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English Adv > Trials Deck > Flashcards

Trials Deck Flashcards

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Proverbs and Idioms flashcards
1
Q

Crucible (1953) - legal system

A

plea / ten thousand –> extreme reaction + desire for absolute power –> willingness to manipulate public

weeps –> McCarthy’s manipulation of language

accuser always holy –> secular audience + Brechtian device –> communist allegations within Red Scare critique

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2
Q

Crucible (1953) - marriage

A

court = house

and yet

judge

magistrate –> rejection of public pressure like Hollywood Ten

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3
Q

Crucible (1953) - religion

A

permission –> power

obedience –> McCarthy’s manipulation of language

diabolism –> direct questioning of hysteria and whether it is valid or just a scare tactic –> Brechtian device –> criticism of the Red Scare’s manipulation for personal agendas

I saw - link to “holy accuser” –> Brechtian device –> secular lens –> critical of HUAC trials + communist allegations

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4
Q

Tempest (1611) - control over others

A

born devil

mine

subjects

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5
Q

Hag-Seed (2016) - control over others

A

bus

natures

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6
Q

Tempest (1611) - control over the mind

A

indulgence

rarer

strength

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7
Q

Hag-seed (2016) - control over the mind

A

elements

ninth – link to Tempest and self-constructed prisons

fool

LJCPM

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8
Q

Prufrock

A

let… etherized

face

hair

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9
Q

Hollow Men

A

voices + jaw

twilight

stars

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10
Q

Magi

A

B/D

satisfactory

ease

alien

agony

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11
Q

Rhapsody

A

twisted

street lamp

smallpox

smells

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12
Q

Preludes

A

infinitely

(last but most important) time

soul (+ sparrows)

cab-horse

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13
Q

ten thousand

A

Danforth: “I should hang ten thousand that dared to rise against the law”

violent imagery
aggressive tone
hyperbole

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14
Q

judge

A

“you will not judge me more, Elizabeth” vs “I cannot judge you John”

mirrored dialogue

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15
Q

weeps

A

Danforth: “Hang them high over the town! Who weeps for these, weeps for corruption”

high modality
manipulation of language
extrapolation

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16
Q

accuser always holy

A

Proctor: “Why do you never wonder if Parris be innocent, or Abigail? Is the accuser always holy now? Were they born this morning as clean as God’s fingers?”

logos
rhetorical questions

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17
Q

court = house

A

Proctor: “as though I come into a court when I come into this house”

simile

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18
Q

and yet

A

[Elizabeth] “she doesn’t want friction, and yet she must”

diegesis reveals tension within the marriage because of the social expectation for a wife to be subservient that conflicts with Elizabeth’s own morals

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19
Q

magistrate

A

Elizabeth: “the magistrate sits in your heart that judges you. I never thought you but a good man”

legal jargon

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20
Q

obedience

A

Parris: “there is either obedience or the church will burn like Hell is burning”

hellish imagery
manipulation of religious language

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21
Q

I saw

A

Abigail: “I want the light of God… I danced for the devil… I go back to Jesus… I saw Sarah Good with the Devil!”

religious lexis
manipulation of religious language

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22
Q

born devil

A

Prospero: “a born devil on whose nature \ nurture can never stick”

juxtaposition

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23
Q

mine

A

Caliban: “this island’s mine by Sycorax my mother”

personal pronoun

24
Q

subjects

A

Caliban: “I am all the subjects that you have”

plural vs singular

25
Q

bus

A

prisoners: “Ain’t gonna get on the back of the bus \ And you can give our land right back to us”

historical allusion
rap form

26
Q

natures

A

Sal: “who by their very natures cannot be educated… nature versus nurture”

intertextuality
juxtaposition

27
Q

indulgence

A

Prospero: “let your indulgence set me free”

direct audience address
metatheatre

28
Q

rarer

A

Prospero: “the rarer action is in virtue than in vengeance”

juxtaposition
religious

29
Q

strength

A

Prospero: “the strength I have’s mine own”

personal pronouns

30
Q

elements

A

” “to the elements be free”… and finally she is”

natural imagery

31
Q

ninth

A

“the ninth prison is the play itself”

intertextuality
metafictive

32
Q

fool

A

“Fool… it was imagination and wishful thinking, nothing but that. Resign yourself. He can’t resign himself”

stream of consciousness
tone

33
Q

let… etherized

A

“let us go then, you and I” vs “like a patient etherized upon a table”

oscillation in narration (direct address vs morbid description)

34
Q

face

A

“prepare a face to meet the faces that you meet”

allusion (Nietzche’s masks)
unnatural imagery?

35
Q

hair

A

“(They will say: “How his hair is growing thin!”)”

stream of consciousness

36
Q

time

A

“Six o’clock. The burnt-out ends of smoky days”

“morning comes to consciousness”

“night”

“four and five and six o’clock”

fragmentation – cyclical distortion of time across preludes

37
Q

infinitely

A

“The notion of some infinitely gentle \ Infinitely suffering thing. \ Wipe your hand across your mouth, and laugh”

sudden change in tone from very emotive to sadistic and cold depicts the impossibility of grasping the ontological meaning of life

38
Q

sparrows

A

“sparrows in the gutters”

natural vs urban imagery

39
Q

soul

A

“soul stretched tight across the skies that fade behind a city block”

spiritual vs urban imagery
link to Prufrock “evening is spread out against the sky”

40
Q

cab-horse

A

“lonely cab-horse… steams and stamps”

amalgamation of natural and urban images to produce an unnatural hybrid
pessimistic tone –> objective correlative

41
Q

voices

A

“Our dried voices… quiet and meaningless”

“wind’s singing more distant and more solemn than a fading star”

motif
Biblical allusion - star

42
Q

stars

A

“there are no eyes here in this valley of dying stars”

synechdoche - symbolic - link to voices
Biblical allusion to Psalm 23’s “Valley of the Shadow of Death” –> barren afterlife of modern society

43
Q

jaw

A

“broken jaw of our lost kingdoms”

synechdoche - symbolic
link to voices

44
Q

twilight

A

“death’s twilight kingdom \ The hope only \ Of empty men”

liminal imagery
allusion to afterlife

45
Q

twisted

A

“Twists like a crooked pin”

“A crowd of twisted things;
A twisted branch upon the beach”

“A broken spring in a factory yard,
Rust that clings to the form”

vignettes
industrial images

46
Q

street lamp

A

“The street lamp sputtered,
The street lamp muttered”

link to voices in Hollow Men
personification

47
Q

smallpox

A

“The moon has lost her memory.
A washed-out smallpox cracks her face”

subverts Romantic image
natural imagery

48
Q

smells

A

“nocturnal smells”

“female smells”

“cocktail smells”

motif
olfactory imagery
synechdoche?

49
Q

B/D

A

“Birth or Death”

binary opposition – downplays value of witnessing birth
Biblical allusion

50
Q

ease

A

“We returned to our places, these Kingdoms,
But no longer at ease here”

link to Hollow Men
biblical allusion

51
Q

satisfactory

A

“Finding the place; it was (you might say) satisfactory”

low modality

52
Q

alien

A

“With an alien people clutching their gods.
I should be glad of another death”

plural gods vs God – link to Eliot’s conversion to Anglo-Catholicism

53
Q

agony

A

“hard and bitter agony for us, like Death, our death”

image of labour

54
Q

plea

A

Danforth: “I will not receive a single plea for pardon or postponement. Them that will not confess will hang.”

55
Q

permission

A

[Parris] “he felt insulted if someone rose to shut the door
without first asking his permission”

diegesis

56
Q

diabolism

A

Evidently we are not quite certain even now whether diabolism is holy and not to be scoffed at

diegesis
religious lexis used for political manipulation and hidden agendas

English Adv (4 decks)

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