Topic 2 Flashcards

1
Q

What is fashion buying?

A

Please note that fashion buying and merchandising are probably the most important management functions of any fashion retail business. If the business does not buy the goods that the customers demand, or if it fails to get the right products to the right place at the right time, then the business will suffer. Fashion buying is not simply about the buyer buy- ing what he/she personally likes, or necessarily about buying the latest trends - it is about supplying the business’s customers with what they want. The customer is always ‘king’ in fashion buying, not the buyer.
Fashion buyers typically work for department stores, retail chains, independently owned stores or wholesale distributors. A buyer for a boutique is very different from a buyer for a department store. A buyer for a boutique may rely on fashion trends and vendor suggestions when buying, while a buyer for a department store must analyse past sales for the store, profit margins and cost-of-goods-sold information before placing an order. The job of a buyer may seem easy. What is not to like about buying apparel with someone else’s money?
However, fashion buying goes far beyond the clothes themselves. The objective is to ensure that the products bought for sale are appropriate for the target market and can sell in large quantities to achieve a profit. If you are not willing to work hard, you just won’t make it in this field. You must be highly analytical, have a strong working knowledge of computers, and be able to work under pressure. You should also have strong negotiation skills. Buying is the most intense, tiring and rewarding fashion job. In general, smaller companies assign buyers a wider range of responsibilities as in department stores buying jobs are known to be less creative and more analytical.

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2
Q

The role and responsibilities of a fashion buyer (chapter 1)

A

A fashion buyer is a manager who is responsible for the selection, sales and profit of a product range within a category, for example jerseys. Buyers are responsible not only for meeting their individual sales targets, but also for the sales targets of the entire company. This dual aim means buyers often face intense pressure. A company holds buyers account- able for its plans and sales targets.

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3
Q

Progression in a buyer’s role:

The buying assistant

A

You start as a buying assistant, doing principal tasks such as organising and controlling the distribution of samples, filing fabric swatches (a swatch is a sample of cloth) and per- forming other administrative tasks.

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4
Q

The assistant buyer

A

All buyers begin as assistants. The role of the assistant buyer is to help the buyer make decisions and progress himself/herself to become a buyer. Assistant buyers assist the buyer in the purchase and tracking of merchandise. Many retailers offer executive training pro- grammes, which will help you work your way up to a buying position over several years. An inexperienced trainee can become a buyer in three to five years. However, the best place to start is with a sales associate job at a store. Many companies like to see retail experience on an individual’s CV. That way they know you have a basic understanding of the selling floor. Many buyers claim “previous store experience is an asset”, as it helps them understand the consumer.
In buying, the job progression goes from assistant buyer to associate buyer and finally to buyer. Buyers often come from computer, math, economics or business backgrounds. They differ from the traditional fashion professionals in that they often prefer analytical skills over creativity. Perhaps a buyer’s most vital assets are math skills, negotiation abilities, a forthright personality, and management and organisational skills. Buyers tend to have a working knowledge of markups and markdowns, gross margins, inventory control and turnover relationships, merchandise plans and vendor relations, along with other general accounting skills. One buyer explains: “The buyer is, in many senses, an entrepreneur… Both my assistant and I must be able to communicate effectively. We must be able to speak up and to think on our feet.”

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5
Q

The buyer

A

The buyer purchases the appropriate merchandise for the specific store’s customers. Mar- keting is one function of a buyer’s job; analysis and store visitations are others. Buyers must pay attention to how their company’s merchandise is being displayed, what colours and sizes are available, and where and how other competitors’ merchandise is displayed.
Buyers frequently collaborate with other groups within merchandising. Weekly meetings are the norm, at which they discuss upcoming sales, new strategies or targeted goals.
It is important that we explain the responsibilities of a buyer and examine the activities of those working in the buying environment.

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6
Q

Main responsibilities of a buyer (Jackson & Shaw 2001:14-16)

A

The main responsibilities of a buyer are as follows:
1 to develop and buy a range of merchandise that achieves the profit margins and is consistent with the retailer’s buying strategy
2 to source and develop products from an effective supplier base
3 to take responsibility for the negotiation of product prices including delivery and
payment terms
4 to research and evaluate all relevant product and market trends
5 to communicate effectively with suppliers, product teams and senior management
within the company
6 to work within the constraints of merchandise planning
7 to effectively manage and develop the buying team

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7
Q

All fashion buyers are responsible for selecting a range of products aimed at a specific market for a specific company. Some of the tasks undertaken by fashion buyers, in order to select a range successfully, include the following:

A

¡ identifying relevant fashion trends
¡ liaising with suppliers
¡ presenting ranges to colleagues and management
¡ calculating profit margins
¡ monitoring and analysing the sales performance
¡ reviewing and analysing competitors’ ranges

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8
Q

The role of a fashion buyer includes the following:

A

¡ liaising with suppliers
¡ negotiating (as regards price, time of payment, stock keeping, cooperative activities, volume, delivery times, physical distribution, product quality, specifications and manu- facturer assortment)
¡ liaising with internal departments (merchandise, design, quality control, garment tech- nology, fabrics and others)

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9
Q

Qualities of a successful fashion buyer

The following are qualities of a successful fashion buyer:

A
¡ versatility and flexibility 
¡ stamina and enthusiasm 
¡ conscientiousness
¡ professionalism
¡ decisiveness
¡ strong mathematical literacy
¡ creativity
¡ imagination
¡ strong motivation
¡ ability to predict fashion trends 
¡ ability to develop skills in people 
¡ time management skills
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10
Q

Applying for a fashion buying position

A

There are some important points to consider in applying for a fashion buying position. Design and product knowledge are important for a buyer but IT and numeracy skills are also essential core skills. A part of the interview process will normally include a numeracy test, with or without a calculator.

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11
Q

Applying for a fashion buying position:
Such a test aims to identify the applicant’s ability to solve simple arithmetic problems as quickly and accurately as possible. It is therefore essential to be familiar with the following:

A

¡ ratios
¡ percentages
¡ spotting numerical trends
¡ long multiplication and division
¡ conversions of fractions into percentages
A fashion buyer is therefore expected to have a knowledge of current trends, and some basic commercial skills.

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12
Q

Fashion marketing for fashion buyers (chapter 4)

A

It is vital that the fashion retailer know what his/her customers want and are expecting. Problems in defining and then keeping up with changing customer needs and expecta- tions are arguably the most important factors in successful selling. Marketing is the proc- ess of identifying and satisfying customer needs through the profitable supply of product and service benefits. It is concerned with managing the marketing mix to ensure that the benefits are delivered effectively.

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13
Q

The marketing mix (Jackson & Shaw 2001:61-63)

Study Jackson and Shaw (2001:61- 63) on the marketing mix.

A

After studying these pages, you should have a clear understanding of how fashion retailers are able to integrate and manage all the functions in business and the benefits thereof.
The marketing mix is a series of elements which have traditionally been referred to as the 4 Ps but which subsequently have grown to the 7 Ps with the acknowledgement of the importance of service to the overall package of benefits bought by customers.

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14
Q

The seven Ps are as follows: Product

A

The complete package of benefits offered to the customer.

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15
Q

The seven Ps are as follows: Place

A

The retail selling price consumers have to pay.

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16
Q

The seven Ps are as follows: Promotion

A

The wide range of activities involved from product labels, ticketing and packaging to ad-
vertising and PR and visual merchandising.

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17
Q

The seven Ps are as follows: Place of distribution

A

The channels through which the products are sold.

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18
Q

The seven Ps are as follows: People

A

Everyone who is involved in the buying and selling of the products.

19
Q

The seven Ps are as follows: Process

A

This refers to the intended customer experience of the facility (store).

20
Q

The seven Ps are as follows: Physical evidence

A

This refers to the store presentation and the promotional material.
As customers are buying a combination of benefits in the products they purchase, it is essential that fashion retailers manage the integrated contributions of all functions in the business to provide the benefits. For example, you will always buy at a store that keeps your size and where you get served quickly and efficiently.
You need to be able to discuss the 7 Ps.

21
Q

Defining the customers (customer profiles)

A

The process of identifying customer needs is called marketing segmentation and its purpose is to identify a market gap or opportunity where a group of customers sharing broadly similar needs are not being targeted or catered for by other businesses. It is important to
remember that the final target market must be clearly identified, measurable and reach- able. A segment that cannot be reached effectively, possibly owing to fierce competition, lack of a credible brand image or inappropriate distribution channels, does not represent a meaningful market.

22
Q

Methods of segmentation

A
¡ Geographic (region, city)
¡ Demographic (gender, occupation, income, age) 
¡ Socioeconomic classification
¡ Fashion attitude
¡ Lifestyle
¡ Historic purchasing behaviour
¡ Pen portraits (customer profiles)

Read Jackson and Shaw (2001:64-68) on the methods of segmentation.
*

23
Q

Range planning, price points and sourcing:

What is a season?

A

The term “season” refers to a period of time during which fashion products are sold. For example, summer and winter seasons.
The traditional fashion buying cycle occurs one year before a season, with leads for orders placed six months prior to product launch. Thus buying is based on long-term forecasts, based on historic sales.
User occasions are situations when customers develop a particular need for a product, either as a result of their attitudes and lifestyle activities or because of the time of the year, such as Christmas or Easter.

24
Q

Range planning, price points and sourcing:

Market positioning and the implications for buying

A

Market positioning determines how a product or brand will be seen and understood by its customers compared with those of its competitors. It is critical that fashion retailers have a distinctive market position and maintain it. A distinctive market position is communicated to fashion customers through the marketing mix.
Read Jackson and Shaw (2001:70 -71) on market positioning.
Market positioning provides the boundaries regarding what a target market would expect to buy from a business and provides a good starting point for determining the range of products to be included.

25
Q

Range planning, price points and sourcing:

What can lead to markdowns and high terminal stock?

A

Market positioning provides the boundaries regarding what a target market would expect to buy from a business and provides a good starting point for determining the range of products to be included (Jackson & Shaw 2001:71). Fashion retailers who make significant changes to product ranges, whether through design, line extensions, or new products, without communicating this fact to customers, risk markdowns and high terminal stock on such products (Jackson & Shaw 2001:71-72).

26
Q

Range planning, price points and sourcing:

What is a range?

A

A range is an assortment of products, which are developed under different categories to sell to customers. Products may be organised according to size and structure of the busi- ness, historical trading and current or anticipated trading plans.
The scope of a range is linked to the market position of the company. A critical issue in developing a range of products is to balance the width and depth of the range.

27
Q

Range planning, price points and sourcing:
What is a range?
Width and depth of the range.

A

¡ Width refers to how wide a choice of products is that is to be offered. For example, a company selling clothing, accessories and make-up as opposed to a company sell- ing only accessories.

¡ The depth of a range refers to the choice of styles, colours, sizes and price points avail- able to customers in significant numbers of units within product categories. Customers expect to find new styles of fashion clothing in a variety of colours and in their size.

The difficulty fashion retailers face is where to strike the balance between the width of range they offer and the depth of choice available in their range of products.
The starting point is sales history as it reflects the customers’ current-season needs. You need to balance new products with the need to retain best-sellers and core customers. A clear and up-to-date statement of the market position and the target customer will give the buyer confidence to plan a range.

28
Q

Price points

A

Price points refer to the structure of prices from low to high for the same product category. Mass-market fashion retailers have to allow for the normal distribution of customer needs, which will range from basic market entry-level items to more stylish ones where a premium price can be charged.
It is very important that the fashion retailer decide what kind of price points its market will respond to.

29
Q

Price points

What is “confusion marketing”?

A

Confusion marketing occurs when the customer is bombarded by so many price offers that he/she is unable to understand the true value that the product represents.

30
Q

Product options

A

Fashion retailers plan new season ranges around the financial resources/budget of the business. The budget is usually allocated at division level (women’s wear, men’s wear), department level (pants) and product category level (short/long pants). At product cat- egory level, buyers make decisions about styles and colours. The buyer works closely with design functions to ensure a fit between trend forecasting and the consumer profile for the organisation. The relationship with logistics and supply chain is also particularly important in determining accurate information for ticketing, labelling, warehousing and the flow of goods to stores.

31
Q

Sourcing and supply chain management (chapter 7)

A

The supply chain for fashion is complex, with many different parties being involved. Fash- ion and textiles is a volatile industry, and getting the right product in the right place at the right time can be difficult to achieve. As a result, relationships between organisations are an essential aspect of supply chain management. The retail fashion buyer is managing a complex portfolio of suppliers to meet time, fashion and cost constraints. The role of the fashion buyer is essential to a retailer’s success.
Sourcing is the selection of a supplier of either a product or the raw material components and services used in the make-up (composition) and delivery of the products. Suppliers have to be reliable, efficient and effective to retain the business of their retail customers. Retailers source globally for their textiles and apparel products to acquire cost benefits, and to acquire them in time to meet their fast-moving and demanding consumer needs.
What needs to be sourced? Everything that contributes to the finished garment sold to consumers, namely fabric, trimmings, labels, tickets, hangers, bags and the final product.

A simple supply chain
Buyers are always looking for newer, cheaper and more exciting sources of supply in order to maintain a competitive advantage over their competitors.

Read Jackson and Shaw (2001:114-115) on everything that needs to be sourced. This includes fabric, trimmings, labels, tickets, hang- ers, bags and boxes.

List three (3) advantages and three (3) disadvantages of sourcing from overseas.
*

Different ways of buying a garment
Retailers source products differently according to the nature of the product. Products fall into one of three categories: factored, cut-make-and-trim, and brands. Some retailers buy all three types of garment.

¡ Why do fashion retailers prefer to buy cut-make-and-trim garments?
It enables them to be fully aware of the true component costs of each garment.

Supply chain management
A supply chain is the integrated chain of businesses responsible for the manufacture, delivery and sale of a product to a consumer. The fashion supply chain is a series of manufacturers, agents and wholesalers, which supply the product, fabric and trimmings.
The fashion buyer plays a key role in developing and managing relationships between the company and its suppliers. A company will have a variety of types of relationships with different suppliers ranging from close partnerships with key suppliers, to developing products and generating the best outcome for both parties, through to distant relationships where it may be a one-off purchase and the emphasis is on getting the lowest price.
Often buyers will have a portfolio of relationships with manufacturers worldwide, and long-term relationships will involve a degree of social and personal relationships, as well as formal and contractual relationships between the organisations involved.

The buyer’s view of suppliers
The buyer-supplier relationship is developing into one based on joint cooperation. An “open book approach” to pricing has emerged, where the supplier ensures that the buyer is aware of all costs and profits involved in the manufacturing process (Jackson & Shaw 2001:129).
The supplier ensures that the buyer is always aware of all costs and profits involved in the manufacturing process. The supplier is also aware of the buyer’s required buying margin, as well as being fully acquainted with the buyer’s price points. The modern fashion buyer realises that the supplier is a very important part of the buying equation.

¡ Sample requirements
Samples of all the products to be purchased

¡ Base and bulk fabric tests and approval
Approval of new fabrics and bulk fabrics to be used

¡ Categories of samples Colour coding of samples:
Black for first sample, red for final correct version

¡ Fit samples
In correct fabric and checked on models

¡ Final approval pre-production sample
The final garment with correct colour and trims but without care labels and tickets

¡ Production sample
Sent to the retailer to be checked during production

¡ Print strikes-offs, lab-dips and trim approvals
Printed fabric needs to be approved. Colour is approved by “lab-dips”. Trimmings, for
example zips, buttons and embroidery, need to be approved.

32
Q

Sourcing and supply chain management (chapter 7)

A

The supply chain for fashion is complex, with many different parties being involved. Fash- ion and textiles is a volatile industry, and getting the right product in the right place at the right time can be difficult to achieve. As a result, relationships between organisations are an essential aspect of supply chain management. The retail fashion buyer is managing a complex portfolio of suppliers to meet time, fashion and cost constraints. The role of the fashion buyer is essential to a retailer’s success.
Sourcing is the selection of a supplier of either a product or the raw material components and services used in the make-up (composition) and delivery of the products. Suppliers have to be reliable, efficient and effective to retain the business of their retail customers. Retailers source globally for their textiles and apparel products to acquire cost benefits, and to acquire them in time to meet their fast-moving and demanding consumer needs.
What needs to be sourced? Everything that contributes to the finished garment sold to consumers, namely fabric, trimmings, labels, tickets, hangers, bags and the final product.

33
Q

A simple supply chain

A

Buyers are always looking for newer, cheaper and more exciting sources of supply in order to maintain a competitive advantage over their competitors.

Read Jackson and Shaw (2001:114-115) on everything that needs to be sourced. This includes fabric, trimmings, labels, tickets, hang- ers, bags and boxes.

34
Q

Different ways of buying a garment

A

Retailers source products differently according to the nature of the product. Products fall into one of three categories: factored, cut-make-and-trim, and brands. Some retailers buy all three types of garment.

35
Q

¡ Why do fashion retailers prefer to buy cut-make-and-trim garments?

A

It enables them to be fully aware of the true component costs of each garment.

36
Q

Supply chain management

A

A supply chain is the integrated chain of businesses responsible for the manufacture, delivery and sale of a product to a consumer. The fashion supply chain is a series of manufacturers, agents and wholesalers, which supply the product, fabric and trimmings.
The fashion buyer plays a key role in developing and managing relationships between the company and its suppliers. A company will have a variety of types of relationships with different suppliers ranging from close partnerships with key suppliers, to developing products and generating the best outcome for both parties, through to distant relationships where it may be a one-off purchase and the emphasis is on getting the lowest price.
Often buyers will have a portfolio of relationships with manufacturers worldwide, and long-term relationships will involve a degree of social and personal relationships, as well as formal and contractual relationships between the organisations involved.

37
Q

The buyer’s view of suppliers

A

The buyer-supplier relationship is developing into one based on joint cooperation. An “open book approach” to pricing has emerged, where the supplier ensures that the buyer is aware of all costs and profits involved in the manufacturing process (Jackson & Shaw 2001:129).
The supplier ensures that the buyer is always aware of all costs and profits involved in the manufacturing process. The supplier is also aware of the buyer’s required buying margin, as well as being fully acquainted with the buyer’s price points. The modern fashion buyer realises that the supplier is a very important part of the buying equation.

38
Q

¡ Sample requirements

A

Samples of all the products to be purchased

39
Q

¡ Base and bulk fabric tests and approval

A

Approval of new fabrics and bulk fabrics to be used

40
Q

¡ Categories of samples Colour coding of samples:

A

Black for first sample, red for final correct version

41
Q

¡ Fit samples

A

In correct fabric and checked on models

42
Q

¡ Final approval pre-production sample

A

The final garment with correct colour and trims but without care labels and tickets

43
Q

¡ Production sample

A

Sent to the retailer to be checked during production

44
Q

¡ Print strikes-offs, lab-dips and trim approvals

A

Printed fabric needs to be approved. Colour is approved by “lab-dips”. Trimmings, for
example zips, buttons and embroidery, need to be approved.