Tombs of Amiternum and Haterii (Non-Royal) Flashcards

Until further notice of archaeological sources.

1
Q

Evidence that the tomb was constructed to document the matriarch’s death

Tomb of the Haterii

A
  • Matriarch lying on a funerary bed in the atrium of the house
  • Surrounded by a flute player at her feet, children beating chests in mourning
  • Three newly liberated slaves, shown by their wearing of the pileus cap of freedom, are positioned below the bed → reference to matriarch’s liberality
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2
Q

Context of Tomb

Tomb of the Haterii

A

Tomb built around 100 CE.

Constructed by a family of builders, documenting the death of their matriarch and celebrating wealth.

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3
Q

Matriarch was a freedwoman

Tomb of the Haterii

A
  • She is placed on a funerary bed (symbolising wealth) and there are three slaves wearing the pileus (cap of freedom) below the bed
  • A treadwheel crane in front of the tomb references the family’s construction business. The Haterii helped build the Flavian Amphitheater and the Arch of Titus
  • Space was collapsed e.g. woman sitting on a couch positioned above the heads of her children (Freedmen style)
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4
Q

Idea of the Living Dead

A
  • The dead were portrayed as if they were alive, showing that they were still remembered by their family and friends
  • Amiternum: the deceased was depicted propped up on a funerary couch
  • Haterii: the woman is showing sitting on a couch while her children play below her
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5
Q

Context of Tomb

The Amiternum Tomb

A

Late first century BCE funerary relief.

Only existing scene in Roman art of the elaborate pompa (funerary procession) held.

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6
Q

Evidence that the tomb was constructed to document the patriarch’s death

The Amiternum Tomb

A
  • Male figure rests on a funerary couch, transported by pallbearers.
  • Floating to the right: Instrument players (pipe, horn, trumpet)
  • To the immediate left: Chief mourners are shown to be a widowed woman and children.
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7
Q

Evidence of Funerary Practices

The Amiternum Tomb

A

To the immediate right: Two women, perhaps hired mourners, mourn as one dramatically grabs at her hair and the other raises her arms.

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8
Q

Patriarch was a Freedman

The Amiternum Tomb

A

Art indicates servile origins as it rejects the classicising trappings of Roman art, with disproportion, hierarchies of scale, ambiguous spatial relationships and gestural use of line.

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9
Q

Depiction of Gladitorial Combat

The Amiternum Tomb

A

References the public munificence of the deceased.

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