris: “there is either obedience or the church will burn like Hell is burning”

hellish imagery
manipulation of religious language

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

I saw

A

Abigail: “I want the light of God… I danced for the devil… I go back to Jesus… I saw Sarah Good with the Devil!”

religious lexis
manipulation of religious language

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

born devil

A

Prospero: “a born devil on whose nature \ nurture can never stick”

juxtaposition

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

mine

A

Caliban: “this island’s mine by Sycorax my mother”

personal pronoun

24
Q

subjects

A

Caliban: “I am all the subjects that you have”

plural vs singular

25
bus
prisoners: "Ain't gonna get on the back of the bus \ And you can give our land right back to us" historical allusion rap form
26
natures
Sal: "who by their very natures cannot be educated... nature versus nurture" intertextuality juxtaposition
27
indulgence
Prospero: "let your indulgence set me free" direct audience address metatheatre
28
rarer
Prospero: "the rarer action is in virtue than in vengeance" juxtaposition religious
29
strength
Prospero: "the strength I have's mine own" personal pronouns
30
elements
" "to the elements be free"... and finally she is" natural imagery
31
ninth
"the ninth prison is the play itself" intertextuality metafictive
32
fool
"Fool... it was imagination and wishful thinking, nothing but that. Resign yourself. He can’t resign himself" stream of consciousness tone
33
let... etherized
"let us go then, you and I" vs "like a patient etherized upon a table" oscillation in narration (direct address vs morbid description)
34
face
"prepare a face to meet the faces that you meet" allusion (Nietzche's masks) unnatural imagery?
35
hair
"(They will say: "How his hair is growing thin!")" stream of consciousness
36
time
"Six o'clock. The burnt-out ends of smoky days" "morning comes to consciousness" "night" "four and five and six o'clock" fragmentation -- cyclical distortion of time across preludes
37
infinitely
"The notion of some infinitely gentle \ Infinitely suffering thing. \ Wipe your hand across your mouth, and laugh" sudden change in tone from very emotive to sadistic and cold depicts the impossibility of grasping the ontological meaning of life
38
sparrows
"sparrows in the gutters" natural vs urban imagery
39
soul
"soul stretched tight across the skies that fade behind a city block" spiritual vs urban imagery link to Prufrock "evening is spread out against the sky"
40
cab-horse
"lonely cab-horse... steams and stamps" amalgamation of natural and urban images to produce an unnatural hybrid pessimistic tone --> objective correlative
41
voices
"Our dried voices... quiet and meaningless" "wind's singing more distant and more solemn than a fading star" motif Biblical allusion - star
42
stars
"there are no eyes here in this valley of dying stars" synechdoche - symbolic - link to voices Biblical allusion to Psalm 23’s “Valley of the Shadow of Death” --> barren afterlife of modern society
43
jaw
"broken jaw of our lost kingdoms" synechdoche - symbolic link to voices
44
twilight
"death's twilight kingdom \ The hope only \ Of empty men" liminal imagery allusion to afterlife
45
twisted
"Twists like a crooked pin" "A crowd of twisted things; A twisted branch upon the beach" "A broken spring in a factory yard, Rust that clings to the form" vignettes industrial images
46
street lamp
"The street lamp sputtered, The street lamp muttered" link to voices in Hollow Men personification
47
smallpox
"The moon has lost her memory. A washed-out smallpox cracks her face" subverts Romantic image natural imagery
48
smells
"nocturnal smells" "female smells" "cocktail smells" motif olfactory imagery synechdoche?
49
B/D
"Birth or Death" binary opposition -- downplays value of witnessing birth Biblical allusion
50
ease
"We returned to our places, these Kingdoms, But no longer at ease here" link to Hollow Men biblical allusion
51
satisfactory
"Finding the place; it was (you might say) satisfactory" low modality
52
alien
"With an alien people clutching their gods. I should be glad of another death" plural gods vs God -- link to Eliot's conversion to Anglo-Catholicism
53
agony
"hard and bitter agony for us, like Death, our death" image of labour
54
plea
Danforth: "I will not receive a single plea for pardon or postponement. Them that will not confess will hang."
55
permission
[Parris] "he felt insulted if someone rose to shut the door without first asking his permission" diegesis
56
diabolism
Evidently we are not quite certain even now whether diabolism is holy and not to be scoffed at diegesis religious lexis used for political manipulation and hidden agendas