TLE EXAM Q1 Flashcards

1
Q

are often used as a tool to judge the validity of any work of art including clothing designs

A

Principles of design

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2
Q

It refers to the equal distribution of weight (actual/visual) form a central point or
area. It is a state of equilibrium.

A

Balance

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3
Q

it occurs when identical objects are equidistant from a center (real/imaginary) and the objects appear to equalize each other.

A

Formal/Symmetrical Balance

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4
Q

It occurs when objects are arranged on the either side of a center real or imaginary are equal (in weight/mass/) but not identical.

A

Informal/Asymmetrical Balance

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5
Q

It occurs when the major part of the design emanates from a central point.

A

Radial Balance

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6
Q

it is the pleasing relationship of areas.

A

Proportion

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7
Q

It is dominance or concentration of interest in
one area of a design that prevails as center of attention and is more eye arresting than any other part.

A

Emphasis

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8
Q

It is also called harmony. It is achieved when the fundamental elements, line, shape, color and texture have been used to express a single concept or theme.

A

Unity

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9
Q

are the basic units of a visual image; they include form,
shape, space, line, color and texture.

A

Elements of design

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10
Q

It refers to the outside dimensions of the contour of an object. When the silhouette of the body is observed, the shape of the body is seen.

A

Shape

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11
Q

(full skirt) it reveals feminine curves. It comes and goes in fashion but remains popular in classics such as the skirt maker dress or blouse and gathered skirt combination.

A

Bell Silhouette

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12
Q

it has a limited appeal but is found frequently in traditional wedding gown styles.

A

Bustle/back-fullness

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13
Q

It indicates the dimensions of length and width. The edges of a line define and create shape.

A

Line

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14
Q

It is the background area found between shapes. Space divisions are an important part of design.

A

Space

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15
Q

is a series of connected diagonal lines. It forces the eyes to shift direction abruptly and repeatedly in an erratic and jerky movement.

A

zigzag line

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16
Q

it takes four directions; extreme, approaching a circle, gentle or subtle or almost straight.

A

Curved lind

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17
Q

Color originates from a light source, that is either view directly or as reflected light. Daylight or white light contains light waves for all colors.

A

Color

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18
Q

What are the primary colors.

A

red, yellow, blue

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19
Q

What are the secondary colors.

A

Green, orange, violet

20
Q

created by mixing primary and secondary colors

A

Tertiary colors

21
Q

is the lightness or darkness of a hue (color). The value of a hue can be changed by adding black or white.

A

Value

22
Q

the brightness or dullness of a hue (color). Pure hues are high-intensity colors.

A

Intensity

23
Q

a sensory impression understood by sight as well as by touch.

A

Texture

24
Q

Our guide in making a project and if properly done helps us manage our resources correctly such as time, money, materials and manpower resulting to the success of a project.

A

Project Plan

25
Q

a flexible tape with different type of measurements essential for taking body measurements.

A

Tape measure

26
Q

taken horizontally and most of them go around the entire circumference of the body.

A

Girth measure

27
Q

taken vertically and their primary purpose is to measure the distance between reference points on the body.

A

Length Neasurement

28
Q

the exact measurement as taken from the specific body part

A

Raw body measurement

29
Q

clothing, especially outerwear; garments; attire

A

Apparel

30
Q

the upper part of a woman’s dress which covers the body from the neck or shoulders to the waist.

A

Bodice

31
Q

comfortably fitted (not so tight and not so loose)

A

Snug

32
Q

is the very foundation upon which pattern making, fit and design are based. The basic pattern is the starting point for which flat pattern designing. It is

A

Basic or block pattern

33
Q

It is the art of manipulating and shaping a flat piece of fabric to conform to one or more curves of the feminine figure

A

Pattern Making

34
Q

3 basic factors of pattern making.

A

Technical, Craftsmanship, Artistry

35
Q

methods of procedure for making the pattern with the use of the modern block system.

A

Technical

36
Q

is an essential to good pattern designing.

A

Craftsmanship

37
Q

in pattern designing is clearly revealed in this muslin proof.

A

Artistry

38
Q

Characteristics of a Basic Patter

A

details of individual design
one control darts
no seams, hems or fullness extra added

39
Q

Purposes of making a basic pattern

A

look at the measurement accuracy
for economy
for accuracy

40
Q

Ways of making basic pattern

A

by draping
by drafting body measurements
no modifying patters

41
Q

is a free hanging part of an outer garment or undergarment extending from the waist down to a particular length of the garment.

A

Skirt

42
Q

referred to as a pencil skirt, this skirt is a straight line with no flare or fullness at the hem or waistline.

A

Straight skirt

43
Q

is a skirt style just above the knee and it gives a flattering effect to the wearer.

A

Short straight skirt

44
Q

is best when they end to the part of the legs that begins to taper.

A

Long Straight Skirt

45
Q

is a perfectly plain one-piece dress or waist fitted to the figure as dictated by the current style.

A

Foundation pattern