To Be or Not To Be... Me Flashcards

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1
Q

Ken: All the world’s a stage,
And all the men and women, merely players;
They have their exits and their entrances,
And one man in his time plays many parts.

A

Ginger: If music be the food of love, play on!

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2
Q

Ted: Some are born great, some achieve greatness, and some have greatness thrust upon them!

A

Casey: I am one that loved not wisely, but too well.

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3
Q

Buffy: We are such stuff as dreams are made on.

A

Ken: The fault, dear Brutus, is not in our stars

But in ourselves, that we are underlings.

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4
Q

Casey: Neither a borrower nor a lender be.

A

Buffy: Life’s but a walking shadow. A poor player
That struts and frets his hour upon the stage,
And then is heard of no more.

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5
Q

Chad: To be or not to……….. line!

A

Charlie: (from the audience) Be!

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6
Q

Chad: What?

A

Charlie: To be!

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7
Q

Chad: I already said that!

A

Charlie: No! NOT to be!

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8
Q

Chad: Well, if it’s not “to be”, what is it?

A

Hayden: Okay, hold on everyone. Can anyone tell me why I stopped you?

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9
Q

Ginger: ‘cause we’re not projecting?

A

Buffy: ‘cause we weren’t cheating to the audience?

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10
Q

Danielle: ‘cause he, (pointing at Chad) doesn’t know his lines.

A

Chad: Shut up, Dani!

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11
Q

Danielle: It’s DANIELLE!

A

Chad: And who cares if the lines are wrong? Yeah. Who’s gonna know the difference?

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12
Q

Jordyn: Everyone!!!

A

Ted: (to Chad) Really? It’s all Greek to me.

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13
Q

Chad: Greek? I thought it was Shakespeare!

A

Ted: Same thing.

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14
Q

Jordyn: Do I need to remind you all how important this is? This isn’t just some school play. This is the Shakespeare Shakeup.

A

Hayden: (entering from the audience) Come on guys! It is a nationally recognized competition. I know the script’s not perfect, (JORDYN looks like she’s about to explode), but do you want Stratford High School to be the laughing stock of the nation???

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15
Q

Buffy: You should’ve thought about that before you cast Chad.

A

Chad: I’m doing you a favor.

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16
Q

Buffy: Favor? You’re the one getting the favor, Chad. We all know you’re only doing this show so you can pass Ms. Hathaway’s English class.

A

Chad: Whatever.

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17
Q

Jordyn: No! Not “whatever!” Would Shakespeare say “whatever?” You’re butchering my play!

A

Hayden: Jordyn, don’t you mean he’s butchering Shakespeare?

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18
Q

Jordyn: No. I mean my play.

A

Hayden: It’s my play now.

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19
Q

Ken: Uh oh. Here they go again.

A

Ginger: Yes Jordyn, you wrote it, but Hayden made it come alive.

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20
Q

Ken: Alive? Seems like we’re dead on arrival. We’ll never be ready for competition tomorrow.

A

Jordyn: We will win this competition. (pause) But if you mouth it, as many of you players do, I had as lief the town crier spoke my lines.

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21
Q

Ginger: I’m not totally sure, but I think she just insulted us.

A

Ted: Um, while we’re stopped, I have a question.

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22
Q

Ken: This ought to be good.

A

Ted: Why is everything from the plays mixed up?

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23
Q

Jordyn: WHAT?

A

Ted: I mean, I read Romeo & Juliet and I don’t remember a donkey being in it.

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24
Q

Jordyn: ARE YOU KIDDING? That’s the whole point of the Shakeup! Haven’t you been paying attention in rehearsal? Unbelievable.

A

Ted: Ohhh, I get it. (he doesn’t get it)

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25
Q

Ken: (laughing) He totally doesn’t get it. But that’s okay, Ted. You’re pretty.

A

Ted: Thanks!

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26
Q

Charlie: Can we get back to rehearsing?

A

Hayden: Actually, since we’re stopped, I could use a coffee.

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27
Q

Hayden: Let’s see who’s not important–er, I mean busy… where’s Bridget?

A

Stephanie: She’s backstage!

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28
Q

Hayden: Bridget!

A

Bridget: (bursting out from backstage) Yes! I’m here! Your understudy is here! Who am I going on for? I have all the lines memorized.

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29
Q

Chad: No one. You’re going on a Starbucks run.

A

Bridget: Oh. (pause) Again? Why do I have to go? I always get stuck going.

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30
Q

Ginger: Because you’re a Freshman.

A

Bridget: How is that fair?

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31
Q

Ginger: No one said it was. In a couple years, you can send your own Frosh to get you coffee. But right now, it’s all you. Take a deep breath and embrace your Froshiness.

A

Bridget: (takes a deep breath) Fine. What does everyone want?

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32
Q

Bridget: Stop yelling at me!

A

Ginger: We’re not yelling at you, we’re projecting at you!

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33
Q

Charlie: Well, we have to be ready. One more time everyone. Take it from the prologue and Richard III’s entrance. Action!

A

Nurse: One hunchback, feeling lost in solitude,
In fair Albany where we lay our scene.
Perhaps it was his shoes, or his hear was too small,
But no one loved Richard. Nope. No one at all.

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34
Q

Richard: Now is the winter of MY discontent.
Made even worse within this spring of love.
Since no one loves my gross, misshapen form,
Perhaps a magic flower can make a change -
The juice of it on sleeping eye-lids laid
Will make man or woman madly dote
Upon the next live creature that it sees.
And with this flower in my crippled hand,
I am determined to play a lover!

A

Witch 1: How now?

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35
Q

Witch 2: You called?

A

Witch 3: What ist thou will?

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36
Q

Richard: Aye! Have you the magic flower I spoke to you of?

A

Witch 1: We do, my lord. But, beware

Its’ magic is potent.

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37
Q

Witch 2: Love is the strongest emotion we know.

A

Witch 3: And this potion will cause one to fall madly in love with you… (looking Richard over)
Beyond their better judgement.

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38
Q

Richard: Perfect! Hand it here. Now… who to use it on?

A

Juliet: Romeo, Romeo, wherefore art thou Romeo?

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39
Q

Richard: I see a voice! What fair maiden appears?

Behind the arras I’ll convey myself.

A

Romeo: O, she doth teach he torches to burn bright!
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.

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40
Q

Buffy: Whoa, whoa, whoa! Hold up! I’m not kissing anyone!

A

Ken: Yeah, neither am I!

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41
Q

Jordyn: Guys! You don’t have to kiss! This is the scene where Romeo and Juliet meet. All you have to do is hold hands.

A

Hayden: Explain to me again why they don’t kiss? I mean, come on– they’re Romeo and Juliet. The audience will expect it.

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42
Q

Jordyn: Well, not in MY play. This is my Shakespeare Shakeup. Juliet doesn’t fall in love with Romeo in my version because Richard III uses a love spell on her so that someone will love him.

A

Buffy: Well, I don’t want to kiss him either!

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43
Q

Jordyn: You don’t! Didn’t any of you read the play?!

A

Ken: No, I just read MY lines.

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44
Q

Casey: Me too.

A

Danielle: I just counted how many lines I have to make sure it’s more than everyone else.

45
Q

Jordyn: You are all impossible to work with!

A

Charlie: We’re wasting time. Can we pick it up from where we left off?

46
Q

Buffy: Where were we?

A

Charlie: The non-kissing part.

47
Q

Buffy/Juliet: Oh yeah.
(snaps into character) Good pilgrim, you do wrong
your hand too much,
Which mannerly devotion shows in this;
For saints have hands that pilgrims’ hands do touch,
And palm to palm is holy palmers kiss.
(snaps out of character) Ewww! Kissing again!

A

Jordyn: But you don’t kiss! You just touch hands. That’s what they’re talking about!

48
Q

Buffy: Still sounds gross.

A

Jordyn: Just do it!!!

49
Q

Hayden: Well, we’ll work on that. Now the nurse enters!

A

Nurse: Madam!

50
Q

Jordyn: Wait! Why are you wearing that?

A

Casey: I’m Juliet’s nurse.

51
Q

Hayden: Yeah, why is there a nurse? Is Juliet sick?

A

Jordyn: No! Juliet’s nurse is like her nanny.

52
Q

Casey: Well, why don’t they call it that?

A

Jordyn: It’s Shakespeare!

53
Q

Casey: It’s Shakes-weird is what it is.

A

Charlie: Can we just move on?

54
Q

Nurse: Madam! (exits)

A

Juliet: I hear some noise within! Dear love, adieu!
Good night, good night! Parting is such sweet sorrow
That I shall say good night till it be morrow.

55
Q

Richard: Now, Witches! Away!

A

Witch 1: Oh, she’s way out of your league.

56
Q

Richard: Just use the potion, will you!

A

Witch 2: (rolling eyes) Your wish is our command.

57
Q

Witch 3: Some Cupid kills with arrows, some with traps!

A

Juliet: I am weary! Give me leave a while! (lies down to sleep)

58
Q

Witch 1: Now what?

A

Richard: Now potion, do thy work! Juliet, fall in love with the first thing you see! Wake when some vile thing is near! That vile thing being me!

59
Q

Macbeth: Is this a daggerrrrrrrrrr which I see beforrrrre me?

A

Jordyn: Stop! Stop! Stop!

60
Q

Chad: What?

A

Jordyn: Why are you talking like that?

61
Q

Chad: Cuz’ I’m the Scottish guy.

A

Jordyn: Who, Macbeth?

62
Q

Hayden: Are you trying to kill us? Don’t you know that name is cursed?

A

Jordyn: What, Macbeth?

63
Q

Hayden: Don’t say it again! Everyone knows it’s bad luck to say that name in the theatre!

A

Jordyn: But that’s his characters’ name!

64
Q

Chad: I’ve been calling myself Macee-Bee’s.

A

Jordyn: Well, don’t. There is no curse and don’t use that ridiculous accent.

65
Q

Ginger: But the story is based on the 11th century King who killed King Duncan in 1040 and ruled Scotland for 14 years. The Scottish accent is historically accurate.

A

Hayden: Yeah! The audience needs to know he’s Scottish! As the director, I say keep it in! Suit the action to the word, the word to the action, with this special observance that you overstep not the modesty of nature. For anything so overdone is from the purpose of playing.

66
Q

Ken: Don’t overdo it? You think that accent isn’t overdoing it?

A

Charlie: Moving on!

67
Q

Macbeth: (back in character) Tomorrrrrow and tomorrrrrow and tomorrrrrow creeeeeps in this petty pace from day to day…

A

Juliet: What angel wakes me from my flowery bed?

68
Q

Macbeth: What’s that lassie?

A

Juliet: O, how I love thee! How I dote on thee! Let me be your queen!

69
Q

Macbeth: Well, lassie – I can take ye to my castle Dunsanine, but how are ye at fighting’ trrrrrees?

A

Richard: Wait! You don’t love him!

70
Q

Juliet: Hence, away, thou foul hunchbacked toad!

A

All Witches: Burn!

71
Q

Richard: Duped by my own treachery! But hark! Who approacheth now?

A

Lady Macbeth: Now wherrrrre be me husband?

72
Q

Jordyn: Not you too!

A

Ginger: What?

73
Q

Jordyn: You don’t need that accent. No one can understand you!

A

Ginger: I know. But no one does Scottish accents when they perform Macbeth.

74
Q

Jordyn: Oh nevermind. Go on!

A

Lady Macbeth: I fearrrrr me husband’s gone a wee bit crazy. All he talks about are moving’ trrrrrees.

75
Q

Richard: Now here’s a lady with some fiery spunk,
And with this spell, she’ll envision me a hunk!
Witches, do thy work!

A

Witch 3: I do not recommend this match, but … okay…

76
Q

Lady Macbeth: To bed, to bed, to bed…

A

Julius Caesar: Friends! Romans! Countrymen! Lend me your ears!

77
Q

Jordyn: Why are you carrying that pizza box?!

A

Julius Caesar: Because I’m Little Caesars/

78
Q

Jordyn: Julius Caesar. Not Little Caesars!

A

Ted: Same thing, right?

79
Q

Jordyn: NO!

A

Charlie: And that pizza box wasn’t on the prop list!

80
Q

Hayden: I like it. I think it adds to the character.

A

Ted: I mean, the dude’s from Italy, right? They like… invented pizza… I think…

81
Q

Chad: Did someone say pizza?

A

Stephanie: (looks in the box then takes the box) Pizza pizza!

82
Q

Casey: Who was that?

A

Hayden: Yes, I vote to keep the pizza… wherever it is!

83
Q

Charlie: No! You’re not serious are you?

A

Chad: What do you know about it? You’re just the stage manager.

84
Q

Charlie: Hath not a Stage Manager eyes?
Hath not a Stage Manager hands, organs, dimensions, senses, affections, passions?
Fed with the same food, hurt with the same weapons, subject to the same diseases,
healed by the same means, warmed and cooled by the same winter and summer as an actor is?
If you prick us, do we not bleed? If you tickle us, do we not laugh?
If you poison us, do we not die? And if you wrong us, shall we not revenge?

A

Charlie: What?

85
Q

Chad: Hmph. Now who’s being dramatic? Maybe you should be an actor.

A

Hayden: That’s all we need. Please continue.

86
Q

Richard: Cursed be the man who stands in my way! Hence, be gone!

A

Julius Caesar: Et tu, Richard Three?

87
Q

Lady Macbeth: O, Caesar! Ruler, king, perfect, divine!

A

Julis Caesar: Whoa! Who are you?

88
Q

Lady Macbeth: O, I do love thee! Therefore, go with me! I’ll leave my husband to his moving trees
And pledge to be your new Italian Queen!
We wed tomorrow eve, on March fifteen!

A

Julius Caesar: Cool.

89
Q

Richard: No! You cannot love him! It cannot be!

A

Lady Macbeth: Out! Defused infection of a man! Out I say!

90
Q

Julius Caesar: Mmmm… March 15. That date sounds familiar…. I think I may have something going on that day…

A

Witch 1: Sorry, Richard, ol’ pal. Looks like it wasn’t meant to be.

91
Q

Bridget: (comes in holding multiple coffee trays) Here’s your coffee.

A

Casey: Hey! That’s mine!

92
Q

Stephanie: ‘Sup.

A

Casey: Seriously, who is that?

93
Q

Charlie: NO! No breaks! Not now!

A

Bridget: Then why did I go?

94
Q

Ted: Since we’re stopped, again… Can I ask a question?

A

Jordyn: If you must.

95
Q

Ted: I don’t get the ending. The play just sort of stops.

A

Jordyn: How can you say that? I don’t know why I bother trying. You know we’ve never won the Shakeup. At least I’m trying here, can you all say the same?

96
Q

Hayden: Are you saying it’s their fault? You wrote it.

A

Ken: Our fault? You two are in charge. If it’s not working, it’s on you!

97
Q

Casey: Definitely! And you both need to fix this now. I was at my NYSSMA competition at Avon High School yesterday and I happened to see some of their Shakeup rehearsal. It was awesome. They had a great concept yet again.

A

Ken: You saw their rehearsal? What are they doing?

98
Q

Casey: Shakespeare… in space.

A

Ted: Oh, that old idea.

99
Q

Ken: It’s better than this! We’ll never win now.

A

Jordyn: That’s it! You don’t like my play, do it yourselves! (pause) Good luck! (Jordyn exits)

100
Q

All: Gasp!

A

Danielle: Great! Now look what you’ve done!

101
Q

Chad: Wait a minute! Wait! A! Minute! Back to me. Why do we have girls dressing like boys and boys dressing like girls?

A

Hayden: Good point! I don’t know. We can just change it.

102
Q

Jordyn: No! Because Portia is a Shakesperean heroine who disguises herself as a man!

A

Hayden: Oh… back so soon…. think of it as a great acting challenge.

103
Q

Casey: Ohhhh. I thought girls just wanted to play pretty parts. Like Juliet. You know, like… the roles written for girls to be girls.

A

Buffy: Actually, in Shakespeare’s day, all the role were written for men.

104
Q

Casey: Say what?

A

Buffy: It’s the classic inequality of women’s roles in society. Women weren’t allowed onstage.

105
Q

Ginger: Ugh. That is SO 16th century.

A

Buffy: And actually, the part I’m playing–Portia… In Shakespeare’s day, a male actor would play this female role who disguised themself as a male.

106
Q

Chad: Typical. Women stealing all the male roles.

A

Ginger: Ugh. You are such a “meninist.”

107
Q

Buffy: I think it’s pronounced “misogynist.”

A

Charlie: FOCUS PEOPLE!!!

108
Q

Hayden: Back to the play!

A

Danielle/Richard: Finally! (snaps into character)
How now? Who do I see right before me?
Three young boys laughing and smiling with glee.
Their happiness and joy I know not of.
I ask you there, tell me what tis’ to love?

109
Q

Portia: It is to be made of sighs and tears, and so I am for Bossa-Nova!

A

Charlie: Bassanio!