Transition Edits Flashcards
asynchronous sound
when the sound isn’t synchronized with the video.
crosscut
cuts that go back & forth between two shots happening at the same time in order to build scale, continuity and or tension.
cut
when one shot transitions to the next shot without any effect.
cutaway
a shot that “cuts away” from the main action to show supporting information – then returns to the main shot to reinforce that information.
cut-in
when you transition from a wide shot to a close-up to show an object or person in greater detail.
insert shot
very similar to the cut-in, but it doesn’t require a shift from a long-shot to close-up. Instead, this shot can be used at any time to focus on a specific element of a scene.
defocus
when you adjust the focus of the camera until it becomes entirely blurred – which can be used as a transition to go from one shot to the next.
dynamic cutting
combines different types of transition techniques to make the editing abundantly obvious to the viewer.
J-cut
when the sound of a shot or scene plays before the next shot does. In other words, it’s when the visual trails the audio.
L-cut
when the sound of a shot or scene transitions over to the next shot even though it no longer matches the video.
dissolve
a gradual transition from one shot to the next.
ripple dissolve
a specific type of dissolve that’s defined by a wavering effect.
fade
when a shot dissolves to or from black.
iris
the literal opening or closing of a camera’s iris to fade in or fade out a shot.
invisible cut
a cut that hides the fact that a cut has occurred.