Treatises Flashcards
1
Q
Plato
A
“Republic” and “Timaeus”
2
Q
Leonard Ratner (1980)
A
Classic Music: Expression, Form, and Style
3
Q
Aristotle
A
“The Politics” and “The art of Rhetoric”
4
Q
Ptolemy (2nd century CE)
A
Harmonika
5
Q
Being and Time (1927)
A
Heidegger
6
Q
Aristoxenus
A
Elementa Harmonica
7
Q
The Phenomenology of Perception (1945)
A
Merlau-Ponty
8
Q
Feeling and Form: A Theory of Art (1953)
A
Suzanne Langer
9
Q
Raymond Monelle
A
The Sense of Music: Semiotic Essays (2000)
10
Q
Music in the Galant Style
A
Robert Gjerdingen (2007)
11
Q
Quintilianus
A
De Musica (3rd-4th centuries CE)
12
Q
Kofi Agawu
A
Playing with Signs: A Semiotic Interpretation of Classic Music (1991) AND Music as Discourse: Semiotic Adventures in Romantic Music (2009)
13
Q
Boethius
A
De institutione musica (abbr. De Musica) (early 6th century)
14
Q
Zarlino
A
Le istutitioni harmoniche (1558)
15
Q
Hucbald of St Amand
A
Musica (late 9th century)
16
Q
Robert Hatten
A
Musical Meaning in Beethoven (1994)
17
Q
Musica Disciplina (c. 840)
A
Aurelian of Réôme
18
Q
Libellus cantus mensurabilis
A
Johannes de Muris (c. 1340)
19
Q
Franco of Cologne
A
Ars Cantus Mensurabilis (c. 1280)
20
Q
Micrologus
A
Guido of Arezzo (c. 1026)
21
Q
Johannes de Garlandia
A
De mensurabili musica AND De Plana Musica (both c. 1240-1260)
22
Q
Bartolomeo Ramis de Pareia
A
Musica Practica (1482)
23
Q
Johannes Tinctoris
A
Diffinitorium musicae (1495) AND Liber de arte contracpuncti (1477)
24
Q
Franchino Gaffurio
A
Theorica musice (1480, rev. 1492) AND Practica musice (1496)
25
Marchetto of Padua
Lucidarium (1317/18) AND - Pomerium in artae musicae mensuratae (“The Garden of Mensural Music”) (c. 1318-26)
26
Lawrence Kramer
Musical Meaning: Toward a Critical History (2001)
27
Roland Barthes
"Listening" (1985) and "The Grain of the Voice" (1981)
28
R Murray Schafer
"The Tuning of the World (The Soundscape)" (1977)
29
The Audible Past
Jonathan Sterne (2003)
30
David Huron
Sweet Anticipation: Music and the Psychology of Expectation (2005)
31
Hearing in Time: Psychological Aspects of Musical Meter
Justin London (2004, 2nd ed, 2012)
32
Conceptualizing Music: Cognitive Structure, Theory, and Analysis
Lawrence Zbikowski (2002)
33
Leonard Meyer
Emotion and Meaning in Music (1956)
34
Beyond Schenkerism: The Need for Alternatives in Music Analysis
Eugene Narmour (1977)
35
Pietro Aaron
Toscanello in Musica (1523),
36
Dodechachordon
Heinrich Glarean (1547)
37
Francisco de Salinas
De musica libri septum (1577)
38
Francisco de Montanos
Arte de musica theorica y pratica (1592)
39
Dialogo della musica antica et della moderna (1581)
Vincenzo Galilei
40
Joachim Burmeister
Musica Poetica (1606)
41
Johannes Lippius
Synopsis musicae novae (1612)
42
Marin Mersenne
Harmonie Universelle (1636)
43
Tractatus compositionis augmentatus (c. 1660)
Christoph Bernhard
44
Andreas Werchmeister
Musicalische Temperatur (1691)
45
Joseph Sauveur
Traité de la theorie de la musique (1697),
46
Gradus ad Parnassum
Johann-Joseph Fux (1725)
47
Johann Mattheson
Der Wollkommen Capellmeister (1739)
48
Johann David Heinichen
Der General-Bass in der Composition (1728)
49
Jean-Philippe Rameau
Traité de l’harmonie (1722), Nouveau système de musique théorique (1726), AND Génération harmonique (1737)
50
Trattato di musica (secondo la vera scienza dell'armonia) (Treaty of music according to the true science of harmony)
Giuseppe Tartini (1754)
51
Johann Adolf Scheibe
Der critische Musicus (journal from 1736-45)
52
Friedrich Wilhelm Marpurg
Abhandlung von der Fuge (Treatise on Fugue) (1753–54)
53
Anfangsgründe zur musicalischen Setzkunst (The beginnings of musical composition)
Joseph Riepel
54
Johann Philipp Kirnberger
Die Kunst des reinen Satzes in der Musik (The art of strict musical composition) (1771)
55
Kurzgefasste Methode den Generalbass zu erlernen (A brief method of learning Generalbass)
Johann Georg Albrechtsberger (1791)
56
Abbé Vogler (1776 AND 1802)
Tonwissenschaft und Tonsezkunst (Musical Science and Composition) (1776) AND Handbuch zur Harmonielehre
57
Heinrich Christoph Koch
Versuch einer Anleitung zur Composition (Introductory essay on composition) (1782-93)
58
Lodovico Zacconi
Prattica de musica (part I, 1592 and part II, 1622)
59
Jérôme-Joseph de Momigny
Cours complet d’harmonie et de composition (1806)
60
Gottfried Weber (1817-1821)
Versuch einer geordneten Theorie der Tonsetzkunst (Theory of musical composition)
61
Anton Reicha
Traite de melodie (1814) AND Traite de haute composition musicale (1824–26)
62
François-Joseph Fétis
Traité complet de la theorie et de la pratique de l’harmonie (1844), AND Traité au contrepoint et de la fugue (1824)
63
A.B. Marx
Die Lehre von der musikalischen Komposition, praktisch-theoretisch (1837-47) AND Allgemeine Musiklehre (1839)
64
Simon Sechter
Grundsätze der musikalischen Komposition (The Correct Order of Fundamental Harmonies) (1853-54)
65
Moritz Hauptmann
Die Natur der Harmonik und Metrik (1853)
66
Johann Christian Lobe
Lehrbuch der musikalischen Komposition (1850–67)
67
Eduard Hanslick
Vom Musikalisch-Schönen (On the Musically Beautiful), 1854
68
Hermann von Helmholtz
Die Lehre von den Tonempfindungen (1863)
69
Heinrich Vincent
Die Einheit in der Tonwelt (Unity in the World of Tones)
| (1862)
70
Arthur von Oettingen
Harmoniesystem in dualer Entwicklung (1866)
71
Carl Stumpf
Tonpsychologie (1883, 1890)
72
Hugo Riemann
Handbuch der Harmonielehre (1887) AND Vereinfachte Harmonielehre (1893)
73
Georg Capellen
Fortschrittliche Harmonie- und Melodielehre (Advanced harmony and melody book) (1908)
74
Our Musical Idiom (1917)
Ernst Bacon
75
Ernst Kurth (1917, 1920, and 1931)
Grundlagen des linearen Kontrapunkts (1917) AND Romantische Harmonik und ihre Krise in Wagners ‘Tristan’ (1920) AND Musikpsychologie (1931),
76
Heinrich Schenker
```
o Harmonielehre (1906)
o Kontrapunkt (two volumes, 1910, 1922)
o Der freie Satz (1935)
```
77
Schenker's periodicals
```
Der Tonwille (1921-24)
Das Meisterwerk in der Musik (1925-30)
```
78
CPE Bach
Versuch über die wahre Art das Klavier zu spielen (Essay on the True Art of Playing Keyboard Instruments)
(1753-62)
79
Arnold Schoenberg
Harmonielehre (1911), Structural Functions of Harmony (1948), Fundamentals of Musical Composition (1967)
80
Psychology of Musical Talent (1919)
Carl Seashore
81
Essays in Musical Analysis (1935-39)
Donald Tovey
82
Technqiue de mon langage musical
Olivier Messiaen (1944)
83
Hindemith
The Craft of Musical Composition (1937)
84
Felix Salzer
Structural Hearing (1952)
85
Sound and Symbol (1956)
Viktor Zuckerkandl
86
Robert Francès
La Perception de la Musique (1958)
87
Milton Babbitt
“Some Aspects of Twelve-Tone Composition” (1955), “Twelve-Tone Invariants as Compositional Determinants” (1960), “Set Structure as a Compositional Determinant” (1961), and "Twelve-Tone Rhythmic Structure and the Electronic Medium” 1962
88
Allen Forte
The Structure of Atonal Music (1973), "Pitch-class set genera and the origin of modern harmonic species" (1988)
89
Wallace Berry
Structural Functions in Music (1975)
90
David Lewin
Generalized Musical Intervals and Transformations (1987), “Music Theory, Phenomenology, and Modes of Perception.” (1986)
91
A Generative Theory of Tonal Music
Lerdahl and Jackendoff (1983)
92
Robert Morris
Composition With Pitch Classes (1987), ‘Generalizing Rotational Arrays’ (1988)
93
Phrase Rhythm in Tonal Music
William Rothstein (1989)
94
Cognitive Foundations of Musical Pitch
Carol Krumhansl (1990)
95
The Analysis and Cognition of Melodic Complexity: The Implication-Realization Model
Eugene Narmour (1990)
96
Daniel Harrison
Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of its Precedents (1994)
97
Christopher Hasty
Meter as Rhythm (1997)
98
Classical Form: A Theory of Formal Functions for the Music of Haydn, Mozart, and Beethoven
William Caplin (1998)
99
Elements of Sonata Theory
Hepokoski and Darcy (2006)
100
Dmitri Tymoczko
A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice (2011)
101
Daniel Jelensperger
L'harmonie au commencement du dix-neuvieme siècle
102
Compiled by "Peter of the Lazy Hand"
Compendium de discantu mensurabili (1336)
103
Donald Martino
"The Source Set and its Aggregate Formations" (1961)
104
Lampe
A Plain and Compendious Method of Teaching Thorough Bass (1737)
105
Interval Function Piece
Webern Op. 7 No. 3 (for violin and piano)
106
Interval Vector Piece
Webern Op. 11 No. 1 (for cello and piano)
107
Philippe de Vitry
Ars Nova (c. 1316)
108
Row derivation piece
Webern Concerto for Nine Instruments, Op. 24, movement two
109
Hexachordal combinatoriality piece
Schoenberg Variations for Orchestra, Op. 31, "Tema"
110
Allanbrook
Musical Gesture in Mozart (1984)
111
First independent continuo part
Viadana: one of his concerti (1602)
112
Expressive tonality example
Die Walkure Act I scene 2
113
19th century sonata deformation
Dvorak Piano Quintet in A minor, Bruckner Symphony 7 in E major, Mahler Symphony 6 in A minor
114
"How we got into analysis and how we got out"
Kerman (1980)
115
Schachter
Rhythm in Linear Analysis (1976, 1980, 1987), also compiled "Unfoldings" (1999)
116
"The Second Practice of Nineteenth-Century Tonality"
Krebs and Kinderman
117
Gregory Proctor
"Technical Bases of Nineteenth-Century Chromaticism"
118
Robert Bailey (1977)
"The Structure of the Ring and its Evolution"
119
McCreless
Wagner's Siegfried: Its Drama, History, and Music (1982)
120
Robert Morgan
"Dissonant Prolongations: Theoretical and Compositional Precedents" (1976)
121
Darcy (1994)
"The Metaphysics of Annihilation: Wagner, Schopenhauer, and the ending of the Ring"
122
Kielian-Gilbert
"The Functional Differentiation of Harmonic and Transpositional Patterns in Liszt's 'Consolation' No. 4"
123
Cohn (1996)
Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions
124
Catherine Losada
"Complex Multiplication, Structure, and Process: Harmony and Form in Boulez's Structures II (2014, 2016 award)
125
Elizabeth Margulis
On Repeat: How Music Plays the Mind (2013, 2014 award winner)
126
Nathan Martin
"Rameau's Changing Views on Supposition and Suspension" (2012, 2014 award winner)
127
Nicole Biamonte
"Formal functions of metric dissonance in rock music" (2014), "Triadic Modal and Pentatonic Patterns in Rock Music" (2010)
128
Cohn (1999)
"As wonderful as star clusters: Instruments for gazing at tonality in Schubert"
129
Spiral Learning book
Bruner: The Process of Education (1960)
130
Stochastic Process pieces
ST/48 and ST/10 (both 1962)
131
Crotch
Elements of Musical Composition (1812)
132
Paul Henry Lang
Schenker critic in "The Musical Quarterly" (1946)
133
Cone
Musical Form and Musical Performance (1968)
134
Cooper and Meyer
The Rhythmic Structure of Music (1960)
135
Yeston
The Stratification of Musical Rhythm (1976)
136
Dressler
Praecepta musicae poeticae (1543, on fugue)
137
Matthew Locke
Melothesia: or, certain general rules for playing upon a continued bass (1673)
