Tombs of Amiternum and Haterii (Non-Royal) Flashcards
Until further notice of archaeological sources.
Evidence that the tomb was constructed to document the matriarch’s death
Tomb of the Haterii
- Matriarch lying on a funerary bed in the atrium of the house
- Surrounded by a flute player at her feet, children beating chests in mourning
- Three newly liberated slaves, shown by their wearing of the pileus cap of freedom, are positioned below the bed → reference to matriarch’s liberality
Context of Tomb
Tomb of the Haterii
Tomb built around 100 CE.
Constructed by a family of builders, documenting the death of their matriarch and celebrating wealth.
Matriarch was a freedwoman
Tomb of the Haterii
- She is placed on a funerary bed (symbolising wealth) and there are three slaves wearing the pileus (cap of freedom) below the bed
- A treadwheel crane in front of the tomb references the family’s construction business. The Haterii helped build the Flavian Amphitheater and the Arch of Titus
- Space was collapsed e.g. woman sitting on a couch positioned above the heads of her children (Freedmen style)
Idea of the Living Dead
- The dead were portrayed as if they were alive, showing that they were still remembered by their family and friends
- Amiternum: the deceased was depicted propped up on a funerary couch
- Haterii: the woman is showing sitting on a couch while her children play below her
Context of Tomb
The Amiternum Tomb
Late first century BCE funerary relief.
Only existing scene in Roman art of the elaborate pompa (funerary procession) held.
Evidence that the tomb was constructed to document the patriarch’s death
The Amiternum Tomb
- Male figure rests on a funerary couch, transported by pallbearers.
- Floating to the right: Instrument players (pipe, horn, trumpet)
- To the immediate left: Chief mourners are shown to be a widowed woman and children.
Evidence of Funerary Practices
The Amiternum Tomb
To the immediate right: Two women, perhaps hired mourners, mourn as one dramatically grabs at her hair and the other raises her arms.
Patriarch was a Freedman
The Amiternum Tomb
Art indicates servile origins as it rejects the classicising trappings of Roman art, with disproportion, hierarchies of scale, ambiguous spatial relationships and gestural use of line.
Depiction of Gladitorial Combat
The Amiternum Tomb
References the public munificence of the deceased.