TLE EXAM Q1 Flashcards

1
Q

are often used as a tool to judge the validity of any work of art including clothing designs

A

Principles of design

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2
Q

It refers to the equal distribution of weight (actual/visual) form a central point or
area. It is a state of equilibrium.

A

Balance

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3
Q

it occurs when identical objects are equidistant from a center (real/imaginary) and the objects appear to equalize each other.

A

Formal/Symmetrical Balance

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4
Q

It occurs when objects are arranged on the either side of a center real or imaginary are equal (in weight/mass/) but not identical.

A

Informal/Asymmetrical Balance

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5
Q

It occurs when the major part of the design emanates from a central point.

A

Radial Balance

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6
Q

it is the pleasing relationship of areas.

A

Proportion

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7
Q

It is dominance or concentration of interest in
one area of a design that prevails as center of attention and is more eye arresting than any other part.

A

Emphasis

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8
Q

It is also called harmony. It is achieved when the fundamental elements, line, shape, color and texture have been used to express a single concept or theme.

A

Unity

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9
Q

are the basic units of a visual image; they include form,
shape, space, line, color and texture.

A

Elements of design

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10
Q

It refers to the outside dimensions of the contour of an object. When the silhouette of the body is observed, the shape of the body is seen.

A

Shape

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11
Q

(full skirt) it reveals feminine curves. It comes and goes in fashion but remains popular in classics such as the skirt maker dress or blouse and gathered skirt combination.

A

Bell Silhouette

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12
Q

it has a limited appeal but is found frequently in traditional wedding gown styles.

A

Bustle/back-fullness

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13
Q

It indicates the dimensions of length and width. The edges of a line define and create shape.

A

Line

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14
Q

It is the background area found between shapes. Space divisions are an important part of design.

A

Space

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15
Q

is a series of connected diagonal lines. It forces the eyes to shift direction abruptly and repeatedly in an erratic and jerky movement.

A

zigzag line

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16
Q

it takes four directions; extreme, approaching a circle, gentle or subtle or almost straight.

A

Curved lind

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17
Q

Color originates from a light source, that is either view directly or as reflected light. Daylight or white light contains light waves for all colors.

A

Color

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18
Q

What are the primary colors.

A

red, yellow, blue

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19
Q

What are the secondary colors.

A

Green, orange, violet

20
Q

created by mixing primary and secondary colors

A

Tertiary colors

21
Q

is the lightness or darkness of a hue (color). The value of a hue can be changed by adding black or white.

22
Q

the brightness or dullness of a hue (color). Pure hues are high-intensity colors.

23
Q

a sensory impression understood by sight as well as by touch.

24
Q

Our guide in making a project and if properly done helps us manage our resources correctly such as time, money, materials and manpower resulting to the success of a project.

A

Project Plan

25
a flexible tape with different type of measurements essential for taking body measurements.
Tape measure
26
taken horizontally and most of them go around the entire circumference of the body.
Girth measure
27
taken vertically and their primary purpose is to measure the distance between reference points on the body.
Length Neasurement
28
the exact measurement as taken from the specific body part
Raw body measurement
29
clothing, especially outerwear; garments; attire
Apparel
30
the upper part of a woman’s dress which covers the body from the neck or shoulders to the waist.
Bodice
31
comfortably fitted (not so tight and not so loose)
Snug
32
is the very foundation upon which pattern making, fit and design are based. The basic pattern is the starting point for which flat pattern designing. It is
Basic or block pattern
33
It is the art of manipulating and shaping a flat piece of fabric to conform to one or more curves of the feminine figure
Pattern Making
34
3 basic factors of pattern making.
Technical, Craftsmanship, Artistry
35
methods of procedure for making the pattern with the use of the modern block system.
Technical
36
is an essential to good pattern designing.
Craftsmanship
37
in pattern designing is clearly revealed in this muslin proof.
Artistry
38
Characteristics of a Basic Patter
details of individual design one control darts no seams, hems or fullness extra added
39
Purposes of making a basic pattern
look at the measurement accuracy for economy for accuracy
40
Ways of making basic pattern
by draping by drafting body measurements no modifying patters
41
is a free hanging part of an outer garment or undergarment extending from the waist down to a particular length of the garment.
Skirt
42
referred to as a pencil skirt, this skirt is a straight line with no flare or fullness at the hem or waistline.
Straight skirt
43
is a skirt style just above the knee and it gives a flattering effect to the wearer.
Short straight skirt
44
is best when they end to the part of the legs that begins to taper.
Long Straight Skirt
45
is a perfectly plain one-piece dress or waist fitted to the figure as dictated by the current style.
Foundation pattern